David Claerbout: ‘I sculpt in duration’
The artist talks about duration, place and history in his practice, and how he sees his way of worki...
For his second exhibition at Sadie Coles, the young American artist eschews canvas and paper, drawin...
Georg Baselitz: Wir fahren aus (We’re off)
This major exhibition, the artists first major solo show at White Cube, includes new large-scale pai...
Martine Syms: ‘I am interested in the idea of the gulf between your live...
The Los Angeles-based artist talks about semiotics, funkadelic Afrofuturism, and how to create a 90-...
William Heath Robinson’s Life of Line
With a wit all of his own Heath Robinson captured everything from the sublime to the ridiculous, and...
There were dogs, a screaming blow-up baby and a real donkey, but there were also museum-quality inst...
Gillian Wearing: ‘I don’t have any typical practice. Every project is ...
The artist talks about the ideas behind her latest film project, A Room With Your Views, which bring...
From the Collection: 1960-1969
From a shiny Jaguar E-Type, explosions of colour and a trip through a more muted palette, MoMA has s...
Sara Greenberger Rafferty: ‘What is more essential than how one faces th...
The multimedia artist talks about constructing the self through the language of clothing...
Charles Richardson – interview: ‘There must be some sort of desire in ...
Charles Richardson talks about his current show at Exeter Phoenix, collaborating with local artists,...
Jules de Balincourt: ‘I can’t be painting bouquets of flowers and pret...
The painter’s uncanny worlds reflect the post-9/11 zeitgeist with a beguiling charm. The world is ...
Michael Benson: ‘Science is about trying to increase that zone of what w...
Benson fuses art and science to conjure spectacular images from raw data collected by Nasa and ESA. ...
Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...
Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...
Asya Dodina and Slava Polishchuk: ‘Material dictates the way you relate ...
The Russian immigrant artists talk about the difference between art education in the former Soviet U...
Steven Claydon: interview, Art Sheffield 2016
Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...
Beatrice Gibson: interview, Art Sheffield 2016
London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evokes the chaos of ...
Mark Fell: interview, Art Sheffield 2016
Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...
Martin Clark: interview, Art Sheffield 2016
Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...
Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm
For this citywide event, curator Martin Clark aims to inspire a connection between different parts o...
François Morellet: ‘Art is frivolous even when it takes itself seriousl...
Two exhibitions by François Morellet, at London’s Mayor Gallery and Annely Juda Fine Art, mark th...
Controlled but creative, formulaic but somehow free, hypnotic in their undulation and unique in thei...
The biennial festival returns for its seventh edition with more than 220 contemporary artists from a...
Random International: ‘There is a real collective power in this group of...
Hannes Koch of Random International talks about the collective’s latest project, producing a kinet...
Spencer Finch: The Opposite of Blindness
In his third solo exhibition at the Lisson Gallery, Finch attempts to take visitors beyond the limit...
Lucy Jones: ‘My work is not slick and I struggle to resolve my paintings...
The artist talks about her recent return to making portraits of others, and explains what she sees a...
Paris is, as ever, a cauldron of art, but one breakout exhibition, expertly curated to challenge the...
Despite the urban construction materials, the steel bars and concrete slabs, there is a strong sense...
Todd Oldham: ‘I wasn’t very fashionable, so it was to our advantage th...
The New York-based designer talks about designing $10,000 dresses, his aversion to using animal mate...
Arnaldo Pomodoro: 'Sculpture is the appropriation of one’s own space wit...
As Italian sculptor Arnaldo Pomodoro has his first London exhibition for more than 50 years, he talk...
Philip Pearlstein: ‘I decided I didn’t want to express other artists...
The American artist has pursued an independent path for more than 60 years. Here, he talks about his...
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