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Published 01/12/2020

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Yu Ji: Wasted Mud
Bedwyr Williams: Milquetoast
Nicholas Pope: ‘We artists can speak and everyone can understand in their own way what we’re speaking about’
Tino Sehgal
genuinefake – interview: ‘I use my creative practice to try to start conversations and dialogue about access, our aspirations … and agency’
Sutapa Biswas – interview: ‘I felt questioning established systems of knowledge and power was as vital as breathing’
Tahnee Lonsdale: Under the Shell
Eduardo Chillida
Becoming Gustav Metzger: Uncovering the Early Years, 1945-1959
With Pleasure: Pattern and Decoration in American Art 1972–1985
James Barnor: Accra/London – A Retrospective
Jakob Kudsk Steensen – interview: ‘There’s so much that we forget in the virtual’
The Normal
Hormazd Narielwalla – interview: ‘True, he’s physically not here, but Bowie, the god, is still with us’
Eileen Agar: Angel of Anarchy
Adrian Berg – book review
Walter Price: Pearl Lines
Michael Armitage – interview: ‘Not having a cultural hierarchy is liberating’
Veronica Ryan: Along a Spectrum
Ellen Gallagher: Ecstatic Draught of Fishes
Pavilion Tokyo 2021
Brett Rogers – interview: ‘When I was a student, the Photographers’ Gallery was one of my favourite places to visit’
Untitled: Art On the Conditions of Our Time
Mick Peter – interview: ‘The project was pleasingly indulgent, a free pass to propose almost anything’
Rachel Kneebone – interview: ‘My work is concerned with our visceral life, with movement and the experience of inhabiting the body’
Her Dark Materials
Jean Dubuffet: Brutal Beauty
Exhibition Cuttings, curated by Mathieu Copeland
Jean David Nkot – interview: ‘I want to show that even if every day is hard, it is worth being alive’
Christopher Houghton Budd – interview: ‘What’s needed here is a high street all the way from the town hall to the lighthouse, without interruption, for pedestrians’
Peter St John – interview: ‘You can see how this building has developed. And that’s really special’
Chantal Joffe: Story
Tony Cragg at Houghton
Sophie Taeuber-Arp
Folkestone Triennial 2021: The Plot
Lynn Hershman Leeson – Twisted; Ed Atkins – Get Life/Love’s Work
Karla Black – interview: ‘I don’t see culture and nature as separate things. There’s just a huge pretend around them’
Tesfaye Urgessa – interview: ‘Young people don’t need to have a geographical boundary. They belong where the dream is’
Cathie Pilkington – interview: ‘It’s great to have a title that makes people think’
El Anatsui: Art and Life – book review
Ilana Halperin: There Is a Volcano Behind My House
Thomas Becket: Murder and the Making of a Saint
Kate Atkin – interview: ‘I think about life and death all the time’
Ryoji Ikeda
Charlotte Keates – interview: ‘I want my paintings to feel more like dreamscapes, that sense of deja-vu’
Alice: Curiouser and Curiouser
Barbara Hepworth: Art and Life
Enough Is Definitely Enough – book review
Rebecca Salter – interview: ‘I believe that art thrives in a crisis and this can be a cause for hope’
Mark Leckey – interview: ‘There’s this strange new limitless and elastic space that we are now inhabiting on a daily basis’

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