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Patricia Guzman, interview

Patricia Guzman’s expertly executed realism makes her paintings appear photographic, as she docume...

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E.V. Day, interview

In a riveting, large-scale work called Moss Ball: A Meditation on the Overview Effect (2018), E.V. D...

Tai Xiangzhou, interview

Tai Xiangzhou is committed to a traditional lexicon, his ink paintings magnificent, deeply indebted ...

Mark Fox, interview

Mark Fox, who was brought up as a Catholic, has issues with certain of the religion’s doctrines an...

Frieder Nake, interview

Frieder Nake’s work is from 1965, a pioneering example of computer art in which the image is wholl...

Bao Pei, interview

Bao Pei uses ink and paper in the tradition of Chinese ink painting, but makes her work abstract, an...

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Teresa Lawton: Tipping the Balance

Lawton’s paintings are inspired by her love of Dorset, where she explore the shapes and colours of...

Joana Vasconcelos: I’m Your Mirror

Joana Vasconcelos has filled the Guggenheim Bilbao with work from the past 20 years. She talks about...

True Colours: Helen Beard, Sadie Laska and Boo Saville

True Colours, curated by Damien Hirst for his Newport Street Gallery in London, shows works by Beard...

Boo Saville: interview

Saville’s fields of colour shimmer, each massive painting drawing you in and, once you are up clos...

Sadie Laska: interview

New York-based Sadie Laska, who is both a painter and a drummer, brings her improvisation skills int...

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Helen Beard: interview

Helen Beard’s striking and marvellously simplified, flat colour images, take you by surprise in a ...

James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...

James Edgar and Sam Walker talk about Assembly Point, their co-founded gallery, studio space and pub...

Vera Molnár: ‘I have no regrets. My life is squares, triangles, lines’

Vera Molnár, the pioneer of computer-assisted art, recounts her love affair with lines, the balanci...

David Shrigley: ‘The quality of the work for me is about avoiding contri...

David Shrigley talks about his large-scale installation Life Model II at Fabrica Gallery in Brighton...

Miguel Chevalier: ‘I feel that I live in what’s happening today’

Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...

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Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...

American artist and author Michele Oka Doner shares some of her explorations of nature and ritual fr...

Langlands & Bell: ‘We like to be catapulted into the unknown; we like a ...

For a new show at Birmingham’s Ikon gallery, they have turned their shared gaze on to the giants o...

Alexandra Kokoli and Basia Śliwińska: ‘As long as ‘home’ remains...

Curators Kokoli and Śliwińska and artists Małgorzata Markiewicz and Su Richardson talk about th...

Su Richardson: interview

Su Richardson talks about her work in the exhibition Home Strike at I’étrangère, London...

Małgorzata Markiewicz: interview

Małgorzata Markiewicz talks about her video The Resistance Kitchen (2017), part of the exhibition H...

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Sophie Herxheimer: ‘I’m after precision in poetry … I’m after exac...

Poet, writer and image-maker Sophie Herxheimer talks about the ideas and inspiration that inform her...

Jason Brooks: ‘In a world that wants to eradicate detail by airbrushing ...

Ahead of his exhibition at Marlborough, London, Jason Brooks showed Studio International around his ...

Edmund Clark: ‘The intervention, the control, the censorship is part of ...

Edmund Clark discusses his recent residency at the UK’s only wholly therapeutic prison, HMP Grendo...

Ania Dabrowska: ‘By the retelling of archival stories we have the power ...

Ania Dabrowska (b1973) is a Polish-born artist now living in London. She works with photography, mov...

Maria Alyokhina: ‘The government media calls us enemies of the people ...

Political activist and Pussy Riot member Maria Alyokhina talks to Studio International at the Saatch...

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Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...

Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...

Nicolás Herrera: Enchanted Nature – Deforestation and the Environment

Enchanted Nature: Deforestation and the Environment, on show in Beijing, is an exhibition of 61 draw...

James Richards: Music for the gift – Wales in Venice, 2017

Wales has always punched above its weight at the Biennale, and 2017 is no exception. This year – f...

José Pedro Croft: Uncertain Measure – Venice Biennale 2017

For his Portugal Venice Biennale commission, artist José Pedro Croft has made a series of six glass...



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