Roger Palmer – interview: ‘I have always treated photography as a form...

Following an exhibition based on Robinson Crusoe and a new book of photographs of South Africa’s d...

Rachel Howard – interview: ‘I like to contradict myself, trip myself u...

The artist talks about her interest in madness and the edge of things and the five large-scale paint...

Fiona Tan: Disorient

Tan’s two-screen video installation is an unsettling look at the legacy of colonialism and a stark...

David Batchelor: My Own Private Bauhaus

Batchelor’s playful exploration of colour through sculpture, installation and painting pays tribut...

Sammy Baloji – interview: ‘I’m not interested in colonialism as a th...

The Brussels-based Congolese artist talks about the past and present of colonialism and mineral extr...

David Wojnarowicz: History Keeps Me Awake at Night

A comprehensive survey of the impassioned American artist and writer proves his relevance then and n...

Game, Set, Match: Three concepts of the artist’s book

An exhibition of artists’ books, including works by Yves Klein, Andy Warhol and Thomas Hirschhorn,...

Sohrab Hura – interview: ‘The only thing I can take responsibility for...

The photographer talks about his new book, Coast, and his aim of sucking viewers in with a narrative...

Michael Landy – interview: ‘The projects no longer exist, but they are...

The sociologically inclined Landy is creating an exhibition marking the 50th anniversary of the Kald...

Bartolomé Bermejo: Master of the Spanish Renaissance

A display of paintings by Spanish Renaissance painter Bartolomé Bermejo forms a picture of religiou...

Bertille Bak – interview: ‘The world of art is a territory capable of ...

At the Merz Foundation in Turin, on the occasion of its third art prize, Bertille Bak reflects on a ...

Leila Heller – interview: ‘The Upper East Side is hot again and I love...

Gallerist Leila Heller talks about showing Andy Warhol and Jean-Michel Basquiat in the 1980s, after ...

Heike-Karin Föll: Speed

In her first institutional solo show, the German artist plays on the fast fickleness of commodificat...

Junya Ishigami’s Serpentine Pavilion

Perhaps this is an idea that looked good on paper, but with its dark slate roof and unstable-looking...

France-Lise McGurn – interview: ‘I think I’ve got a certain aestheti...

McGurn talks about motherhood, sleeplessness and strangeness in Glasgow, Berlin and Ibiza, and how t...

Ima-Abasi Okon

Old air-conditioning units, poor-quality ceiling tiles coated with ultrasound gel and gold – the u...

Milton Avery: The Late Portraits

Focusing on works done in the final four years of Avery’s career, these portraits depict the peopl...

Leo Warner – interview: ‘If you put the technology first, you can end ...

Warner, design director of multimedia visual artists and impresarios 59 Productions talks about coll...

Alberto Giacometti: A Line Through Time

This remarkable show traces Giacometti’s artistic career, displaying his works alongside those of ...

Issy Wood: All The Rage

Wood’s tragicomic paintings explore the apathetic alienation symptomatic of a networked, throwaway...

Botanic: National Amalgamation Project

Iranian artist Maryam Najd talks about her exhibition at the Arthur M Sackler Museum of Art and Arch...

Cut and Paste: 400 Years of Collage

This show explores the ways in which collage has been used to create work that is, by turns, playful...

Gustav Metzger – In King’s Lynn

This show of Metzger’s work, as part of the King’s Lynn Norfolk festival, looks at his years liv...

Hans Ulrich Obrist – interview: ‘This is an unusual Calder show becaus...

A major Alexander Calder exhibition at Centro Botín in Santander reveals about 80 of the great Amer...