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Esther Rolinson: ‘Light has an immediacy. We are literally woken up by i...

The multimedia artist Esther Rolinson talks about her exhibition Gravitate at Watermans Art Centre, ...

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Willow Hai: ‘The jade burial suit is the single most important object in...

The director of the China Institute in New York talks about its current show, Dreams of the Kings, a...

George Drivas: Laboratory of Dilemmas – Venice Biennale 2017

For the 57th Venice Biennale, Greek artist George Drivas offers his customary blend of architecture ...

Henri Scars Struck: ‘It was interesting for me to have a physical space ...

Henri Scars Struck, the French music composer known for his meditative sonic experiences, discusses ...

Jodie Carey: ‘I like my works to be imbued with a silence and a stillnes...

Jodie Carey talks about her developing practice, the impact of motherhood, her concerns with mortali...

Gregory Crewdson: ‘I wanted the photographs to feel like a suburban wind...

American photographer Gregory Crewdson talks about loneliness and connection in his work and, in par...

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Tadaaki Kuwayama: ‘Here is only the art itself’

Japanese-born artist Tadaaki Kuwayama recounts his refusal to dictate how spectators should view his...

Samson Young: Songs for Disaster Relief – Venice Biennale 2017

Samson Young’s Venice Biennale collateral event for Hong Kong explores the disquieting cocktail of...

Jay Heikes: ‘I've always loved the reminder that the natural world has t...

Minneapolis-based artist Jay Heikes discusses his experimental approach to materials, the significan...

Abou Farman: ‘I want the tragic to become an acceptable space’

Abou Farman, who co-wrote Icaros: A Vision with Leonor Caraballo, talks about the film, which is bas...

Tom Phillips: ‘I’m still reading books. Nothing changes and everything...

Tom Phillips talks about his love of words, the human drive to make marks and the more spiritual sid...

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Joseph Kosuth: ‘I was always interested in the limits of language and th...

On the occasion of his curated installation at Mazzoleni, Joseph Kosuth, the pioneer of conceptual a...

Jenny Crompton: ‘I enjoy sitting in the work for hours. It becomes a med...

Australian artist Jenny Crompton explains how she made her installation Sea Country Spirits, and tal...

Nathaniel Mellors and Erkka Nissinen: The Aalto Natives – Venice Biennal...

Mellors and Nissinen represent Finland at this year’s Venice Biennale. They discuss handmade puppe...

Greg Campbell: ‘I’d like people to get to know my friend a little thro...

Greg Campbell talks about his film Hondros, which premiered at the year’s Tribeca Film Festival, a...

Elger Esser: ‘Beauty is not important; it’s a logical result in my opi...

After his recent solo exhibition at Parasol Unit in London, Elger Esser talks about the relationship...

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Georgia Horgan: ‘Confident, working women were a threat to the social or...

Georgia Horgan talks about her recent exhibition, All Whores are Jacobites, and how she became intri...

Mithu Sen: ‘I constantly change my mediums so the market will not be abl...

Indian artist Mithu Sen has a quicksilver practice that is difficult to categorise or maintain as a ...

Becky Suss: ‘Putting domestic spaces into the gallery says something abo...

In her exhibition Homemaker at the Jack Shainman Gallery in New York, Philadelphia-based artist Beck...

Rachel Maclean: Spite Your Face – Venice Biennale 2017

Rachel Maclean is representing Scotland at the Venice Biennale with her new film, a dark fairytale t...

NS Harsha: Charming Journey

Indian artist NS Harsha explains some of the works on show at this retrospective, and why, despite o...

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Frances Stark: ‘I am desperately trying to connect outside of the art wo...

Frances Stark, the Los Angeles-based interdisciplinary artist and writer, talks about her first oper...

Oliver Griffin: ‘The very act of photography makes something interesting...

Oliver Griffin talks about drinking White Russians, his BMX bike, which he has named Susan, taking p...

Peter Dreher: ‘In my pictures I underline the act of seeing’

German artist Peter Dreher recounts the trauma of childhood under the Nazi regime, his autonomy from...

James Bridle: ‘There is a huge demand to humanise the technological view...

James Bridle talks about his current show at the Nome Gallery, Berlin, which centres around the self...

Eddie Martinez: 'I just want people to interpret the work how they want'

Eddie Martinez talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the in...

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Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...

Linda Kitson talks about the works in Drawings and Projects, her current exhibition at House of Illu...

Ruth Maclennan: ‘I realised that global warming was happening, and asked...

Visual artist Ruth Maclennan talks about what art can do in the face of climate change, her films of...

Secundino Hernández: ‘As a painter you have to have the courage to not ...

Secundino Hernández talks about his academic origins, the delicate equilibrium he seeks between acc...

Enrique Martínez Celaya: 'The sense of past as memory always has force'

Enrique Martínez Celaya talks about his latest show, The Gypsy Camp, and his interest in nomadism a...



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