Torbjørn Rødland: Back in Touch
Secrets lurk in Rødland’s photographs, but in chasing the thrill of the secret, his images fall s...
A lopsided retrospective reveals an artist who thrived best when he was commissioned or working in c...
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Sriwhana Spong: a hook but no fish
Spong explores the invented language of Hildegard von Bingen, a 12th-century mystic. Over the Pump H...
Bharti Kher: ‘In the way a kitchen has many different things cooking at ...
Kher talks about the difficulty of being identified as an ‘Indian’ artist, being a procrastinato...
Peter Hill: ‘I have a love for the solitude of lighthouses at one extrem...
The artist talks about his creation of a fictional museum, his current lecture tour, Fake News + Sup...
Solidary & Solitary: The Joyner/Giuffrida Collection
A museum committed to the art of the American South presents an exhibition that highlights the contr...
The Scottish painter’s latest works are as beautiful as ever, but exhibit a newfound looseness, pl...
Sofia Stevi: Turning forty winks into a decade
Greek artist Sofia Stevi’s paintings ooze confidence, sensuality and an improvisational spontaneit...
This exhibition sets out to explore the significance of life drawing and the life class in art pract...
Latif Al Ani: ‘I was documenting for the sake of archiving. I never thou...
The Iraqi photographer considers his photographic preservation of a long-vanished Iraq, his preoccup...
Ania Dabrowska: ‘By the retelling of archival stories we have the power ...
Ania Dabrowska (b1973) is a Polish-born artist now living in London. She works with photography, mov...
From Ear to Ear to Eye: Sounds and Stories From Across the Arab World
This powerful show fuses art and music in an attempt to open ears and eyes to life in the Arab world...
Louvre Abu Dhabi, designed by Jean Nouvel
Jean Nouvel has conceived a masterful new structure for the Louvre Abu Dhabi, at once utterly modern...
Cybernetic Serendipity 50th Anniversary
The Studio International special issue Cybernetic Serendipity: The Computer and the Arts was first p...
Museum Gift of the Year: The Tibetan Buddhist Shrine
As 2017 Museum Gift of the Year, Studio International has chosen the Tibetan Buddhist Shrine, a magn...
Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test
Revoliutsiia! Demonstratsiia! joins an effort by progressive cultural institutions to mark the cente...
Köken Ergun: ‘In Turkey, the image of the soldier has been victimised b...
The Turkish film-maker talks about his 2005 video I, Soldier, and its relevance to the political sit...
Music From The Balconies – Ed Ruscha and Los Angeles
Moving to Los Angeles at 19, having grown up in Oklahoma City, Ed Ruscha was always an outsider. His...
The octogenarian painter’s enormous, unpredictable canvases are by turns joyful and fearsome, intr...
It was all systems go – quality art, media buzz, more space, more work – but with a lower attend...
Shirazeh Houshiary: ‘We can’t fix our identity or our borders, the onl...
Houshiary talks about evolution, Einstein and shamans, and how her work involves thinking in other d...
Carolee Schneemann: Kinetic Painting
This is a rich and expansive retrospective of Schneemann’s work over the past six decades...
John Stezaker: ‘I was trying to create a sort of photographic cubism’
The British artist discusses a series of 1970s collages that launched his career, and which have bee...
After more than two years and a $12m makeover by architects David Gauld with Arata Isozaki, the Miam...
Jeanne Mammen: The Observer. Retrospective (1910-75)
Mammen wanted to be “a pair of eyes, walking through the world unseen, only to be able to see othe...
Art critic Clement Greenberg coined the term ‘post-painterly abstraction’ to describe the work o...
Yayoi Kusama Museum opens in Tokyo
Japanese artist Yayoi Kusama, famous for her polka dots and pumpkins, opened her own museum in Tokyo...
This extraordinary retrospective unites Modigliani’s portraits and sculpture with the largest coll...
Nnenna Okore: ‘My work seeks to highlight Earth’s vulnerability and fr...
Okore’s sculptures are poetic odes to the natural world. But beneath the delicate beauty there lie...
William Kentridge: ‘One needs sometimes to show the power of the irratio...
William Kentridge talks about his recent performance of Kurt Schwitters’ sound poem Ursonate, dada...
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