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Published  30/11/-0001
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John Akomfrah – interview: ‘The question of discourse is absolutely ce...

The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...

Olga Chernysheva: Vague Accent

This series of drawings depicting urban life in New York was made while Chernysheva was on a month-l...

Amalia Ulman: ‘I learn things from the performances that I wouldn’t ha...

Having presented her fictionalised personas on her Instagram account and at the Tate Modern, the art...

Daubigny, Monet, Van Gogh: Impressions of Landscape

A trail-blazing artist, largely lost from sight, is brought back into the limelight in this excellen...

Paul Feiler

Examples of the signature works that occupied Feiler from the 1970s are on show at the Jessica Carli...

Nicolás Herrera: ‘this mural is about life’

Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...

Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...

The Latin American art dealer explains the ethos of her Bermondsey gallery and the importance of the...

The Lumen Prize Awards 2016

In its fifth year, this leading global prize for digital art has really hit its stride, with a great...

Jamian Juliano-Villani: The World’s Greatest Planet on Earth

For her first solo public exhibition outside the US, the artist shows a sculptural installation and ...

Carla Rapoport: ‘I like to think we’re the Elvis of the art world’

The founder of the Lumen Prize says Elvis brought gospel and black music into the mainstream, and sh...

James Richards: ‘I was really into making an exhibition space where ther...

The artist, who will be representing Wales in Venice (Cymru yn Fenis) at next year’s biennale, tal...

Lucia Nogueira

As this selection of work shows, the sculptures and installations of the Brazilian artist, made from...

Bedwyr Williams: The Gulch

This is a disorienting exploratory playground for the imagination, a procession of surreal scenarios...

Wendy Stavrianos: ‘I have always aimed for my work to be more akin to vi...

The artist talks about her concern with environmental degradation and mass migration, and her aim to...

Arthur Watson: ‘What connected Nagoya and Chicago was the level of inter...

The artist talks about his current exhibition, Double Diablerie, in which he explores superstitions ...

Picasso Portraits

Picasso’s life and art were shaped by friends, family and lovers, and as this exhibition demonstra...

Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’

Toby Ziegler explains his processes of painting and sanding, and using Google’s reverse image sear...

Louise Bourgeois: Turning Inwards

The opening room at Hauser & Wirth Somerset has been transformed into a spider’s lair, a fitting s...

Giuseppe Penone: Fui, Sarò, Non Sono

Although he may not initially seem to possess the radicalism of his arte povera contemporaries, the ...

Image Music Text: Andrew Gillespie, Andrew Lacon, Joanne Masding

Nathaniel Pitt explains that he looked to the processes of artists, instead of the subjects of their...

Celia Paul: Desdemona for Hilton by Celia

In an exhibition dominated by self-portraits and seascapes, Celia Paul demonstrates the virtues of s...

Joey Holder: ‘I’d like to see a lot more collaboration between the sci...

The artist shows Studio International around her ‘futuristic medical room’ installation and expl...

Simon Starling: ‘A little knowledge is a powerful thing, and too much kn...

The Turner Prize-winning conceptual artist underscores his first institutional show in New York with...

Peter Liversidge: ‘My work is solely about engagement’

The artist talks about the significance of his “proposals”, and discusses his recent project at ...

Tom Ellis: ‘Defining yourself in opposition to something else is always ...

The British artist talks about context, subversion and what it means to build a career in the middle...

Susan Webster and Stuart Kestenbaum: interview

Maine’s poet laureate Stuart Kestenbaum and artist Susan Webster talk about their recent collabora...

Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...

In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke...

Visual Wit and Social Critique. Satire from Goya to Grosz

With three centuries’ worth of satire, this exhibition offers an overview of things that have chan...

Oscar Murillo: through patches of corn, wheat and mud

Canvases appear abandoned on the floor and wet paint suggest a state of un-finish, but the compositi...

Tacita Dean: LA Exuberance

New lithographs, slate drawings and a film of David Hockney, all done by Dean when she was in Los An...

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