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Abstract Expressionism: Looking East from the Far West

This exhibition considers abstract expressionism through its Asian-American practitioners, with a fo...

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Stan Douglas: ‘A re-enactment is an event that becomes processed in memo...

Photographer and film artist Stan Douglas talks about his new works, which extend his interest in hi...

Tove Jansson (1914-2001)

Studio International visited the Dulwich Picture Gallery to view the Finnish artist Tove Jansson’s...

Jean Prouvé: Architecte des Jours Meilleurs (Architect of Better Days)

The French architect Jean Prouvé was a radical modernist whose graceful prefab buildings used cutti...

Alina Szapocznikow: Human Landscapes

A superlative exhibition at the Hepworth Wakefield unpacks the fleshly and sticky oeuvre of forgotte...

Grace Weir: ‘I often think through the camera’

In Irish film artist Grace Weir’s latest exhibition, Unfolded, past and present, the real and repr...

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Ilya and Emilia Kabakov: Not Everyone Will Be Taken Into the Future

This first large-scale British retrospective of work by the US-based Russian installation artists Il...

Paula Rego: The Boy Who Loved the Sea and Other Stories

Consummate storyteller Paula Rego brings her cast of mermaids and misfits to a town that seems forge...

Juno Calypso: ‘Male critics don’t think women are funny, they don’t ...

London-based photographer Juno Calypso talks about femininity and disappointment in a man’s world...

Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...

Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...

Nicolás Herrera: Enchanted Nature – Deforestation and the Environment

Enchanted Nature: Deforestation and the Environment, on show in Beijing, is an exhibition of 61 draw...

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Kelly Richardson: The Weather Makers

The barren, dystopian landscapes of Kelly Richardson’s audiovisual installations are hypnotically ...

Reflections: Van Eyck and the Pre-Raphaelites

This wishy-washy exhibition is a lesson in tenuous connections...

Yuri Pattison: context, collapse

In the first exhibition at mother’s tankstation project’s new London gallery, Yuri Pattison’s ...

Julie Montgarrett: ‘I have always gravitated to the seductive character ...

Australian artist Julie Montgarrett uses her work to explore the continent’s problematic colonial ...

David Hartt: In the forest

In his filmic and photographic portraits of architect Moshe Safdie’s abandoned 1968 housing projec...

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Soutine’s Portraits: Cooks, Waiters and Bellboys

Chaïm Soutine, who inspired many of the 20th century’s greatest painters, brought the strange and...

Anni Albers: Touching Vision

Remaining committed to the Bauhaus ideals of uniting art and design as one field of form-production,...

Art and China after 1989: Theater of the World

The curatorial mission, to showcase the influence on artists and their practice of two distinct mome...

Matthias Dörfelt: There are not many people using code and technology as ...

The Los Angeles-based German digital artist talks about computer programs, his interest in bitcoin, ...

Jasper Johns: ‘Something Resembling Truth’

The first comprehensive exhibition of Jasper Johns to be held in the UK in the past 40 years looks b...

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Russian Revolution: A Contested Legacy

The exhibition is unique as a form of intergenerational and intercultural dialogue. It brings togeth...

Alex Katz: ‘Ultimately, content is not important. The style is what is i...

As his student subway drawings go on show alongside recent paintings and sculptures at Timothy Taylo...

Pavel Brăila: 'Roots are the most important thing that we have’

After a summer of double Documentas, the Moldovan artist Pavel Brăila is now included in the second...

Monica Bonvicini: 3612,54 M³ VS 0,05 M³

In her latest exhibition, the rather unwieldy title of which refers to the volume of space in the ga...

Cai Guo-Qiang: Fireflies

Philadelphia’s most illustrious thoroughfare celebrated its 100th anniversary with a spectacular a...

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Rachel Whiteread Retrospective

In the most substantial survey of Rachel Whiteread’s work to date, the Tate looks back over 30 yea...

Idris Khan: Absorbing Light

Reflections on the horrors of one of Syria’s most famous prisons have driven Idris Khan to new for...

Nathalie Du Pasquier: ‘From the beginning, I did not belong to the desig...

In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful...

Expo Chicago 2017

An ambitious Expo Chicago showed positive signs of a refined personality, an adventurous pioneering ...



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