logo studio international

Misericord: Cathie Pilkington and Jay Cloth

Based in south-east London, the artist-run Space Station Sixty-Five (SS65) has been co-directed by a...

<

British Art Show 7: In the Days of the Comet

By conflating past and present...

Billy Childish: The Disruptive Betterment of Culture

Billy Childish (born Steven John Hamper, 1959, Chatham, Kent) has been variously described as a...

Show - Jerwood Encounters

Show, curated by Sarah Williams, is the fourth in this series of Jerwood Encounters exhibitions,...

Shiro Kuramata and Ettore Sottsass

For the first time works by the visionary Japanese interior designer Shiro Kuramata and his life-lon...

In Giacometti's Studio

Alberto Giacometti...

<

Picasso: Guitars 1912

Museum of Modern Art, New York
13 February–6 June 2011

by ADRIAN DANNATT...

George Shaw: The Sly and Unseen Day

George Shaw has been working away since 1996 at least, and this new show brings his paintings in par...

Ai Weiwei: Sunflower Seeds

The Chinese artist Ai Weiwei, with his Sunflower Seeds exhibition, has set a mind-twisting game in t...

art + soul

art + soul at the Art Gallery of New South Wales (AGNSW), Sydney, Australia, explores the diversity ...

High Abstract

In his preface to the catalogue for Poussin Gallery...

Louise Bourgeois, Tracey Emin: Do Not Abandon Me

When French-born American artist Louise Bourgeois handed over her set of 16 gouache male and female ...

Gabriel Orozco

Tate Modern, London. 19 January...

Grayson Perry: Visual Dialogues

Perfectly turned out in a pink and green satin dress, with matching hair ribbons and boldly rouged c...

The Life of the Mind: Love, Sorrow and Obsession

As the culmination of a 16 month residency at the New Art Gallery, Walsall, Bob and Roberta Smith, t...

<

Brave old world: Absalon

For Thomas More, ideal living arrangements were those that promoted the opening up of private life a...

ANALOG: Trends in Sound and Picture

The questions raised here are questions explored in the exhibition entitled Analog: Trends in Sound ...

Modern British Sculpture

The word “Baroque” springs to mind when trying to find an apt word to describe Modern British Sc...

John Makepeace: Enriching the Language of Furniture

The exhibition, John Makepeace: Enriching the Language of Furniture, at the Collins Gallery in Glasg...

Starred restaurant. Royal Academy of Arts, London

And now, from 19th January 2011, the redesigned 150 cover restaurant, the sixth in Oliver Peyton...

<

10 Dialogues: Richard Demarco, Scotland And The European Avant Garde

10 Dialogues presents the innovative work of Richard Demarco from the late 1960s to the present day,...

V&A Dundee: Blueprint on a tidal surge

The Victoria and Albert Museum...

Cream Rising to the Top. 100 Dresses by The Costume Institute/The Metropol...

In his preface to this collaboration between the Met and Yale University Press, Met Costume Institut...

Gordon Bennett: Home D

As one of Australia...

Book review: Unconcealed: The International Network of Conceptual Artists ...

In January 1967 Sol LeWitt, then an artist just starting to make his presence felt in Europe, wrote ...

<

Time travel through human mindset. Hiroshi Sugimoto | ORIGINS OF ART

Running over one year at Marugame Genichiro-Inokuma Museum of Contemporary Art in Japan, Hiroshi Sug...

Picturing Paradox. The Sound of One Hand: Paintings and Calligraphy by Zen...

Zen is an exacting practice, typically requiring years spent seeking a state that, ultimately, is re...

Guan Wei

The work of Chinese artist Guan Wei is an important comment on contemporary global culture. Born in ...



studio international logo
Copyright © 1893–2017 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Cybernetic Serendipity
CyberArt Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA