Richard Long: Heaven and Water
There is a seeming antithesis between the realities of an invasive ‘Time Team’ archaeological in...
Inverleith House in the grounds of the Botanical Gardens in Edinburgh is showing the late works of P...
Seduced by Art: Photography Past and Present, National Gallery, London and Shoot! Existential Photog...
Richard Hamilton: The Late Works
Just what is it that makes Richard Hamilton’s works so different, so appealing? Sadly, the current...
Retelling history through art – an interview with Kimathi Donkor
Kimathi Donkor is an artist with an appetite for historical research. Born in Bournemouth in 1965, D...
Pre-Raphaelites – Victorian Avant-Garde
Tate Britain, London, 12 September 2012–13 January 2013. The Pre-Raphaelite Brotherhood, formed in...
The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...
Reading the Head. Celia Scott Head to Head Sculptures
The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...
Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950-1...
With its iconic architectural silhouette atop the hills of Los Angeles and its status as one of the ...
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Pipilotti Rist – Eyeball Massage
Once upon a time there was a girl called Elisabeth Charlotte Rist who was born in the Alps of Switze...
Painting Canada: Tom Thomson and the Group of Seven
This winter, The Dulwich Picture Gallery takes us on a tour of the seductive world of Canada...
Iconic images of war and martyrdom present very different sides of the same coin...
Rachel Howard is not an artist to shy away from heavy subject matter; sin, suicide, madness, the fra...
A life-size crocheted brown bear (crochetdermy = due to it resembling taxidermy), a cross-stitched w...
Post Office or Postmodern? Postmodernism: Style and Subversion, 1970-1990
'The design for the extension to the National Gallery, London, when finally won in competition by Ro...
In this exhibition Rothko’s work is experienced counter-intuitively. The instructions Rothko gave ...
Rudolf Steiner and Contemporary Art and Thinking without limits: Inspired ...
Think about a 20th century without Rudolf Steiner...
Radical Bloomsbury: The Art Of Duncan Grant and Vanessa Bell, 1905
Radical Bloomsbury at the Brighton Museum and Art gallery seeks to re-evaluate the work of Duncan Gr...
When is a Pavilion not a Pavilion? Can it not be a seasonal construction? What does it contain? Pete...
Royal Academy of Arts Summer Exhibition 2011: Architecture Room
The Architecture Room is a longstanding and traditional part of the Summer Show and is open for exhi...
Rooms With A View: The Open Window in the 19th Century
The Metropolitan Museum of Art, New York, 5 April...
PINTA, The Latin American Art Fair
Following last year’s success, the second Latin American Art Fair, PINTA opens on Monday 6th June ...
Romantic Moderns: English Writers, Artists And The Imagination From Virginia Woolf To John Piper By...
Picasso: Guitars 1912-1914 at Museum of Modern Art, New York 13 February–6 June 2011...
Picturing Paradox. The Sound of One Hand: Paintings and Calligraphy by Zen...
Zen is an exacting practice, typically requiring years spent seeking a state that, ultimately, is re...
The death of poet Peter Porter in London in April this year prompted the superlative accolades he de...
Professor Richard Gregory, 1923
Professor Richard Gregory, who died on 17 May, was without doubt the foremost scientist of his gener...
Reality Check. Two Performances by Anindita Dutta at Fukuoka Asian Art Mus...
Clay or soil is all around us but we hardly take notice. But in the hands of this Indian artist, suc...
Picasso: the Mediterranean Years (1945-62)
The enormous success of this late Picasso show, critical and popular, was made all the more poignant...
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