![Edward Bawden. [Aesop’s Fables] Gnat and Lion, 1970. Colour linocut on paper. Trustees of the Cecil Higgins Art Gallery (The Higgins Bedford), © Estate of Edward Bawden.](/images/articles/b/074-bawden-edward-2018/smallpix/Aesops-Fables-Gnat-and-Lion-300.jpg)
The Dulwich Picture Gallery examines the vibrant world of Edward Bawden with a typically joyous exhi...
Leonor Antunes: ‘I’m interested in ancient ways of doing things’
The sculptor talks about learning traditional crafts, the Smithsons’ Solar Pavilion, creating an e...
Henry Skerritt and Margo Smith talk about the Kluge-Ruhe Aboriginal Art Co...
With more than 1,900 works, the Kluge-Ruhe Aboriginal Art Collection at the University of Virginia i...
Venice Architecture Biennale 2018
The 16th Architecture Biennale focuses on freespace – in which buildings are engaging, inclusive a...
Mark Wallinger: ‘I’m reversing what happens at Madame Tussauds’
The Human Figure in Space returns this Turner Prize-winning British artist to his longstanding inter...
Chance and Control: Art in the Age of Computers
This beautifully curated display includes work from the pioneers of digital art of the 1950s and 60s...
The latest edition of the roving European biennial is a sensitively selected reflection on the natur...
David Chipperfield: ‘Architecture shouldn’t exist on its own. There is...
Fresh from his transformation of the Royal Academy of Arts, David Chipperfield talks about architect...
Alicia Kopf: ‘My idea is to appropriate polar history to a present-day s...
Catalan artist Alicia Kopf has won acclaim for her novel Brother in Ice, which sits at the pinnacle ...
Teresa Lawton: Tipping the Balance
Lawton’s paintings are inspired by her love of Dorset, where she explore the shapes and colours of...
In a bold juxtaposition with works by Paul Klee, the oil paintings, poems, carpets and tapestries of...
Shelley Himmelstein: Soccerscapes – Fifa World Cup Series; Michael Sorga...
Gallery director Randall Harris explains how this double show came about, while Himmelstein talks ab...
_estate-300.jpg)
Patrick Heron’s postwar abstraction places figure and ground on an equal footing and exploits the ...
Bodys Isek Kingelez: City Dreams
From individual buildings to large cityscapes, all the sculptures in this first US retrospective of ...
Ruimteveldwerk: ‘It is more like an understatement that creates an exper...
A social experiment investigating themes of being offline, privacy, and silence in the city brings a...
Nevermore: Leonid Lamm, Selected Works
This retrospective of the artist, who died last year, shows the brilliance, courage and impeccable w...
Jene Highstein: Space and Place
Deborah Najar’s carefully considered and sensitive choice of Highstein’s works is accompanied by...
Joana Vasconcelos: I’m Your Mirror
Joana Vasconcelos has filled the Guggenheim Bilbao with work from the past 20 years. She talks about...
John Powers: ‘Abstraction isn’t a technology or technique, it’s more...
Responding to the history of the city of Bruges, John Powers’ 15-metre-tall steel tower was constr...
Bruges Triennial 2018: Liquid City
For the duration of the summer, visitors to the liquid city of Bruges are invited to ponder a more m...
Starting from the Desert: Ecologies on the Edge – Second Yinchuan Bienna...
There are some strong individual showings at the biennale, but its curatorial framework is a mystery...
-300.jpg)
With its focus on the aerial image, At Altitude puts our terrestrial world into perspective with a b...
Dorothea Lange: Politics of Seeing
A photographer of fierce resolve and compassion, Dorothea Lange knew how to capture the very essence...
Katharina Sieverding: ‘I also make fake news’
Part of the collateral programme of this year’s Manifesta Biennial in Palermo is a career-spanning...
Gates hopes to challenge and confront the prevailing European narratives of racial and religious aut...
This thoughtful and revealing survey of an artist the Guggenheim exhibited in 1955 with Giacometti...
Beyond Ophelia: A Celebration of Lizzie Siddal, Artist and Poet
Best known as Millais’ Ophelia, Lizzie Siddal was a Pre-Raphaelite artist and poet in her own righ...
Samaneh Moafi of Forensic Architecture: ‘We are taking something that is...
Forensic Architecture has never designed a building. Instead, it acts as an architectural detective ...
Alex Mirutziu: ‘I’m interested in error, misunderstanding, correction...
The Romanian artist talks about his latest exhibition, examining the life and work of Iris Murdoch, ...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
