Published  30/11/-0001
Share:  
Follow us twitter facebook instagram

The Art Museum in Modern Times – book review

Charles Saumarez Smith, a former director of London’s National Portrait Gallery and the National G...

Art appreciation in the metaverse

What on the physical earth do art collectors see in a CryptoPunk? Add to quick profits the bragging-...

Destination Art – book review

Indulge in some armchair escapism and travel to deserts forests and ghost towns, as art historian Am...

Philip Hughes – interview: ‘Drawing captures the memory of a place lik...

Philip Hughes talks about his practice and what informed his new book, Painting the Ancient Land of ...

Anne Hardy – interview: ‘I’m interested in residues, leftovers, stra...

Anne Hardy talks about her new series of photograms, now online at Maureen Paley’s Studio M, how l...

Claire Ashley – interview: ‘I’m not an artist who is scared about th...

Claire Ashley makes vast colourful, oddball inflatables. Ashley talks about giving life to these cha...

Harold Offeh – interview: ‘I am always asking: who is not part of the ...

Harold Offeh discusses boredom, curiosity and 1980s pop culture, the influence of punk and hip-hop, ...

Peter Kennard – interview: ‘Montage is about allowing people to think ...

Peter Kennard, the celebrated political artist, talks of photomontage, protest, art schools and imag...

Lana Locke – interview: ‘I look more at the racial connotations of col...

Lana Locke talks about about domesticity in life and art, colonialism and climate change –and how ...

Shneel Malik – interview: ‘I’m a crazy optimist. I know that the rig...

Architect and bio-designer Shneel Malik discusses bio-algae, eco-aesthetics, artisans pioneering eco...

Jens Fänge – interview: ‘I try to come to a painting from a different...

As Jens Fänge exhibits new work in Paris, the Swedish painter talks about assemblage, the structure...

Vision & Reality: 100 Years of Contemporary Art in Wakefield

As the Hepworth Wakefield celebrates its 10th birthday, it is apposite that it is marking its place ...

Eleanor May Watson – interview: ‘Home is a sanctuary, but also a reall...

Eleanor May Watson talks about the weight of history, the evolving nature of her work and the comple...

Sadie Morgan – interview: ‘When you’re part of a community, architec...

Sadie Morgan, of Stirling Prize-winning architects De Rijke Marsh Morgan, discusses social and envir...

Crystal Fischetti – interview: ‘I use my whole body when I paint’

Crystal Fischetti talks about ‘coming out’ of the spiritual closet, and how she uses her whole b...

Grief and Grievance: Art and Mourning in America – book review

Preceding an exhibition at New York’s New Museum, this book, based on a vision of the late Okwui E...

Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happ...

Artist Prabhakar Pachpute talks about growing up in a coal-mining region in India, and how its assoc...

Unearthed: Photography’s Roots

The first major exhibition of photography at the Dulwich Picture Gallery uses nature as a lens to ex...

Tako Taal and Adam Benmakhlouf – interview: ‘This slow-motion style of...

Tako Taal and Adam Benmakhlouf discuss their ideas behind the 2021 Artists’ Moving Image Festival ...

Nick Hornby – interview: ‘Liquefied photography is magical and mysteri...

British artist Nick Hornby talks about his shift from art history to personal histories, and combini...

The Gee’s Bend Quiltmakers

Quilts from three generations of African American makers in a remote Alabama community demonstrate g...

Sara Barker – interview: ‘I tackle sculpture from the position of pain...

Glasgow-based Sara Barker talks about how the pandemic has affected her practice and her exhibition,...

Michael Visocchi – interview

Scottish artist Michael Visocchi talks about his commission to create a sculpture for South Georgia,...

Luiz Zerbini – interview: ‘I treat a painting as an oracle’

Brazilian painter Luiz Zerbini discusses urbanity and nature, the power of geometry and the secret l...

Jordan Baseman on turning mastectomy tattoos into the subject of a cartoon...

Jordan Baseman’s films deal with everything from embalming to post cancer surgery tattoos, and see...

Moynihan Train Hall: splendour for the masses

Wrought of sheer will, the Moynihan Train Hall, a radiant new gateway to Manhattan, addresses past, ...

Christine and Jennifer Binnie – interview

Artist sisters Christine and Jennifer Binnie talk about their joint curation of an exhibition from t...

Sarah Wood – interview: ‘At the moment we all want to gather around st...

Sarah Wood, artist, filmmaker, talks about what lockdown has taught her and how making her latest fi...

Young Poland: The Polish Arts and Crafts Movement, 1890-1918 – book revi...

The range of work to emerge from the Young Poland movement is staggering and this well-researched, b...

Kandinsky | Guggenheim Bilbao

With 62 of Kandinsky’s paintings and works on paper, this exhibition charts the development of his...

studio international logo

Copyright © 1893–2021 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA