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Idris Khan – interview: ‘There was a struggle making these works’

Idris Khan talks about his new works at Victoria Miro, freaking out in lockdown and encapsulating a ...

Clare Patey – interview: ‘People don’t take humour seriously enough...

Clare Patey talks about 25 years of creating and producing powerful, participatory, public artworks ...

Jadé Fadojutimi – interview: ‘I bathe in the conversations between co...

Jadé Fadojutimi talks about how lockdown enriched her practice, her obsession with Japan, her Liver...

Armin Linke – interview: ‘We have to look at different categories of p...

The film-maker and photographer discusses recording the evolution of human-environment relations, th...

Matt Jukes – interview: ‘You need to dream big, so you can shoot for t...

Matt Jukes talks about the pandemic, the effect of lockdown on our mental health, and his immersive,...

Mohamed Bourouissa – interview: ‘I see art as a playground’

Ahead of Mohamed Bourouissa's survey exhibition at Goldsmiths Centre for Contemporary Art, the Paris...

Valerie Hird: What Did Happen to Alice; My Avatar

Valerie Hird’s exhibition includes her award-winning animated short film along with interactive st...

Philip Hughes – interview: ‘Drawing captures the memory of a place lik...

Philip Hughes talks about his practice and what informed his new book, Painting the Ancient Land of ...

Anne Hardy – interview: ‘I’m interested in residues, leftovers, stra...

Anne Hardy talks about her new series of photograms, now online at Maureen Paley’s Studio M, how l...

Claire Ashley – interview: ‘I’m not an artist who is scared about th...

Claire Ashley makes vast colourful, oddball inflatables. Ashley talks about giving life to these cha...

Harold Offeh – interview: ‘I am always asking: who is not part of the ...

Harold Offeh discusses boredom, curiosity and 1980s pop culture, the influence of punk and hip-hop, ...

Peter Kennard – interview: ‘Montage is about allowing people to think ...

Peter Kennard, the celebrated political artist, talks of photomontage, protest, art schools and imag...

Lana Locke – interview: ‘I look more at the racial connotations of col...

Lana Locke talks about about domesticity in life and art, colonialism and climate change –and how ...

Eleanor May Watson – interview: ‘Home is a sanctuary, but also a reall...

Eleanor May Watson talks about the weight of history, the evolving nature of her work and the comple...

Crystal Fischetti – interview: ‘I use my whole body when I paint’

Crystal Fischetti talks about ‘coming out’ of the spiritual closet, and how she uses her whole b...

Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happ...

Artist Prabhakar Pachpute talks about growing up in a coal-mining region in India, and how its assoc...

Tako Taal and Adam Benmakhlouf – interview: ‘This slow-motion style of...

Tako Taal and Adam Benmakhlouf discuss their ideas behind the 2021 Artists’ Moving Image Festival ...

Nick Hornby – interview: ‘Liquefied photography is magical and mysteri...

British artist Nick Hornby talks about his shift from art history to personal histories, and combini...

Sara Barker – interview: ‘I tackle sculpture from the position of pain...

Glasgow-based Sara Barker talks about how the pandemic has affected her practice and her exhibition,...

Luiz Zerbini – interview: ‘I treat a painting as an oracle’

Brazilian painter Luiz Zerbini discusses urbanity and nature, the power of geometry and the secret l...

Jordan Baseman on turning mastectomy tattoos into the subject of a cartoon...

Jordan Baseman’s films deal with everything from embalming to post cancer surgery tattoos, and see...

Sarah Wood – interview: ‘At the moment we all want to gather around st...

Sarah Wood, artist, filmmaker, talks about what lockdown has taught her and how making her latest fi...

Katharina Grosse – interview: ‘My eyes are my most important tools’

Katharina Grosse talks about the importance of layering, colour and bodily intelligence in her paint...

Jim Dine – interview: ‘I never stop looking. I never stop examining. I...

Artist Jim Dine talks about his easily recognisable paintings, into which he embeds tools and incorp...

Trulee Hall – interview: ‘When I say “whore”, I wouldn’t say tha...

Trulee Hall talks about her multimedia practice, her views on sex and voyeurism, and how she hopes h...

Monica von Schmalensee – interview: ‘Architecture is an instrument for...

Von Schmalensee, former CEO and now partner of White Arkitekter, has advised the Swedish government ...

Susie MacMurray – interview: ‘A feather is never just a feather, and a...

Susie MacMurray talks about how she uses art to raise questions rather than make statements, and abo...

Emily Jacir – interview: ‘I wanted the locals to show me what was impo...

The artist talks about her stone sculpture, Pietrapertosa, created as part of the Gardentopia projec...

Eleanor Bartlett – interview: ‘When you see a great lump of tar, it’...

Eleanor Bartlett talks about why she favours working with bitumen, metal paint and wax and why colou...

Ali Kazim – interview: ‘When I picked up a pottery shard and it had so...

The artist talks about looking to ancient civilisations for inspiration, why he doesn’t like worki...

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