Raucous, bawdy, sweary and crude, this major survey comprises works that are not always easy to stom...
Samuel Gallacher – interview: ‘We have put the community at the front ...
Glasgow’s Burrell Collection has been named 2023 museum of the year, picking up the £120,000 awar...
Scottish Women Artists: 250 Years of Challenging Perception
With themes including Scottish identities, artistic communities and interior lives, this exhibition ...
-300.jpg)
Thomas J Price's sculptures, fusions of ordinary people, overturn tradition in their material and sc...
Secessions: Klimt, Stuck, Liebermann
At the end of the 19th century a group of artists in Munich, Vienna and Berlin broke away from the t...
The Casablanca Art School: Platforms and Patterns for a Postcolonial Avant...
This is the story of how a group of artists experimenting with strikingly modern and colourful abstr...
Tino Sehgal – interview: ‘It’s an invitation to think about skill an...
Tina Sehgal, the enigmatic and publicity-averse artist, discusses his new work for Manchester Intern...
The God That Failed: Louise Bourgeois, Barnett Newman, Mark Rothko
An intriguing exhibition situates Bourgeois’ characterful early sculptures alongside the two incip...
Tom Wood – interview: ‘I started doing portraits of these kids hanging...
For 50 years, Tom Wood has been out on the streets taking intimate, informal, often quirky, photogra...
Tomás Saraceno in Collaboration: Web(s) of Life
Argentine artist-activist Tomás Saraceno wants us to fall in love with spiders. His thoughtful Serp...
Saint Francis of Assisi, whose story began with a painting, has been depicted in more than 20,000 wo...
This show is billed as bringing together a group of younger artists ‘experimenting with colour, ma...
Ceramic, bronze and video works spanning 20 years of Simone Leigh’s practice, including nine works...
The Rossettis: This exhibition is both broader and narrower than its title suggests. In a nutshell, ...
Colour, gesture and expression permeate the works of Chaïm Soutine and Leon Kossoff, but this exhib...
Stefan Brüggemann: Not Black, Not White, Silver
Spray-painted words ‘deface’ an array of surfaces, vast and small, some fashioned from expensive...
Treasures of Ukraine – book review
This book chronicles Ukraine’s rich cultural heritage even as the war with Russia threatens the ve...
-300.jpg)
Souls Grown Deep Like the Rivers: Black Artists from the American South
Scrap metal, old clothing, paint tins, driftwood, furniture and animal bones are rendered into works...
Tiffanie Delune – interview: ‘I want people to feel like they’re wal...
The artist talks about her time on a residency in Ghana, culminating in her current solo show there,...
-300.jpg)
Nine artists, including Lubaina Himid, Hana Miletić and Moyra Davey, consider the fraught subject o...
Now on show at Turner Contemporary, Sonia Boyce’s immersive multimedia installation, which won the...
Shanti Panchal – interview: ‘It’s a meditative process, a layering o...
Shanti Panchal discusses the enduring power of painting, the evolution of his watercolour technique,...
Scott Covert – interview: ‘For me, each brushstroke is a lifetime’
In a long overdue first European exhibition, at Studio Voltaire, London, American artist Scott Cover...
Trickster Figures: Sculpture and the Body
A clever curation of contemporary sculpture alluding to bodies or systems that relate to bodies, thi...
Neshat’s haunting new video installation is a fictionalised account of the effect of imprisonment ...
For this new installation, commissioned by the International Film Festival Rotterdam, Steve McQueen ...
Sabine Marcelis – interview: ‘I love to play with light’
Dutch designer Sabine Marcelis talks about her installation at the Vitra Schaudepot, which shines a ...
Leaving the buzz to the glamorous new spaces that international mega-galleries are opening in Los An...
Reflecting on violence, particularly against women and minorities, Saba Farhoudnia’s paintings for...
War in Abkhazia in 1992-93 resulted in deaths, displacement and the loss of its national archive, wi...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|