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The Amazing World of MC Escher

MC Escher was long ignored by galleries and dismissed by critics, yet there is arguably no modern ar...

Royal Scottish Academy Metzstein Architecture Discourse: Glenn Murcutt

Architect Glenn Murcutt, winner of many international awards, presented an inspiring discourse on hi...

Hannah Collins: ‘Most of my work is a line between culture and the world...

The British artist known for her large, unframed photographs talks about her latest exhibition at th...

Alinka Echeverria: ‘As soon as you lift up the camera, you make the othe...

The photographer talks about her work looking at political and religious beliefs, including a visit ...

Lee Miller and Picasso

The close and long-lasting friendship between American photographer Lee Miller and Pablo Picasso is ...

Shoes: Pleasure and Pain

Exploring themes of transformation, status and seduction, the V&A’s Shoes: Pleasure and Painis an ...

Jackson Pollock: Blind Spots

Jackson Pollock’s black paintings have been unjustifiably dismissed by many. Tate Liverpool’s ex...

Emma Cousin: ‘Humour is the most important thing’

Studio International visited Transition Gallery in east London to speak to Cousin about painting, in...

Hayato Kiyuna, No Aloha

No Aloha is an exhibition of brightly coloured works on paper by Japanese artist Hayato Kiyuna. It i...

Nicholas Mangan: Ancient Lights

In his latest exhibition at London’s Chisenhale Gallery, Australian artist Nicholas Mangan drags a...

Primary Codes

This ambitious exhibition by four greats of computer art brings together works from the very start o...

Barbara Hepworth: Sculpture for a Modern World

Barbara Hepworth is seen as one of the most important figures in the development of abstract art in ...

Bruges Triennial 2015

The triennial’s theme was the megacity, imagining what Bruges would be like if the millions of tou...

Nathan Cash Davidson: ‘I’m two different artists in the same person’

The artist discusses his current exhibition at the Hannah Barry Gallery, his interest both in recrea...

Helen Sear: ‘It’s almost like the landscape is imprinted on the figure...

In her exploration of mortality and temporality, the artist seeks to disrupt the single-point perspe...

Jeanne Masoero: ‘My work is about trying to find structures, a kind of c...

The artist explains how her interest in the Mayan civilisation led her to use layers in her work. Ty...

Thomas Hirschhorn: In-Between

With his latest installation at South London Gallery, Thomas Hirschhorn’s portrayal of destruction...

Mirrors to Windows: The Artist as Woman

This documentary follows 10 female artists from three generations to discover how they fare in an ar...

Joseph Cornell: Wanderlust

Wanderlust explores the art of a man who crossed oceans in his imagination and explored fairytale ca...

Susan Cianciolo: ‘Everything I make is so sacred and it’s all about th...

The artist talks about the Fluxus boxes in her latest exhibition, opening a textile store in Mississ...

Black Mould

Michaël Borremans’ current exhibition at David Zwirner Gallery in London conjures a nightmarish w...

Sergio Camargo: Mármore

Lisson Gallery’s head of exhibitions, Emma Gifford-Mead, talks to Studio International about the i...

Unfinished … Works from the Courtauld Gallery

Most artists, at some point, are asked, ‘How do you know when a work is finished?’ It’s a surp...

Mark Fairnington: ‘The work I do with scientists echoes their speculatio...

The artist talks about his work researching natural history collections, how he crosses the divide b...

Carol Bove/Carlo Scarpa

This exhibition brings together sculptures by US artist Carol Bove and furniture and sculptures by V...

Cy Twombly: Fifty Years of Works on Paper

An exhibition of more than 80 drawings by Cy Twombly is on show at the Hara Museum of Contemporary A...

Herman de Vries: ‘My guru is a squirrel’ – Venice Biennale 2015

Herman de Vries, whose work spreads far beyond the confines of the Rietveld pavilion, explains why h...

Fighting History

Fighting History, an exhibition examining 250 years of history painting, has received a torrent of a...

Sheikha Lateefa bint Maktoum: ‘I am a veiled woman, so it’s a natural ...

The founder of Tashkeel, Dubai’s first public studio space for artists, talks about her hopes for ...

Pulitzer Arts Foundation marks its relaunch

With a new name, a doubling of gallery space, and new director Cara Starke, the revamped museum is k...

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