The American Dream: Pop to the Present
This exhibition pops and sparks, but ultimately goes out with a disappointing fizzle, leaving us to ...
The photographic works of Kishin Shinoyama: Picture Power
The Japanese photographer, famous for his portraits of celebrities and nudes, has selected about 120...
Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...
The founder of teamLab, an interdisciplinary group of ‘ultra-technologists’, explains how digita...
Tara Donovan: ‘I’m interested in exploring the moment where the condit...
The artist explains that, although her latest work, Compositions (Cards), may seem very different fr...
The 1980s were a fertile time for black British artists to interrogate their experience of racial di...
Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...
The artist talks about his commitment to art in public spaces, describes how the Gramsci Monument in...
Sussex Modernism: Retreat and Rebellion
Unravelling some of the interwoven and incestuous tales relating to the 20th-century modernist prota...
TeamLab: Transcending Boundaries
If there were a happiness index for exhibitions, then teamLab: Transcending Boundaries would score a...
Sheida Soleimani: ‘Does someone really want to buy an image of an execut...
Surrounded by her neon memorials to women killed in Iran, Soleimani discusses the state-sanctioned m...
Terrains of the Body: Photography from the National Museum of Women in the...
Building on the legacy of feminist art from the 1970s, this exhibition includes photographic and vid...
The Studio and the Arts and Crafts Movement
This article was first published in High Art and Low Life: The Studio and the fin de siécle, ...
Strange Worlds: Visions of Angela Carter
To mark the 25th anniversary of Carter’s death, this exhibition brings together works that influen...
Sergei Eisenstein: Drawings, 1931-1948
Known as a film-maker, Eisenstein also excelled at drawing. This exhibition presents a rare collecti...
Titus Kaphar: ‘My subconscious mind had created a fiction that masquerad...
For his current exhibition at Jack Shainman Gallery in New York, Titus Kaphar looks to historical po...
This article was first published in High Art and Low Life: The Studio and the fin de siécle, a spec...
Susannah Stark: ‘I like to create something that bears the trace of mult...
The artists talks about cultural memories, Spolia, swamps and Icelandic necropants...
South Korean artist Seungjo Jeong creates pared-back canvases that explore the relationship between ...
Sophie Jung: ‘I don’t trust language’
The performance artist talks about Chinese encyclopaedias, the Austrian feminist playwright Elfriede...
South Africa: The Art of a Nation
This exhibition is packed with fantastic items that tell stories of resilience and resistance. But t...
Thinking Pictures: Moscow Conceptual Art in the Dodge Collection
As viewers, we witness Moscow conceptualism caught in a perpetual bind between the Romantic obscurit...
Tim Benson: ‘I wanted my work to have more meaning’
The artist talks about storytelling through portraiture, and the human face of Ebola...
In its fifth year, this leading global prize for digital art has really hit its stride, with a great...
Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’
Toby Ziegler explains his processes of painting and sanding, and using Google’s reverse image sear...
Simon Starling: ‘A little knowledge is a powerful thing, and too much kn...
The Turner Prize-winning conceptual artist underscores his first institutional show in New York with...
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Tom Ellis: ‘Defining yourself in opposition to something else is always ...
The British artist talks about context, subversion and what it means to build a career in the middle...
Susan Webster and Stuart Kestenbaum: interview
Maine’s poet laureate Stuart Kestenbaum and artist Susan Webster talk about their recent collabora...
New lithographs, slate drawings and a film of David Hockney, all done by Dean when she was in Los An...
Simon Lewty: ‘I draw only from the imagination’
Lewty, whose work combines fantastic images with text, talks about where his inspiration comes from,...
Sofia Borges: ‘Photography can be used as a tool to mould our sense of r...
The artist subverts photography, as she strives to ‘rub out meaning’. Instead, she explains, she...
From yeti expeditions to spy shenanigans, the Himalayan hotel in Kalimpong has seen it all. Now, a n...
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