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Published  30/11/-0001
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Elevation 1049: Frequencies

Set in the spectacular alpine resort of Gstaad, the Elevation 1049 festival explores contemporary ar...

Vivian Maier: The Color Work

The Color Work continues the institutional recovery of Maier, whose street photographs of New York a...

Don McCullin

McCullin is widely known as a war photographer, but this comprehensive and unflinching exhibition, c...

Jean-Jacques Lequeu: Builder of Fantasy

Deer-headed lodges, globe-shaped temples, sunken pleasure pavilions: a long-overdue exhibition at th...

Joseph Hillier – video interview: ‘Figurative sculpture in a public sp...

Sculptor Joseph Hillier talks about his most ambitious project to date, its design, and what it take...

Phil Collins – interview: the artist who brought a statue of Engels from...

The artist talks about his latest exhibition, Ceremony, which documents the statue’s journey, and ...

We Are the People. Who Are You?

As the UK wrestles with Brexit, this show, with the feel of a mini-institutional survey on artists r...

Beatrice Gibson: Crone Music

Crone Music features two new films by London-based artist Beatrice Gibson. Exploring themes of mothe...

Daria Martin – interview: ‘Most people can relate to the feeling of be...

The 2018 Jarman Award-winner talks about Franz Kafka, mirror-touch synaesthesia and her film Tonight...

Andy Warhol and Eduardo Paolozzi: I want to be a machine

In the 1960s, Warhol and Paolozzi believed art would benefit from increasing mechanisation. This sho...

Stalking the Image: Margaret Tait and her Legacy

In the centenary year of Tait’s birth, this exhibition of short films celebrates her pioneering le...

Bloomberg New Contemporaries 2018

From this annual showcase of new talent, we pick five artists to watch, from Yushi Li’s erotically...

Turner in January

From storms thrashing lighthouses to mountaintops enveloped by cloud, from golden piazzas to the Ita...

Lorna Macintyre: Pieces of You Are Here

Scottish artist Lorna Macintyre delves into the relationships between people, their objects and thei...

Painter. Mentor. Magician. Otto Mueller and his Network in Wrocław

Exploring the life, work and artistic times of the German expressionist artist Otto Mueller, this ex...

Yapci Ramos: Show Me

Eight key works from the past 15 years, all unapologetically seen from a woman’s perspective, circ...

Coming Home: Art and the Great Hunger

This exhibition of artwork from Ireland’s Great Hunger Museum at Quinnipiac University, Connecticu...

Betty Yu: ‘Wherever you are, there are folks fighting for their lives’

New York-based artist Betty Yu talks about the gentrification of her neighbourhood in Brooklyn and w...

Pin-Ups: Toulouse-Lautrec and the Art of Celebrity

In these prints of Paris, Toulouse-Lautrec and his contemporaries bear witness to the enduring appea...

Ceal Floyer

Ceal Floyer’s subversion of everyday objects continues her meditation on materiality in private an...

Klimt/Schiele: Drawings from the Albertina Museum, Vienna

Commemorating the centenary of the deaths of two of Austria’s great modernist artists, this exhibi...

Shen Fan: Works in Abstraction 1992-2017

This exhibition presents a survey of works by the Shanghai-based artist whose aim is to open up a di...

Fluorescent Chrysanthemum Remembered

Fluorescent Chrysanthemum Remembered, a retrospective exhibition, curated by Jasia Reichardt, celeb...

Jorge Pardo: ‘There’s a lot of No in conceptual art. I’m interested ...

Pardo and his team have transformed a tired French hotel in Arles into a work of art, designing and ...

Susan Swartz

Nature, says Swartz, is her primary source of inspiration and her paintings are grounded in the incr...

Oli Kellett: Cross Road Blues

British photographer Oli Kellett travels to the US to shoot people at road junctions. Here, he expla...

Nick Wadley in Gdańsk

A tribute to the British artist and art historian whose droll vignettes and punning wordplay open up...

Royal Academy: Art is Part of the Equation

With its packed walls, vibrant colour and impressive work, the Royal Academy’s first show by artis...

Staging Jackson Pollock

With glimmers of a cloak-and-danger cold war thriller, this look at the US artist’s 1958 UK debut ...

Margaret Salmon: Hole

This is a portrayal of love and intimacy, but love and pain are inevitably intertwined, and Hole is ...

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