Warhol: From A to B and Back Again
The Whitney’s pantheon exhibition, of close to 300 works, sidelines Andy, the pop artist marketed ...
Julie Greve: ‘I don’t like shooting models. They are taught so quickly...
The recent art-school graduate, who was selected to photograph this season's campaign for standout B...
Pepe López: ‘When it comes to exile, we keep all memories in the same p...
The Venezuelan artist recounts packing a life into a suitcase, the potency of objects in evoking the...
Andreas Lolis: ‘I’m not working with marble, I’m conversing with it...
Lolis talks about why he uses marble to sculpt bin bags, wooden crates and other mundane items, in r...
The Bunker Artspace – Art as autobiography
Given a test run last autumn and reopening on 2 December, The Bunker, a private venue fronting the c...
Burne-Jones may not appeal to the contemporary art world, but Tate Britain’s survey proves there...
Otobong Nkanga, interview, Artes Mundi 8
Otobong Nkanga talks about her inspirations for the works on show at Artes Mundi 8, and her enduring...
This immersive installation documents Sierra’s provocative planting of black flags – symbol of t...
Artes Mundi 8 Prize and Exhibition
The artists shortlisted for Artes Mundi 8 aim to stir our consciences on everything from abuse of th...
Anna Boghiguian, interview, Artes Mundi 8
Anna Boghiguian talks about her travels and research for A Meteor Fell from the Sky, the founding of...
-b-300.jpg)
Yayoi Kusama: The Moving Moment When I Went to the Universe
In the 60s, Kusama was a pioneering artist, but it’s hard not to feel that this show, with its hyp...
A New Spirit Then, A New Spirit Now, 1981-2018
Revisiting a seminal exhibition from nearly four decades ago, curator Norman Rosenthal presents 15 p...
Vienna’s museum of modern art presents a photographic journey through the past 100 years of Austri...
Marking 450 years since Pieter Bruegel the Elder’s death, this staggering survey reunites a vast a...
Magdalena Abakanowicz: Presence, Essence, Identity
Magdalena Mielnicka, an expert on Abakanowicz, talks about the irrepressible Polish artist’s extra...
Henrike Naumann: ‘I really see fascism in the furniture’
Naumann’s careful recreations of 1990s living spaces explore how sudden social and economic change...
Edward Burtynsky: The Human Signature
Burtynsky’s photographs capture the drama of a planet in flux, combining technical virtuosity with...
Suspension: A History of Abstract Hanging Sculpture 1918-2018
From Duchamp’s Travelling Sculpture to a tiny work by Ruth Asawa, Suspension proposes a new catego...
Modern Couples: Art, Intimacy and the Avant-garde
Modern Couples attempts to retell the story of the modernist avant-garde through creative relationsh...
Damien Coulthard: Songlines XXX, Adnyamathanha Yarta – ‘It’s excitin...
To mark its 30th anniversary, Rebecca Hossack Gallery is showing the Australian artist Damien Coulth...
Pierre Le-Tan: The Collection of Monsieur X
The French artist and illustrator explains his love of collecting, his collaboration with Patrick Mo...
Unwin describes the role of memory in the 10 oil paintings of this solo show and explains why she re...
-5_Copyright-Assemble-300.jpg)
Goldsmiths Centre For Contemporary Art
The Turner Prize-winning architectural collective Assemble has transformed an old bathhouse into a c...
Franz West retrospective – playfulness is in the air
From his diminutive drawings to his large Pepto-Bismol pink sculptures, Franz West's world will leav...
Billy Apple interview: The Artist Has to Live Like Everybody Else 1961–2...
Billy Apple is not just an artist – he’s a trademarked brand. He talks about exchanging his art ...
What’s the difference between design and art? This year’s Vienna Design Week went a long way to ...
-300.jpg)
The White Cube presents two of Doris Salcedo’s works, each exploring loss and the fragility of lif...
Stephen Farthing on The Miracle Paintings
Farthing explains how his Miracle paintings, now on show at Salisbury Cathedral, came from a convers...
In this solo exhibition, Eder explores cultural value judgments through his kitsch portrayals of kit...
Dan Graham talks about his early days as a New York gallerist, his love of music and why he doesn’...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|