Enoc Perez – interview: ‘I’m trying to create my own little encyclop...

The New York-based painter discusses his new show, The Cinematic Self, at Ben Brown Fine Arts, his p...

Barry Flanagan

The hare dominated his practice to such an extent that it is often all he is remembered for, but thi...

David Nash – interview: ‘The world of nature, the environment, weather...

David Nash, the Welsh-based land artist, talks of his early years, the evolution of his process, the...

Holly Hendry – interview: ‘I dabble between formalism and representati...

Just three years after leaving art school, Hendry has already had several high-profile shows. She ta...

Grayson Perry: Super Rich Interior Decoration

From the luxurious carpet depicting a homeless man to the Osprey handbag bearing the words ‘privat...

Power Night: the Launch of E-Werk Luckenwalde

It’s all about power – electricity and power relations – and this dynamic opening night for E-...

Doug Aitken: Return to the Real

A humming, interconnected series of unsettling yet eerily beautiful works explores our place in a wo...

15th Lyon Biennale 2019

The 15th Lyon Biennale has an ambitious theme and a vast new additional venue. But can it live up to...

Helene Schjerfbeck

A striking study of the process of ageing and mortality, the central room of this three-gallery exhi...

Trevor Paglen — interview: ‘Everything is surveillance software at thi...

As he opens a new project at the Barbican Centre, the artist and critical geographer explains online...

Antony Gormley

There is metal everywhere in this engaging exhibition, which contrasts the gigantic with the minuscu...

Silvia Ziranek – interview: ‘I enjoy appearance, colour, shape and for...

The artist discusses her approach to objects and performance, to writing and performing, and to lang...

Julie Cockburn – interview: ‘My work is about telling the truth, but i...

At the opening of her latest show, Telling it Slant at Flowers Gallery, Cockburn talks about happy a...

Mona Hatoum: Remains to be Seen

This engaging exhibition, horrifying and humorous by turn, includes installation, sculptures and wor...

Garth Evans: But, Hands Have Eyes

You would probably learn more from a foot-high sculpture by Evans than the whole extravaganza that A...

Alexander Tovborg – interview: ‘If you jump, you don’t necessarily c...

The Danish artist mixes his paint with holy water. Here, he talks religion, irony and bringing myste...

AlanJames Burns: ‘I’m embedding the cave with an assumed consciousness...

Burns guides us around the cave where his latest installation is taking place and explains that, his...

Dóra Maurer

This is a fascinating insight into the joyous experimental work of this Hungarian-born artist, who s...

Jo Spence and Oreet Ashery: Misbehaving Bodies

This bold exhibition brings together two challenging female artists insistent on exploring identity ...

Roger Palmer – interview: ‘I have always treated photography as a form...

Following an exhibition based on Robinson Crusoe and a new book of photographs of South Africa’s d...

Fiona Tan: Disorient

Tan’s two-screen video installation is an unsettling look at the legacy of colonialism and a stark...

David Batchelor: My Own Private Bauhaus

Batchelor’s playful exploration of colour through sculpture, installation and painting pays tribut...

Nicoline van Harskamp – interview: ‘Once you start thinking about name...

Van Harskamp is a woman obsessed by language. Here she talks about people’s names, what she calls ...

Sammy Baloji – interview: ‘I’m not interested in colonialism as a th...

The Brussels-based Congolese artist talks about the past and present of colonialism and mineral extr...