logo studio international

Sophie Jung: ‘I don’t trust language’

The performance artist talks about Chinese encyclopaedias, the Austrian feminist playwright Elfriede...

<

Karen Russo: ‘I’ve always liked the idea of making films that were som...

The artists talks about her two most recent films, Haus Atlantis and TET-Stadt, which centre on the ...

David Kohn: ‘In trying to broaden what architecture could be, it feels l...

From a house extension modelled on a fox, to a new quad for an Oxford college, to a hotel in the air...

Emma Elliott: ‘Being human is the most important thing. Just being human...

The Passion For Freedom ambassador talks about her current project, which brings together the stigma...

Jiang Dahai: ‘There are universal values shared among artists and schola...

The Chinese-born artist unfolds his search for abstraction in all art, his pursuit of musicality and...

Magnus Plessen: ‘I try to undo or confuse any preconceived ideas while w...

The German artist talks about his latest show at White Cube in London, which includes paintings done...

<

Wael Shawky: ‘When you invert language, you make it even stronger’

With two exhibitions of his work opening in Italy this month, Wael Shawky talks about his film-makin...

Monica Bonvicini: ‘It is not merely a display of sculptures and objects ...

The Italian artist talks about her survey show at Baltic and how bringing together her works in new ...

Anthea Hamilton: ‘There is something quite liberating about knowing that...

The Turner Prize-nominated artist talks about her experience of reimagining the Kettle’s Yard coll...

György Jovánovics: ‘A relief shows a dynamic promise, which is more th...

The Hungarian neo-avant-garde relief artist unravels his enduring interest in the abstract possibili...

Maureen Gallace: ‘I wasn’t straining to do anything clever with such a...

For her third solo exhibition at Maureen Paley, London, the New York-based painter shows a group of ...

<

Peter Wächtler: ‘It’s a strange mixture of respect, and total disresp...

The Berlin and Brussels-based artist discusses the benefits of repetition, grappling with tradition,...

Helaine Blumenfeld: ‘Beauty has no real meaning any more’

The sculptor talks about her ideas of beauty and pain, and how she learned to express these through ...

Joel Shapiro: ‘As an artist, you are synthesising the stuff around you i...

The influential American sculptor, now in the fifth decade of his career, brings out his wood wall r...

Athena Papadopoulos: ‘Art is a kind of alchemy: turning shit into gold’

Drawing inspiration from her childhood and her womanising, fur-dealer father, Papadopoulos works acr...

Tim Benson: ‘I wanted my work to have more meaning’

The artist talks about storytelling through portraiture, and the human face of Ebola...

<

James Wilkes: ‘Mind-wandering has became a productive way for us to disr...

The exhibition Rest & its discontents at the Mile End Art Pavilion, London, is one of a number of ev...

John Akomfrah: ‘The question of discourse is absolutely central’

The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...

Nicolás Herrera: ‘this mural is about life’

Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...

Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...

The Latin American art dealer explains the ethos of her Bermondsey gallery and the importance of the...

Carla Rapoport: ‘I like to think we’re the Elvis of the art world’

The founder of the Lumen Prize says Elvis brought gospel and black music into the mainstream, and sh...

<

James Richards: ‘I was really into making an exhibition space where ther...

The artist, who will be representing Wales in Venice (Cymru yn Fenis) at next year’s biennale, tal...

Arthur Watson: ‘What connected Nagoya and Chicago was the level of inter...

The artist talks about his current exhibition, Double Diablerie, in which he explores superstitions ...

Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’

Toby Ziegler explains his processes of painting and sanding, and using Google’s reverse image sear...

Joey Holder: ‘I’d like to see a lot more collaboration between the sci...

The artist shows Studio International around her ‘futuristic medical room’ installation and expl...

Simon Starling: ‘A little knowledge is a powerful thing, and too much kn...

The Turner Prize-winning conceptual artist underscores his first institutional show in New York with...

<

Peter Liversidge: ‘My work is solely about engagement’

The artist talks about the significance of his “proposals”, and discusses his recent project at ...

Tom Ellis: ‘Defining yourself in opposition to something else is always ...

The British artist talks about context, subversion and what it means to build a career in the middle...

Susan Webster: ‘Ever since I’ve been young I’ve been obsessed with t...

Maine’s poet laureate Stuart Kestenbaum and artist Susan Webster talk about their recent collabora...

Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...

In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke...



studio international logo
Copyright © 1893–2017 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA