Schwitters In Britain. Tate Britain, London, 30 January–12 May 2013. This comes as a timely exhibi...
Susan Hiller’s exhibition: Channels (2013) at Matt’s Gallery in East London is a large audio-scu...
The Armory Show 2013. The name is all. Forget that’s it’s held on two piers and in a tent anchor...
Urban Narratives at L’Espace Louis Vuitton Tokyo gives a glimpse of what it is like to live in a c...
Ursula von Rydingsvard: interview
This is her moment. Named Storm King Art Center's artist of the year, Ursula von Rydingsvard has jus...
Tate Modern 2012 Programme in Retrospect: the Place for Performance
It came as no surprise, in January, when Tate Modern announced that 2012 was an exceptional year for...
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Silvia Hatzl: A Fragile Existence
Silvia Hatzl. 'My works are born through a series of stages, most of them sensual; touching, smellin...
Special issue 2010, Volume 209 Number 1032
Studio International, Special issue 2010, Volume 209 Number 1032...
The skill with which Jan Van Ecyk portrays the everyday object is remarkable. He brings life and lig...
The Liverpool Biennial 2012 – the UK Biennial of Contemporary Art
The Liverpool Biennial 2012 brings together dozens of different exhibitions comprising artworks by m...
Freud Museum, London, until 20 November 2012. Saying It is an exhibition that presents a mise-en-sc...
Love it or hate it, the Turner Prize is upon us once again, and, after a year’s sojourn at the BAL...
Taking a transnational picture: an interview with Maryam Najd
Contemporary online art journal with reviews, analysis and comment...
Ships and Sirens at Festival time
Susan Philipsz Timeline 2012, The Edinburgh Arts Festival 2012. The artist Susan Philipsz launched h...
The Afghan Seminars – dOCUMENTA 13
This year, in addition to its home-base in Kassel, dOCUMENTA (13) has satellite venues in Kabul, Ale...
Shezad Dawood. Piercing Brightness
In his feature length film, Piercing Brightness, Shezad Dawood uses the genre of science fiction to ...
The lucrative relationship between celebrity and commerce is assumed in an age of branding and image...
The Armory Show: A Personal View
Art fairs are not places conducive to the contemplation of works of art, nor do they necessarily cla...
The Steins Collect. Matisse, Picasso and the Parisian Avant-Garde
When Leo Stein settled in Paris in late 1902 it was with the same romantic intention, as so many bef...
The Mystery of Appearance: Conversations Between Ten British Post-War Pain...
Contemporary online art journal with reviews, analysis and comment...
The Pot of Gold at the Other Side of the Atlantic. Cecil Beaton: The New Y...
Museum of the City of New York, 25 October 2011...
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