Laura Owens

Laura Owens’s dynamic abstract paintings, accompanied her own quirky audio guide, ensure there is ...

Intrigue: James Ensor by Luc Tuymans

Ensor’s star has remained dim in the UK. This small exhibition of his works, selected by fellow Be...

Ronan & Erwan Bouroullec: Rêveries Urbaines

Dreaming of new ways to connect humans to cities, the Paris-based brothers have sidestepped architec...

Magnus Plessen: ‘I try to undo or confuse any preconceived ideas while w...

The German artist talks about his latest show at White Cube in London, which includes paintings done...

Monica Bonvicini: ‘It is not merely a display of sculptures and objects ...

The Italian artist talks about her survey show at Baltic and how bringing together her works in new ...

In Focus: Stanley Spencer – A Panorama of Life

This bite-size exhibition offers a concise but surprisingly thorough overview of the artist’s life...

Anthea Hamilton: ‘There is something quite liberating about knowing that...

The Turner Prize-nominated artist talks about her experience of reimagining the Kettle’s Yard coll...

Cheng Ran: Diary of a Madman

For his first solo US exhibition, the Chinese artist presents his view of New York through a multime...

György Jovánovics: ‘A relief shows a dynamic promise, which is more th...

The Hungarian neo-avant-garde relief artist unravels his enduring interest in the abstract possibili...

Donna Huanca: ‘Memory is perhaps the most permanent architecture’

The Chicago-born artist discusses shedding skin, the idea of permanence, and being involved in Manif...

Maureen Gallace: ‘I wasn’t straining to do anything clever with such a...

For her third solo exhibition at Maureen Paley, London, the New York-based painter shows a group of ...

Peter Wächtler: ‘It’s a strange mixture of respect, and total disresp...

The Berlin and Brussels-based artist discusses the benefits of repetition, grappling with tradition,...

Thinking Pictures: Moscow Conceptual Art in the Dodge Collection

As viewers, we witness Moscow conceptualism caught in a perpetual bind between the Romantic obscurit...

Piotr Lakomy: Room Temperature

For his latest instalment at the south London gallery The Sunday Painter, the Polish artist poses qu...

Helaine Blumenfeld: ‘Beauty has no real meaning any more’

The sculptor talks about her ideas of beauty and pain, and how she learned to express these through ...

Joel Shapiro: ‘As an artist, you are synthesising the stuff around you i...

The influential American sculptor, now in the fifth decade of his career, brings out his wood wall r...

Leah Raintree – Another Land: After Noguchi

This modest exhibition consists of 10 photographs by Raintree of the work of Isamu Noguchi. Manipula...

Athena Papadopoulos: ‘Art is a kind of alchemy: turning shit into gold’

Drawing inspiration from her childhood and her womanising, fur-dealer father, Papadopoulos works acr...

Tim Benson: ‘I wanted my work to have more meaning’

The artist talks about storytelling through portraiture, and the human face of Ebola...

Jean Tinguely: Machine Spectacle

From kinetic sculptures to ‘do-it-yourself machines’ and scorched animal skulls to self-destruct...

Beyond Caravaggio

The shadowy and sensuous world of Caravaggio was too tempting for contemporaries to ignore. But as t...

John Akomfrah – interview: ‘The question of discourse is absolutely ce...

The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...

Olga Chernysheva: Vague Accent

This series of drawings depicting urban life in New York was made while Chernysheva was on a month-l...

Amalia Ulman: ‘I learn things from the performances that I wouldn’t ha...

Having presented her fictionalised personas on her Instagram account and at the Tate Modern, the art...