Indian artist NS Harsha explains some of the works on show at this retrospective, and why, despite o...
Zoë Paul: La Perma-Perla Kraal Emporium
‘We need to have a connection to the place we live in. It’s an extension of ourselves and it’s...
The fair’s extensive list of programmes and projects, including a symposium on Latin American art,...
The new works of the often-brilliant Cornelia Parker act as a cautionary tale for artists who rush t...
Tracey Emin and William Blake in Focus
While the similarities between the work of Tracey Emin and William Blake are tenuous, the latest ins...
The biggest week of the year for Berlin’s contemporary art scene saw the opening of dozens of exhi...
Frances Stark: ‘I am desperately trying to connect outside of the art wo...
Frances Stark, the Los Angeles-based interdisciplinary artist and writer, talks about her first oper...
Oliver Griffin: ‘The very act of photography makes something interesting...
Oliver Griffin talks about drinking White Russians, his BMX bike, which he has named Susan, taking p...
Peter Dreher: ‘In my pictures I underline the act of seeing’
German artist Peter Dreher recounts the trauma of childhood under the Nazi regime, his autonomy from...
Joan Eardley: A Sense of Place
During her tragically short career, Joan Eardley concentrated on two contrasting areas of Scotland, ...
James Bridle: ‘There is a huge demand to humanise the technological view...
James Bridle talks about his current show at the Nome Gallery, Berlin, which centres around the self...
-300.jpg)
Nathalie Djurberg & Hans Berg: Who am I to Judge, or, It Must be Something...
Lust, sexual desire, sin and guilt are explored in a series of short claymation films supported by a...
-300.jpg)
Lascaux IV: International Centre for Cave Art
With Lascaux IV, which contains a state-of-the-art simulation that brings to life the famous Lascaux...
This 35th annual incarnation of Art Brussels was taglined ‘From Discovery to Rediscovery’. Here ...
Nicky Hirst's sculptures and installations quietly and skillfully explore the consonances and disson...
Eddie Martinez: 'I just want people to interpret the work how they want'
Eddie Martinez talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the in...
John Latham: A World View and Speak: Tania Bruguera, Douglas Gordon, Laure...
Two concurrent exhibitions present a selective view of the career of renowned conceptualist John Lat...
Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...
Linda Kitson talks about the works in Drawings and Projects, her current exhibition at House of Illu...
-LP-0012-300.jpg)
Lygia Pape: A Multitude of Forms
The exhibition gives an insight into the development of modernism in Brazil, a country to which it w...
Ruth Maclennan: ‘I realised that global warming was happening, and asked...
Visual artist Ruth Maclennan talks about what art can do in the face of climate change, her films of...
To mark the 50th anniversary of the partial decriminalisation of sex between men, Tate Britain’s c...
Secundino Hernández: ‘As a painter you have to have the courage to not ...
Secundino Hernández talks about his academic origins, the delicate equilibrium he seeks between acc...
Enrique Martínez Celaya: 'The sense of past as memory always has force'
Enrique Martínez Celaya talks about his latest show, The Gypsy Camp, and his interest in nomadism a...
-300.jpg)
Tony Heywood and Alison Condie’s ode to Hastings attempts to combine psychedelic sculpture with pl...
David Hepher – Grain of Concrete
Unusually for a landscape artist, David Hepher has for 40 years focused almost exclusively on the to...
Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...
Turkish artist Ipek Duben discusses her work THEY/ONLAR, a multiscreen video installation previously...
Brook Andrew: ‘I was challenged to unwind the histories that were told t...
History, identity and race dominate the Australian artist Brook Andrew’s work, as he challenges st...
Alexey Titarenko: ‘I wanted to capture my inner perception of the world ...
An exhibition at the Naiya Alexander Gallery in New York brings together Alexey Titarenko’s photog...
A pivotal period of John Constable’s life was spent in Brighton, where he would repeat three favou...
Deanna Petherbridge: ‘Drawing can be a million different things, but I t...
Using pen and ink as a metaphorical means of interrogating human interest, Deanna Petherbridge sees ...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|