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Cécile B Evans: Amos’ World: Episode One

Cecile B Evans’s video transports us into the surreal world of an architect who believes he can bu...

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Miguel Chevalier: ‘I feel that I live in what’s happening today’

Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...

Andrzej Wróblewski

The spectre of conflict haunts the powerfully enigmatic oeuvre of one of Poland’s pre-eminent post...

Rie Nakajima: ‘What I am making is to be experienced through your body, ...

Japanese artist Rie Nakajima’s practice sees everyday objects turned into semi-autonomous mechanis...

Lee Lozano: Slip, Slide, Splice

A major figure on the New York art scene of the 1960s and early 70s, Lozano is not so well known the...

Paul Brown: Process, Chance and Serendipity: Art That Makes Itself

These radical works by Paul Brown highlight the wonders of computer programming in the realm of art-...

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William Crozier: The Edge of Landscape

Working in the shadow of the second world war, the nuclear threat and the Irish Troubles, Crozier’...

Dawn Mellor: ‘It is not surprising that activism and resentments due to ...

Dawn Mellor, best-known for her parodic portraits of celebrities, talks about taking a year of from ...

Being: New Photography 2018

Iteration 2018 of MoMA’s biennial sampling of what’s trending in photography rethinks both the m...

Under Cover: A Secret History of Cross-Dressers

Based on found photographs collected by French film-maker Sébastien Lifshitz, this exhibition at th...

Chiharu Shiota: Beyond Time

Using 2,000 balls of thread, Chiharu Shiota’s installation of white woollen webbing in the chapel ...

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Marino Marini: Visual Passions

At the home of his iconic equestrian sculpture, The Angel of the City, this retrospective of the Ita...

SUPERSTRUCTURES: The New Architecture 1960-1990

Forty years after it opened, the Sainsbury Centre plays host to an exhibition looking at the pioneer...

Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...

American artist and author Michele Oka Doner shares some of her explorations of nature and ritual fr...

Lilah Fowler: nth nature

The exhibition nth nature, a new body of work by Lilah Fowler, explores feelings of transience and d...

Virginia Woolf: An Exhibition Inspired By Her Writings

The great modernist writer serves as a presiding spirit in an inclusive, multifarious group show, di...

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Panorama Punjab

Committed to placing this marginalised sector of India in the light once again, film-maker Sarah Sin...

Ingela Ihrman: We Thrive

The Swedish artist’s works and her theatrical pieces – which include a giant hogweed, a giant ot...

Murillo: The Self-Portraits

A small number of Murillo’s rare portraits are brought together at the National Gallery to celebra...

Picasso 1932: Love, Fame, Tragedy

Despite passages of naked voyeurism, the Tate’s blockbuster intoxicates with passion, power and th...

Jedd Novatt: ‘I feel the same tension about the next work as I did 40 ye...

In advance of an exhibition of new works, Novatt talks about his long career making geometric sculpt...

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Langlands & Bell: ‘We like to be catapulted into the unknown; we like a ...

For a new show at Birmingham’s Ikon gallery, they have turned their shared gaze on to the giants o...

The Armory Show 2018

This year’s Armory Show offered viewers an impressive selection of works by a wide range of artist...

Robert Irwin

Irwin’s immersive installations, with their experimental approach to light and space lead the view...

Alexandra Kokoli and Basia Śliwińska: ‘As long as ‘home’ remains...

Curators Kokoli and Śliwińska and artists Małgorzata Markiewicz and Su Richardson talk about th...

Cinthia Marcelle: The Family in Disorder: Truth or Dare

In her first major UK solo exhibition, the Brazilian artist shows the importance of collective actio...

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Su Richardson: interview

Su Richardson talks about her work in the exhibition Home Strike at I’étrangère, London...

Małgorzata Markiewicz: interview

Małgorzata Markiewicz talks about her video The Resistance Kitchen (2017), part of the exhibition H...

Cary Leibowitz: ‘I hate my aesthetic. I wish I was delicate and elegant ...

For his first major retrospective, the undersung American artist fills the ICA Philadelphia with mor...

Source and Stimulus: Polke, Lichtenstein, Laing

Presenting Roy Lichtenstein, Sigmar Polke and Gerald Laing in dialogue with each other within the co...



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