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HeHe: ‘Pylons are quite beautiful structures in themselves. They’re li...

Helen Evans, half of the artistic duo known as HeHe, speaks about their current work for the Bruges ...

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Richard Long: Time and Space

Fifteen years after Richard Long’s last exhibition of any scale in his native Bristol, he is the A...

Echigo Tsumari Art Triennale 2015

Japan’s contemporary art festival, the Echigo-Tsumari Art Triennale, despite being held in a regio...

Charles Gaines: ‘I am dealing in the area of how meaning is formed’

The US conceptual artist and educator talks about why he believes art should be interested in knowle...

Lee Ufan

This solo exhibition is made up of two bodies of work first conceived near the start of Lee’s care...

The boys the girls and the political

The Lisson Gallery’s summer show takes a linguistic turn while tapping into the trends of the netw...

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Yoshihito Mizuuchi: ‘Eating noodle soup makes a sound, but it’s also l...

The process of making a sculpture is a performance art in itself, says the Japanese artist, who expl...

Art in Dialogue: Duccio | Caro

Bringing together a medieval Sienese altarpiece fragment and a late-20th-century abstract sculpture,...

Toni Scott: ‘People don’t understand that what’s in the past is stil...

The California-based multimedia artist Toni Scott talks about how, in DNA – Bloodlines and the Fam...

Eloise Hawser: ‘This machine is all about contact and resistance’

The artist explains the complex mechanisms of a cinema organ and its colour-changer to Studio Intern...

Raed Yassin: Kissing Amnesia

Lebanese artist and musician Raed Yassin displays his magnetic, humorous and moving works in the eve...

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Caro in Yorkshire

This unmissable two-venue retrospective of Anthony Caro’s work encompasses everything from his vas...

Yto Barrada: ‘This whole project started with the sale of a dinosaur’

The artist discusses her hometown of Tangier, palaeontology, her concerns with trade and smuggling, ...

The Amazing World of MC Escher

MC Escher was long ignored by galleries and dismissed by critics, yet there is arguably no modern ar...

Royal Scottish Academy Metzstein Architecture Discourse: Glenn Murcutt

Architect Glenn Murcutt, winner of many international awards, presented an inspiring discourse on hi...

Hannah Collins: ‘Most of my work is a line between culture and the world...

The British artist known for her large, unframed photographs talks about her latest exhibition at th...

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Alinka Echeverria: ‘As soon as you lift up the camera, you make the othe...

The photographer talks about her work looking at political and religious beliefs, including a visit ...

Lee Miller and Picasso

The close and long-lasting friendship between American photographer Lee Miller and Pablo Picasso is ...

Shoes: Pleasure and Pain

Exploring themes of transformation, status and seduction, the V&A’s Shoes: Pleasure and Painis an ...

Jackson Pollock: Blind Spots

Jackson Pollock’s black paintings have been unjustifiably dismissed by many. Tate Liverpool’s ex...

Emma Cousin: ‘Humour is the most important thing’

Studio International visited Transition Gallery in east London to speak to Cousin about painting, in...

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Hayato Kiyuna, No Aloha

No Aloha is an exhibition of brightly coloured works on paper by Japanese artist Hayato Kiyuna. It i...

Nicholas Mangan: Ancient Lights

In his latest exhibition at London’s Chisenhale Gallery, Australian artist Nicholas Mangan drags a...

Primary Codes

This ambitious exhibition by four greats of computer art brings together works from the very start o...

Barbara Hepworth: Sculpture for a Modern World

Barbara Hepworth is seen as one of the most important figures in the development of abstract art in ...

Bruges Triennial 2015

The triennial’s theme was the megacity, imagining what Bruges would be like if the millions of tou...

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Nathan Cash Davidson: ‘I’m two different artists in the same person’

The artist discusses his current exhibition at the Hannah Barry Gallery, his interest both in recrea...

Helen Sear: ‘It’s almost like the landscape is imprinted on the figure...

In her exploration of mortality and temporality, the artist seeks to disrupt the single-point perspe...

Jeanne Masoero: ‘My work is about trying to find structures, a kind of c...

The artist explains how her interest in the Mayan civilisation led her to use layers in her work. Ty...

Thomas Hirschhorn: In-Between

With his latest installation at South London Gallery, Thomas Hirschhorn’s portrayal of destruction...



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