The world is yours, as well as ours
This exhibition takes the visitor on a whirlwind tour of some of China’s most recent abstract work...
This retrospective looks at the work of a group of performance artists from St Petersburg in the lat...
After more than a decade and over £250m in funds, Tate Modern’s new sibling has opened its doors,...
This intriguing exhibition attempts to capture the elusive nature of the human voice, with live perf...
Showcasing his work from 1921 to his death in 1964, this exhibition allows the visitor to fully appr...
Tim Slade: ‘The whole point about erasure is to allow you to pretend tha...
The Destruction of Memory charts the global loss of historic artefacts through war and terrorism. It...
The beautiful book: art publishing today
Art books have a special appeal: they are beautiful, collectable objects that are a pleasure to hold...
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Concerned with the human condition and the solitary existence of individuals, Hamilton’s paintings...
In this exhibition, which comprises three triptychs and two small standalone pieces, Jaray’s inter...
Sunken Cities: Egypt’s Lost Worlds
Ongoing excavations of two rediscovered cities have shone light on a rich era in Egyptian history, a...
Stephen Prina: ‘The exhibition was really about considering whether I co...
The post-conceptual artist talks about his hometown, studying with John Baldessari at California Ins...
Sara Greenberger Rafferty: ‘What is more essential than how one faces th...
The multimedia artist talks about constructing the self through the language of clothing...
Steven Claydon: interview, Art Sheffield 2016
Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...
Spencer Finch: The Opposite of Blindness
In his third solo exhibition at the Lisson Gallery, Finch attempts to take visitors beyond the limit...
Todd Oldham: ‘I wasn’t very fashionable, so it was to our advantage th...
The New York-based designer talks about designing $10,000 dresses, his aversion to using animal mate...
Terry Setch: ‘I regarded the beach as a playground – somewhere you can...
The artist explains his practice, recalling memories of the beach at Penarth and his desire to exten...
Three Generations: Passing on the Eyton drive
As they prepare for their first exhibition showing together as a family, Anthony Eyton RA and his sc...
Secret Surface: Where Meaning Materialises
Prepare for a sensory bombardment in this sprawling exhibition, which examines the concept of surfac...
As the brutalist bunker that used to house the Whitney opens its doors as the Met Breuer, has the wa...
At 17, Shore was already photographing Andy Warhol and his collaborators. This comprehensive exhibit...
Takashi Murakami’s Superflat Collection – from Shōhaku and Rosanjin t...
Artist Takashi Murakami has built up a vast collection centred around contemporary art, but also inc...
Sergio Caballero: ‘I’m interested in the creative process. I couldn’...
The Spanish artist, composer, film-maker and director of Barcelona’s Sónar Festival talks about h...
Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...
Superflex, Jakob Fenger, Rasmus Nielsen, Bjørnstjerne Christiansen, Copenhagen, Denmark, Jerwood Vi...
A Harvey Nichols paper bag, a single branch from a plum tree and a pile of shaved fur coatsare some ...
This solo show explores the archives of photographer Shigeo Anzaï, looking at his role in documenti...
New York’s Jewish Museum courts the unconventional in a powerful group show that its curators clai...
The winner of the Turner Prize will be announced on 7 December. If art holds up a mirror to society,...
The Body as Language: Women and Performance
This historically salient show, examining the birth and development of performance art in relation t...
Sara VanDerBeek: Electric Prisms, Concrete Forms
As the artist returns for her third solo show at The Approach in London, she continues to create thr...
Thomas Heatherwick: ‘Art is like a hovering cloud of energy and attentio...
The designer and founder of Heatherwick Studio talks about growing up with Duchamp’s Nude Descendi...
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