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Simon Starling: ‘A little knowledge is a powerful thing, and too much kn...

The Turner Prize-winning conceptual artist underscores ...

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Peter Liversidge: ‘My work is solely about engagement’

The artist talks about the significance of his “proposals”, ...

Tom Ellis: ‘Defining yourself in opposition to something else is always ...

The British artist talks about context, subversion and ...

Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...

In the startlingly altered states of Blenheim Palace, t...

Simon Lewty: ‘I draw only from the imagination’

Lewty, whose work combines fantastic images with text, talks about where his in...

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Sofia Borges: ‘Photography can be used as a tool to mould our sense of r...

The artist subverts photography, as she strives to &lsq...

Zhao Zhao: ‘You cannot separate art from politics’

A prominent member of the post-1980s generation of Chinese artists and a for...

Elpida Hadzi-Vasileva: ‘I am driven by making the impossible possible’

The artist, who makes beautiful works of art using waste...

Karen Guthrie: ‘Family history is a hidden pain with lots of people. A f...

The film-maker talks about her incredibly successful an...

Douglas Kotwall: ‘We want to incubate young, contemporary Chinese artist...

Kotwall, a senior member of the K11 Art Foundation, tal...

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Guan Xiao: ‘I am learning about humour. It is a precious quality’

The artist talks about how the digital revolution has influen...

Amy Franceschini: ‘It’s kind of simple: I want to be alive and I want ...

The artist talks about her upbringing in the breadbaske...

Sean Scully: ‘The stripe can do anything in any direction, and since it ...

The abstract artist talks about why he changed his styl...

Clare Jarrett: ‘It’s almost as though the work is already there somewh...

The Norwich-based artist talks about her recent residen...

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Cyril de Commarque: ‘I believe in a new renaissance of thinking’

The French artist has converted a grain barge into an artwork ...

History Machines by Donovan & Siegel

Toronto-based artist couple Matt Donavan and Hallie Siegel explore the history of changes in c...

Jeffrey Gibson: ‘I was so angry I washed my canvases in the laundromat’

The artist talks about being any angry young artist, hi...

Mårten Lange: ‘I wanted to make a story about something beyond the reac...

The photographer talks about his lifelong fascination w...

Paul Carter: ‘There’s an invitation that only takes you so far’

Entering the gallery, visitors enter a new world – a li...

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Li Huasheng: ‘A line is nothing. When I paint a vase, its outline does n...

The Chinese artist is admired for his abstract ink pain...

Judith Wechsler: ‘Film allows, even invites, inclusivity of media. It’...

The American film-maker and art historian discusses her...

Regine Bartsch: ‘I’m drawn to these places where many people have live...

In her studio in southern Ireland, the German-born arti...

Katie Schwab: ‘I like the idea that works can begin to generate their ow...

Keen to learn traditional, craft-based skills, the arti...

Xu Yong: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer took the brave dec...

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Raqib Shaw: ‘I really don’t give a fuck about the so-called contempora...

In his converted home and studio in south London, surro...

Dana Schutz: ‘I think of the viewer as the painter’

The artist talks about deciding to become a painter when she was 14, how Al...

Michael Joo: ‘I was taken by the fact that there was a space that was in...

The New York-based conceptual artists talks about growi...

Kate Whiteford: ‘By confronting simple questions, bigger ones emerge. Th...

The artist talks about her new work, now on show at the...



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