Chila Kumari Burman: ‘I scribble and make a mess in my studio. My whole ...

Burman talks about the inspirations for her intricate, multilayered works, including her latest comm...

Shape of Light: 100 Years of Photography and Abstract Art

Shape of Light is an exhibition for die-hard art photography enthusiasts. The rest of us will strugg...

Berlin Gallery Weekend 2018

Painting is back, and Berlin’s Gallery Weekend proved a great opportunity to survey its return...

New York hosts Frieze, Tefaf and more

Leading the pack of satellite fairs crowding contemporary art week, Frieze, revamped under a new dir...

Dallas Art Fair

The 10th edition of the major art showcase was an affirmation of the city’s commitment to visual c...

Rodin and the Art of Ancient Greece

Come to the British Museum to eavesdrop on a conversation across the millennia between Auguste Rodin...

Cedric Morris – portraits, places and flowers: three exhibitions

Three exhibitions capture a slice of 20th-century bohemia with portraits of people, places and, most...

Paul Maheke: ‘Michael Jackson is the reason I dance. And Felix Gonzalez-...

Through installation, sound, film and dance, Paul Maheke's work explores gender and racial stereotyp...

Zuzanna Czebatul: ‘People have to talk and dance with each other’

The artist talks about tigers, tarot cards, the vast carpet she made for this year’s Art Cologne a...

Joan Jonas: ‘I often went to magic shows as a child, and the idea of mag...

Joan Jonas talks about her multidisciplinary installation works currently on show at Tate Modern and...

Glasgow International Festival 2018

The largest festival for contemporary visual art in Scotland, the eighth Glasgow International, unde...

Inti Guerrero – interview: ‘I am trying not to fall into the cultural ...

Inti Guerrero, curator of this year’s EVA International, Ireland’s biennial, talks about how the...

David Shrigley: ‘The quality of the work for me is about avoiding contri...

David Shrigley talks about his large-scale installation Life Model II at Fabrica Gallery in Brighton...

Mariele Neudecker: ‘I get labelled as a climate change artist at times, ...

Bristol based artist Mariele Neudecker talks about how Cern inspires her, why you shouldn’t call h...

Nancy Fouts: ‘I once made a slingshot out of Jesus and had his head worn...

Nancy Fouts brings her trademark baroque theatricality, dada mischief and love of a good pun to Flow...

Emil Nolde: Colour Is Life

With a riot of vibrant colours, German expressionist painter and printmaker Emil Nolde brings to lif...

David Hockney: Something New in Painting (and Photography) [and even Print...

Coming off Hockney’s stunning retrospective at the Metropolitan Museum of Art celebrating his 80th...

Helen and Kate Storey: Neurogenesis – From Neuron Birth to All That We A...

An interdisciplinary and collaborative exhibition that fuses art, fashion and cell imaging to share ...

Phillip K Smith III: ‘The earth and the sky are the things that bind us...

As he prepares to mount an illusionistic new installation in Milan, the American space and light art...

José Parlá: ‘It challenges me to work against the grain of the status ...

For his most ambitious project to date, commissioned by the Landmarks public art programme at the Un...

Creativity and Collaboration: Revisiting Cybernetic Serendipity

The two-day colloquium Creativity and Collaboration: Revisiting Cybernetic Serendipity, which explor...

America’s Cool Modernism: O’Keeffe to Hopper

As the US charged headlong into the 20th century, as its cities grew skywards and consumerism began ...

Shonky: The Aesthetics of Awkwardness

Guest curated by John Walter, as part of the Hayward Gallery’s Touring Curatorial Open, this vibra...

Clementine Keith-Roach: ‘I think of domestic objects and furniture as ph...

The artist and set designer discusses casting her mother’s breasts for one of her nipple urns, bre...