Lubaina Himid – interview: ‘It is my intention to create artworks that...
Lubaina Himid’s first solo exhibition in the US opens this week, debuting works that continue her ...
Dulwich Pavilion 2019: The Colour Palace
The Colour Palace is a monumental temporary pavilion by artist Yinka Ilori and architects Pricegore,...
Shirley Tse: Stakeholders – Venice Biennale 2019
The artist talks about accommodation and negotiation as expressed in her Venice installation, Stakeh...
Paula Rego – interview: ‘I’m interested in seeing things from the un...
From criticism of dictatorship in her native Portugal in the 60s to the 90s abortion series and Dog ...
Julie Cunningham – interview: ‘I had the experience for many years of ...
Seeking to erase embedded patriarchal structures and fixed gender identities through dance, Julie Cu...
Remy Jungerman and Iris Kensmil: The Measurement of Presence – Venice Bi...
Jungerman and Kensmil’s installations for the Dutch Pavilion explore issues of race, identity, cul...
Michael Craig-Martin: Sculpture
For the first time, Craig-Martin’s sculptures are indoors and there is an Alice in Wonderland feel...
Royal Academy of Arts Summer Exhibition 2019
The spectacle that is the Royal Academy Summer Exhibition and the stylishness of its visitors has, i...
Shu Lea Cheang: 3x3x6 – Venice Biennale 2019
Shu Lea Cheang’s multi-media installation for Venice uses its ancient prison setting well to explo...
This exhibition of Bowling’s work is colourful, joyous and long overdue. Covering the entire span ...
Into the Mountain: Simone Kenyon
Immersive art doesn’t usually involve a 5.30am start and a day hiking in the rain, but Into the Mo...
This exhibition is a tribute to six 20th-century artists who drew inspiration from the street art an...
This joyful exhibition, a testament to Krasner’s astonishing energy, creativity and capacity for r...
An exhibition of Richter’s seascapes goes on display at Guggenheim Museum Bilbao, proving that, ev...
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Norman Gilbert: Passion, Vision & Spirit II
This show, spanning 50 years of Gilbert’s career, is not only a record of the artist’s output, b...
Lothar Götz – interview: ‘In Britain, people think abstraction is jus...
Artist Lothar Götz talks about designing a monumental mural for Towner Art Gallery, the politics of...
Thomas Kilpper: The Politics of Heritage vs the Heritage of Politics
Edinburgh Printmakers celebrates its new home with an exhibition by Thomas Kilpper, in which the Ger...
A Backward Glance: Giorgio Morandi and the Old Masters
The early 20th-century painter known for his devotion to still lifes is held up next to the artists ...
Luchita Hurtado: I Live I Die I Will Be Reborn
The 98-year old painter’s debut institutional exhibition showcases a lifetime of work that fuses t...
In its first Van Gogh exhibition since 1947, the Tate considers how British culture informed the art...
Raffi Kalenderian – interview: ‘It’s like banging your head against ...
For Kalenderian, painting is all about excitement. His radical portraiture – as much of the scene ...
With AI seeping into all our lives, the Barbican should be congratulated for tackling such a prescie...
Andrew Marr – interview: ‘Everybody is angry and upset. We’ve messed...
The broadcaster, writer and former BBC political editor talks about how his painting and drawing pra...
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In a two-part exhibition, the artist has used his trademark porcelain vessels, two buildings of grea...
The British Museum turns its attention to Japan’s distinctive medium of graphic storytelling, and ...
Petra Bauer – interview: ‘The crucial thing was to make sure the sex w...
Inspired by feminist film practitioners who emphasise the importance of making films with their subj...
Leonor Antunes: a seam, a surface, a hinge or a knot – Venice Biennale 2...
Leonor Antunes combines her sculpture and craft to open up conversations within architectural spaces...
This Is What It Is to Be Happy
What is it to be happy in an age where mental health problems are so prevalent? How can communing wi...
Keith Tyson – interview: ‘I’m quite happy for the world to seep thro...
The artist talks about the joys of scaling back, relearning the craft of painting, and why the flowe...
Renate Bertlmann: Discordo Ergo Sum – Venice Biennale 2019
Renate Bertlmann’s work is rooted in 1970s feminism, yet her message is entirely contemporary. She...
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