Jake Wood-Evans – interview: ‘I don’t think you can make a successfu...

Taking great baroque altarpieces as his starting point, Jake Wood-Evans marks out his composition, a...

We Will Walk: Art and Resistance in the American South

Through the work of more than 20 African American artists, this show explores the soul-stirring art ...

Art Deco by the Sea

This takes us to an interwar Britain where hope and modernism blossomed, changing the face of everyt...

Steve McQueen

The vision of artist and film-maker Steve McQueen is bold and thought-provoking in this challenging ...

Actinic – Photography in Print

As part of the Actinic Festival, Kristina Chan, Nick Devison, Itamar Freed, Morwenna Kearsley and Ma...

Denzil Forrester – interview: ‘I needed that dark space to bring out t...

Studio International spoke with Forrester at the opening of Itchin & Scratchin, his first major solo...

Gianfranco Zappettini – interview: ‘Painting always survives’

As his first solo exhibition in London opens at Mazzoleni, Zappettini recounts his ease with unconfo...

David Reed: New Paintings

In his second solo show with Gagosian, Reed displays his many strengths in 15 new and impressive wor...

An-My Lê – interview: ‘All the striations of important events are ret...

Photographer An-My Lê talks about her project Silent General and the personal and political tension...

Not Vital: SCARCH

Is there another living artist who has reimagined what architecture is or does quite so comprehensiv...

British Baroque: Power and Illusion

The Tate’s first survey of Britain’s late-17th-century art is a misshapen pearl, often glimmerin...

Daniel Arsham: Paris, 3020

Deities and emperors decay and crystallise in the American artist-designer’s enjoyable exhibition ...

Expressive Art in the Early 20th Century

This is a small but moving display that, 75 years after the Holocaust, reminds us of the need for co...

Tony Lewis – interview: ‘I’ve got to wear a Tyvek suit, a ventilatio...

The artist explains the lengths he must go to in order to create his signature graphite ‘floor dra...

Ruth Asawa: A Line Can Go Anywhere

Asawa, who was known for weaving sculptures with wire and studying at Black Mountain College under J...

Christine Rebet– interview: ‘Animation is perfect for critique: it is ...

Studio International spoke to Rebet at the opening of Time Levitation, her first solo show in the UK...

Unbound: Visionary Women Collecting Textiles

This fascinating and engaging exhibition puts the idea of female collectors at the heart of a social...

Luca Giordano: The Triumph of the Neapolitan Painting

An often thrilling exhibition at the Petit Palais asserts the mastery of the inescapable Neapolitan ...

Albert Reuss

The Jewish painter escaped Nazi persecution in his native Austria and moved to Cornwall, but his hau...

Alexandra Haeseker: The Botanist’s Daughter

Haeseker’s prints of the eco system that is often invisible to our eyes, below our feet, highlight...

Huysmans, Art Critic: From Degas to Grünewald, in the Eye of Francesco Ve...

A diverting exhibition at Musée d’Orsay explores the influential art criticism of the quintessent...

John Cornish – interview: ‘It would be unfair just to look back on my ...

The son of the artist Norman Cornish, whose work is synonymous with mining life in the County Durham...

Paul Mpagi Sepuya - interview: ‘I’m not making tricky pictures. There...

While a quest to understand the myriad undefined potentials of queer social spaces is one factor beh...

Ann Dumas – interview: ‘Every exhibition is fraught with problems and ...

One of the UK’s leading curators, Dumas talks about women in the art world, the trials and triumph...