Installed by the artist over the month preceding its opening, this exhibition draws us into a manifold landscape of fragility and contingency.
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From chamberpots paired with Georgian silver to the reimagining of the story of Jacob and Esau, the two artists, working together for the first time, point up multiple dualities and inequalities.
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This stripped-back exhibition, with just three drawings and six hand-built vessels, allows the stark elegance of Odundo’s work to shine through.
The Barbican takes us on a fascinating ride through two and a half decades of Indian art, teasing out the transformations and contradictions in the country’s recent history.
Five years in the planning, this festival of art, spanning the West Coast from Santa Barbara to San Diego, involves 70 exhibits by more than 800 artists and a range of material that puts multimedia in the light.
Outdoor sculptures by nine female artists are on display in this show, but it’s hard not to feel that they deserve better than this neglected space.
A majestic exhibition at the national museum of the Netherlands offers a refreshing take on ancient Asian sculptures spanning four millennia.
This retrospective of Maurice de Vlaminck is the first in nearly 100 years and gives an overview of the French painter’s work that goes beyond his early fauvist period and bold use of bright colours.
The Japanese artist fills the house of a Polish poet with his eloquent miniature sculptures. Although born from memories of nighttime walks and drives, they have a remarkable stillness.
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Industrial pollution is imbued with celestial light in Monet’s extraordinarily atmospheric paintings of the Thames. This is an exhibition not to be missed.
You can feel the energy ricocheting between Houseago and his hulking, portentous figures as he takes us on a journey from darkness to light.
The artist shares the experiences and educational journeys through which her layered and intimate paintings have evolved, revealing interior and exterior worlds in a richly emotive palette.
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A survey exhibition of the prize-winning Kuwaiti-Puerto Rican artist spotlights her intelligence and sensitivity to materiality, but could do with more assertion.
Rego, like Goya, whom she so much admired, has the power to unsettle and disconcert. This exhibition pairing work by them both is thrilling and full of surprises.
This new exhibition sheds fresh light on the personal hell of the artist whose nightmarish visions dominated his life and work.
This extensive exhibition of still life works from two major collections is full of clever visual pairings and rich in conceptual layers.
In works by Louise Bourgeois, Helmut Newton, Cindy Sherman and Francesca Woodman, among others, this exhibition reveals the relationship between psychoanalysis and visual art.
In the run up to her exhibition at Hatton Gallery, Morris talks about her processes of applying and removing paint and the dynamic between planning and chance.
Dumas’s tortured, grief-stricken images will haunt you long after you have left this exhibition.
This major respective celebrates the Japanese artist known for his colourful works, which reflect childhood memories of the second world war and the impact of American pop culture that came after.
The National Gallery’s miraculous 200th anniversary exhibition strips back the tragic legend to spotlight Van Gogh’s stupendous art.
The Italian photographer was working in the 1970s and 80s when tourism was becoming commonplace. This major show highlights his wry and philosophical observations of the burgeoning travel industry of the time.
As well as 80 photomontages by the artist seen as one of the inventors of the medium, this major retrospective includes paintings, drawings, prints and archival material, alongside projections of films by contemporaries by whom she was inspired, including Hans Richter and Fernand Léger.
