Britain’s greatest postwar painter has a belated German homecoming, which captures the remarkable presence of his work.
Martin Gayford’s engrossing book is a goldmine of quotes, anecdotes and insights, from why Van Gogh painted on tea towels to why some artists find it hard to start a work and others don’t know when to stop.
As a Noah’s ark of his non-binary stuffed toys goes on show at Jupiter Artland, the artist talks about growing up gay in the 1980s, being working-class in the elite art world, and why experiencing art in person, in galleries and museums, is more important than ever.
Helen Chadwick’s unwillingness to accept any binary division of the world allowed her to radically explore the mechanisms of the body – physically, emotionally, sensually, sexually and sensorially.
The art lover and philanthropist has died aged 84.
To what extent can the visual language of grief be translated? Janet McKenzie looks back over 20 years’ worth of drawings in search of words.
With more than 100 works by 50 artists, this show examines the pioneering role of women in computer art, looking at how our visual perceptions have evolved, the technological impacts on art and contrasts in artistic methods.
With numerous works created with the twigs, leaves, roots, branches and majestic forms of trees, this retrospective captures the Italian artist’s arboreal obsession over five decades.
An olfactory orgy of marigolds, chamomile, grasses, sheepskins and kelp is arranged into a surreal landscape – and a lush scentscape - to prick our understanding of what is wild and what is natural, in the Brazilian artist’s first UK institutional show.
A key figure in Norwegian art, the naturalist painter wanted his art to bring social change and produced strikingly modern images.
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This comprehensive show charts the groundbreaking rise of the illustrated poster in 19th-century France, drawing on its rich heritage and highlighting its wide impact on society.
This comprehensive show celebrating last year’s 250th anniversary of the Romantic painter’s birth brings together an extraordinary collection of his works.
A humongous survey of contemporary painting in Belgium shows a medium embracing the burden of its history.
A retrospective of the first 20 years of the Max Mara Art Prize for Women finds an inexhaustible well of inspiration in Italy.
This new work is very much about indeterminate selfhood as Turato immerses the visitor in a swimming pool-like psychological space – is she a mystic or a charlatan, or both?.
The Burmese artist has been jailed many times and this show includes some of the remarkable paintings and drawings he created while held as a political prisoner.
This retrospective brings the acclaimed and trailblazing, but nearly forgotten French modernist artist back into view.
A kaleidoscope of colour through which the history of modernism is refracted, this exhibition brings to light the creative benefits of long-lasting friendship, collaboration and experimentation.
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In this major retrospective, the viewer is like an avatar navigating the humans – real and CGI – that populate Atkins’ world of existential dread.
Sharjah Art Foundation’s annual symposium this year explored how culture is preserved and shared within communities.
To coincide with a rare joint exhibition now on view at The Gallery at Windsor in Florida, the artists consider the limitless possibilities of paint, their resistance to genre boundaries and the importance of keeping a harmonious distance between one another’s work.
The artist highlights the ecological horrors ravaging our world, but her aim is not to shock or to shame. With her cosy sofas and sensory objects, she wants us to find ways to deal with the anxieties and conflicts we face.
Mitchell’s photographs of urban decay and the demolition of buildings in Leeds over the past 50 years show a world now vanished, but his empathy for his subjects shines through.
