We are at the Lisson Gallery, London, to see the group exhibition Nostalgic for the Future, shown ea...
There are few things I find more disturbing than René Magritte’s paintings. Somber, eerie and mel...
Our voice as protagonist – a meeting with Tania Bruguera
The chatter of a roomful of museum workers turned to silence the minute Tania Bruguera walked into t...
Masterpieces of Chinese Painting: 700-1900
The trouble with the Victoria and Albert Museum’s exhibition Chinese Masterpieces: 700-1900 is tha...
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Mark Bradford: Through Darkest America by Truck and Tank
Very rarely does a show of new work by a contemporary artist deliver on its promise more fully than ...
Nick Relph: Tomorrow There Is No Recording
This solo exhibition marks a departure from Nick Relph’s 10-year collaboration with Oliver Payne....
Marisa Merz and Adrián Villar Rojas
In the Serpentine Sackler Gallery, the installation Today We Reboot The Planet offers the first UK e...
Moving Beyond – Painting in China 2013
Of the many aspects that the exceptional Moving Beyond – Painting in China 2013 exhibition explore...
A major retrospective of Man Ray at the Scottish National Portrait Gallery in Edinburgh: a highlight...
Mayor Boris Johnson unveils large blue Hahn/Cock
Mayor of London Boris Johnson unveils Hahn/Cock by German artist Katharina Fritsch, the latest sculp...
Outside In: 55th Venice Biennale
In the alleyways of Venice, street vendors are touting a new product – a globule of goo, which whe...
Nicholas Rena: The Harmony of the Year
Monumental vessels by Nicholas Rena refer to the respective liturgical and domestic roles played by ...
“Before we go any further, can I just make sure that you actually know who I am and that you know ...
New Order at Saatchi Gallery; Pae White at SLG; Rock on… at Serpentine G...
New Order: British Art Today at the Saatchi Gallery; Pae White at SLG; Rock on Top of Another Rock a...
Long associated with its support for emerging artists and early recognition of talents to watch out ...
Mat Collishaw: THIS IS NOT AN EXIT
Mat Collishaw is well known for his photographic work and his experimental work in a range of media....
Painting’s relationship with the written word is at best fraught with complication. Over determina...
Human history, and by extension the history of art, is a history of transfiguration, of translation,...
This timely showing of 60 various graphics in all, some six of which are from the Gallery's own coll...
Matisse takes the spotlight this spring at the Pompidou, and the swathes of attendees are this time ...
Morgan O’Hara: Live Transmissions from the English National Ballet
Clearly if you draw or are interested in the state of contemporary drawing then C4RD is an important...
Migrations: Journeys into British Art. Interview with Sonia Boyce
Sonia Boyce is included in this space; her work From Tarzan to Rambo: English Born “Native” Cons...
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Michael Dean: Government and Phyllida Barlow: Bad Copies
Michael Dean’s current exhibition, Government, at the Henry Moore Institute is the artist’s firs...
New Studio Collaboration In Perth, Scotland
Arthur Watson is a well-established artist of international repute and Secretary of the Royal Scotti...
Mary Heilmann: Visions, Waves, and Roads
Aside from a spate of regurgitated press releases, art critical attention to The Indiscipline of Pai...
Masters of Venice: Renaissance Painters of Passion and Power from the Kuns...
Aside from the sheer magnificence and technical bravura of the paintings themselves, one of the most...
Studio International spoke to Bercea about the medium of painting and its relationship to history, t...
Michelangelo Pistoletto: The Mirror of Judgment
Michelangelo Pistoletto was a key figure in the development of conceptual art and a founder of the i...
On Top of Two Empires – Xu Longsen
Xu Longsen: On Top of Two Empires, opened at the Museum of Roman Civilization in Rome on the summer ...
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