Impressionists in London, French Artists in Exile (1870-1904)
This exhibition lacks coherence and has little to say about the influence British artists had on the...
Abstract Expressionism: Looking East from the Far West
This exhibition considers abstract expressionism through its Asian-American practitioners, with a fo...
Stan Douglas: ‘A re-enactment is an event that becomes processed in memo...
Photographer and film artist Stan Douglas talks about his new works, which extend his interest in hi...
Studio International visited the Dulwich Picture Gallery to view the Finnish artist Tove Jansson’s...
Jean Prouvé: Architecte des Jours Meilleurs (Architect of Better Days)
The French architect Jean Prouvé was a radical modernist whose graceful prefab buildings used cutti...
Alina Szapocznikow: Human Landscapes
A superlative exhibition at the Hepworth Wakefield unpacks the fleshly and sticky oeuvre of forgotte...
Grace Weir: ‘I often think through the camera’
In Irish film artist Grace Weir’s latest exhibition, Unfolded, past and present, the real and repr...
Ilya and Emilia Kabakov: Not Everyone Will Be Taken Into the Future
This first large-scale British retrospective of work by the US-based Russian installation artists Il...
-the-artist-300.jpg)
Paula Rego: The Boy Who Loved the Sea and Other Stories
Consummate storyteller Paula Rego brings her cast of mermaids and misfits to a town that seems forge...
Juno Calypso: ‘Male critics don’t think women are funny, they don’t ...
London-based photographer Juno Calypso talks about femininity and disappointment in a man’s world...
Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...
Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...
Nicolás Herrera: Enchanted Nature – Deforestation and the Environment
Enchanted Nature: Deforestation and the Environment, on show in Beijing, is an exhibition of 61 draw...
-300.jpg)
Kelly Richardson: The Weather Makers
The barren, dystopian landscapes of Kelly Richardson’s audiovisual installations are hypnotically ...
Reflections: Van Eyck and the Pre-Raphaelites
This wishy-washy exhibition is a lesson in tenuous connections...
Yuri Pattison: context, collapse
In the first exhibition at mother’s tankstation project’s new London gallery, Yuri Pattison’s ...
Julie Montgarrett: ‘I have always gravitated to the seductive character ...
Australian artist Julie Montgarrett uses her work to explore the continent’s problematic colonial ...
In his filmic and photographic portraits of architect Moshe Safdie’s abandoned 1968 housing projec...
Soutine’s Portraits: Cooks, Waiters and Bellboys
Chaïm Soutine, who inspired many of the 20th century’s greatest painters, brought the strange and...
Remaining committed to the Bauhaus ideals of uniting art and design as one field of form-production,...
Art and China after 1989: Theater of the World
The curatorial mission, to showcase the influence on artists and their practice of two distinct mome...
Matthias Dörfelt: There are not many people using code and technology as ...
The Los Angeles-based German digital artist talks about computer programs, his interest in bitcoin, ...
Jasper Johns: ‘Something Resembling Truth’
The first comprehensive exhibition of Jasper Johns to be held in the UK in the past 40 years looks b...
Russian Revolution: A Contested Legacy
The exhibition is unique as a form of intergenerational and intercultural dialogue. It brings togeth...
Alex Katz: ‘Ultimately, content is not important. The style is what is i...
As his student subway drawings go on show alongside recent paintings and sculptures at Timothy Taylo...
Pavel Brăila: 'Roots are the most important thing that we have’
After a summer of double Documentas, the Moldovan artist Pavel Brăila is now included in the second...
-300.jpg)
Monica Bonvicini: 3612,54 M³ VS 0,05 M³
In her latest exhibition, the rather unwieldy title of which refers to the volume of space in the ga...
Philadelphia’s most illustrious thoroughfare celebrated its 100th anniversary with a spectacular a...
-300.jpg)
Rachel Whiteread Retrospective
In the most substantial survey of Rachel Whiteread’s work to date, the Tate looks back over 30 yea...
Reflections on the horrors of one of Syria’s most famous prisons have driven Idris Khan to new for...
Nathalie Du Pasquier: ‘From the beginning, I did not belong to the desig...
In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|