Mary Kuper: ‘Where you have greater language diversity in the world, you...
The artist and illustrator talks about her current exhibition, Language Shift, the Endangered Poetry...
![Agostino Bonalumi. Blue abitabile (opera ambiente) [Inhabitable Blue (environmental artwork], 1967. Shaped canvas and vinyl tempera, 300 x 340 cm. Private collection. © ALTO//PIANO – Agostino Osio photography.](/images/articles/b/072-bonalumi-2018/smallpix/Blue-abitabile-(opera-ambiente)-2-300.jpg)
The first retrospective of Bonalumi’s sculptural exploration of canvas, colour and material since ...
Tamsyn Challenger: Free the Pussy!
The artist-curator Tamsyn Challenger talks about Free the Pussy!, the exhibition she has curated to ...
Line & Color: The Nature of Ellsworth Kelly, Norton Simon Museum, Pasadena
This exhibition of Kelly’s work seeks to cut to the core of his practice, primarily through two se...
Magic Realism: Art In Weimar Germany 1919-33
Tate Modern’s exhibition on magic realism brings together the works of troubled minds from turbule...
The London-based artist Simon English talks about chance, addiction and the wilful act of drawing...
Rajyashri Goody: Eat With Great Delight
Goody, herself of Dalit heritage, talks about discrimination in India against the Dalits and how, in...
Alison Wilding and Florence Peake in conversation
With Wilding’s show Right Here and Out There and Peake’s RITE on concurrently at the De La Warr ...
Christopher Williams: Normative Models
In this exhibition, which includes seven photographs and several blank walls, the US photographer in...
Tamara Henderson – interview: ‘You could say the maquettes were the hy...
Tamara Henderson discusses the transmigration of the soul, the transformative properties of clay, an...
Obsession: Nudes by Klimt, Schiele and Picasso from the Scofield Thayer Co...
Stirring and challenging, this frontal look at ecstasy revels in desire as it pits the age-old tradi...
Covered in Time and History: The Films of Ana Mendieta
Mud, blood, fire and water: a touring exhibition of the Cuban American artist affirms her continuing...
Thierry Oussou: ‘I would like the discourse that I am developing in my w...
The Benin-born artist Thierry Oussou reflects on his artistic practice, the need for repatriation of...
This major retrospective of the work of Thomas Bayrle brings together works from the past 50 years a...
Patricia Guzman’s expertly executed realism makes her paintings appear photographic, as she docume...
In a riveting, large-scale work called Moss Ball: A Meditation on the Overview Effect (2018), E.V. D...
Tania Kovats and Kimathi Donkor discuss drawing practice and education
After the pop-up symposium Lines of Thought at Trinity Buoy Wharf, the new partner for what was form...
Tai Xiangzhou is committed to a traditional lexicon, his ink paintings magnificent, deeply indebted ...
Chinese artist Cui Xiuwen died in Beijing, where she was based, on 1 August, at the age of 51, after...
Mark Fox, who was brought up as a Catholic, has issues with certain of the religion’s doctrines an...
Frieder Nake’s work is from 1965, a pioneering example of computer art in which the image is wholl...
Intersection: International Art and Culture
In celebration of its 25th anniversary, the Arthur M Sackler Museum of Art and Archaeology at Peking...
Bao Pei uses ink and paper in the tradition of Chinese ink painting, but makes her work abstract, an...
Tacita Dean: Woman With a Red Hat
Centred around the theme of “performance”, this show cleverly connects the art, film and theatre...
Alex Prager: Silver Lake Drive
Prager revels in cliche and it is clear from the large Technicolor photographs and the handful of fi...
Cui Xiuwen, one of the most important avant-garde artists from China, passed away yesterday, leaving...
Jacob Hashimoto: ‘The history of art is full of cultural appropriators. ...
The artist talks about The Eclipse, an installation comprising thousands of paper kites, and Never C...
Ardan Özmenoğlu: ‘For me, repetition is the only way that you can reac...
The Turkish artist known for her distinctive works with Post-it notes talks about how she turns them...
![Edward Bawden. [Aesop’s Fables] Gnat and Lion, 1970. Colour linocut on paper. Trustees of the Cecil Higgins Art Gallery (The Higgins Bedford), © Estate of Edward Bawden.](/images/articles/b/074-bawden-edward-2018/smallpix/Aesops-Fables-Gnat-and-Lion-300.jpg)
The Dulwich Picture Gallery examines the vibrant world of Edward Bawden with a typically joyous exhi...
Leonor Antunes: ‘I’m interested in ancient ways of doing things’
The sculptor talks about learning traditional crafts, the Smithsons’ Solar Pavilion, creating an e...
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