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Eileen Cooper: ‘Artists are real sponges. We take things and absorb them...

The artist talks about having a retrospective at the Ro...

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Lynette Yiadom-Boakye: ‘Maybe I’m not as interested in people as I tho...

The artist, whose latest exhibition, Verses After Dusk,...

Chloe Dewe Mathews: ‘I wanted to bring the viewer in, so they become par...

Chloe Dewe Mathews’s Tate commission, Congregation, l...

Sarah Lucas: I Scream Daddio

Sarah Lucas came to prominence in the 90s with the generation of Young British Artists, but it has tak...

Cecily Brown: ‘In a way you can see things more clearly when they’re s...

The artist talks about her latest exhibition, The Engli...

On My Way

As a parallel event to the Venice Biennale, a group of artists from Russia present an exhibition that juxtaposes works ma...

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Rachel Maclean: ‘I’m taking and contributing to the weird recycled eco...

The artist talks about taking her inspiration from YouT...

Jake Chapman: ‘Show me a Hitler and I’ll draw on it’

Having unveiled the sinister Sturm und Drang at Ekebergparken Sculpture ...

Rafaël Rozendaal: ‘I see the same intensification of reality in Mondria...

The artist, who now has hundreds of websites to his nam...

BGL: ‘In our installation, people play with money, and we like this game...

Canadian art collective BGL makes art that is playful a...

Graham Fagen: ‘Come into the garden and forget about the war’

Glasgow-based artist Graham Fagen, who is representing Scotland f...

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Catlin Art Prize 2015

Eight of the UK’s most promising arts graduates are picked each year to show at the Catlin Art Prize ex...

Brown & Son: Art That Makes Itself

Father and son Paul and Daniel Brown work together as Brown & Son, ‘Purveyors of digital image...

Klaus Staudt: interview

A leading practitioner of concrete-constructivist art for some 50 years, Klaus Staudt was also part of the ...

Michal Rovner: ‘I don’t want to tell a story, I’m looking for someth...

The Israeli artist discusses the work in her current ex...

Theaster Gates: ‘How do you get people to see things that to them are in...

In his latest exhibition at London’s White Cube Galle...

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Roxana Halls: ‘I often equate painting with performance’

The artist talks about her new show, Unknown Women, in which she explo...

Gordon Shrigley: ‘I wanted to use the possibilities of fine art to creat...

Artist Gordon Shrigley has entered the fray for the 201...

Gordon Shrigley: ‘What I’m doing now is a form of performance art that...

An artist who has been concerned with concepts related ...

C4RD, the Centre for Recent Drawing

Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag...

Andrew Hewish: ‘I’m interested in a process of drift, where things are...

Artist and C4RD director Andrew Hewish discusses how he...

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Gordon Shrigley: ‘Will Peck and I had lots of conversations about what t...

Will Peck, a recent graduate, and Gordon Shrigley, arti...

Andrew Hewish: ‘To introduce drawing as a category automatically produce...

Artist Andrew Hewish founded C4RD, the Centre for Recen...

Shirin Neshat: ‘Nothing is more powerful than human expression’

The artist talks about her latest exhibition, for which she pho...

Gavin Turk: ‘For a long time I’d say: “I don’t think I’m growing...

For the launch of Project Beard at the Other Art Fair, ...

Sarah Jane Moon: 'Painting is fundamentally the relationship between an ar...

Having trained in portrait painting at the Heatherley S...

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Reni Gower and Jorge Benitez: ‘Nothing can be reduced to black and white...

Reni Gower and Jorge Benitez talk about their cross-cul...

Jonn Herschend: ‘We can use humour seriously in art to push agendas forw...

Film-maker and experimental publisher Jonn Herschend ex...

Lydia Gifford: ‘I’m learning how to let go. At times it feels like som...

The British artist says her work is a continually gener...

NS Harsha: ‘I am like a cook. I love to make a dish, offer it to the peo...

The Indian artist NS Harsha on how his latest paintings...



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