The Birth of Cinema … and Beyond: An Exhibition of Painting and Video
Before the invention of cinema in the 19th century, visual art was one of the primary means for stor...
The Universal Addressability of Dumb Things
The exhibition’s title, The Universal Addressability of Dumb Things, comes from a concept in compu...
Sturtevant: Leaps, Jumps and Bumps
Strangely absent from most histories of Pop and Conceptualism, Elaine Sturtevant’s work is signifi...
Survival is perhaps the message of the 2013 Venice Biennale, but confusion of aims, contradiction of...
Genesis is one of three bodies of work by the Brazilian born photographer Sebastião Salgado that pu...
The Wisdom of Birds: Holding - King - Shimmen
The Wisdom of Birds shows the work of three artists for whom the imagery and significance of birds h...
Schwitters In Britain. Tate Britain, London, 30 January–12 May 2013. This comes as a timely exhibi...
Susan Hiller’s exhibition: Channels (2013) at Matt’s Gallery in East London is a large audio-scu...
The Armory Show 2013. The name is all. Forget that’s it’s held on two piers and in a tent anchor...
Urban Narratives at L’Espace Louis Vuitton Tokyo gives a glimpse of what it is like to live in a c...
Ursula von Rydingsvard: interview
This is her moment. Named Storm King Art Center's artist of the year, Ursula von Rydingsvard has jus...
Tate Modern 2012 Programme in Retrospect: the Place for Performance
It came as no surprise, in January, when Tate Modern announced that 2012 was an exceptional year for...
-2012-b-300.jpg)
Silvia Hatzl: A Fragile Existence
Silvia Hatzl. 'My works are born through a series of stages, most of them sensual; touching, smellin...
Special issue 2010, Volume 209 Number 1032
Studio International, Special issue 2010, Volume 209 Number 1032...
The skill with which Jan Van Ecyk portrays the everyday object is remarkable. He brings life and lig...
The Liverpool Biennial 2012 – the UK Biennial of Contemporary Art
The Liverpool Biennial 2012 brings together dozens of different exhibitions comprising artworks by m...
Freud Museum, London, until 20 November 2012. Saying It is an exhibition that presents a mise-en-sc...
Love it or hate it, the Turner Prize is upon us once again, and, after a year’s sojourn at the BAL...
Taking a transnational picture: an interview with Maryam Najd
Contemporary online art journal with reviews, analysis and comment...
Ships and Sirens at Festival time
Susan Philipsz Timeline 2012, The Edinburgh Arts Festival 2012. The artist Susan Philipsz launched h...
The Afghan Seminars – dOCUMENTA 13
This year, in addition to its home-base in Kassel, dOCUMENTA (13) has satellite venues in Kabul, Ale...
Shezad Dawood. Piercing Brightness
In his feature length film, Piercing Brightness, Shezad Dawood uses the genre of science fiction to ...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
