The exhibition at Ben Uri brings together five postwar artists, Joan Eardley, Sheila Fell, Eva Frank...
Using edible and chemical substances from hair gel to toothpaste to avocado skins and potatoes, Sama...
Concentric circles: Wojciech Fangor and Peter Sedgely
London commentary by David Thompson
First published in Studio International, Vol 171 No 878...
A World to Win: Posters of Protest and Revolution
From the “votes for women” campaigns of the early 20th century to anti-apartheid protests in the...
Wojciech Fangor: Colour-Light-Space
In the 1950s and 60s, Polish-born Wojciech Fangor (b1928) was an artistic force to be reckoned with....
Sam Belinfante: ‘For galleries, sound is still a terrifying prospect’
Sam Belinfante talks about the role of listening in the visual arts and the challenges he faced in c...
Dan Coombs: ‘Art is grounded in reaching for the real’
The artist talks about how he hoped his recent exhibition, Suspicion, would answer his 20-year quest...
In her largest exhibition to date, British artist Caragh Thuring presents a diverse series of abstra...
Transfigurations: Modern Masters from the Wexner Family Collection
This exhibition, which revolves around Pablo Picasso, Jean Dubuffet and Alberto Giacometti, offers w...
The Nova section of Art Basel Miami Beach gave artists a chance to show their latest works, from dra...
Maggi Hambling: ‘Some paintings you’ve just got to cut up. There’s e...
Maggi Hambling talks about the sea, life, death and love in her work, how, despite being nearly 70, ...
Jim Campbell: Indirect Imaging
American artist Jim Campbell uses LED technology for his light installations in this stunning explor...
In this major retrospective at the Serpentine Gallery, the works of Reiner Ruthenbeck – in particu...
Brian Bress: ‘I come to video with the agenda of a painter’
Brian Bress is an innovative multimedia artist who creates works that combine painting, drawing, ani...
Refraction: The Image of Sense
The internet and new technology have changed visual culture, and Peter Amdam, curator of Blain South...
Kennedy Browne: ‘With the internet there is no final cut’
Irish artist duo Kennedy Browne talk about how their work has been shaped by free-market triumphalis...
One of this year’s Bloomberg New Contemporaries, 26-year-old, Paris-born Marie Jacotey is exhibiti...
Art Basel Miami Beach: 14th Edition
This year’s fair was all about art as entertainment – and it didn’t disappoint. With more than...
Through photographs, film and video art, in his exhibition at Edinburgh’s Fruitmarket Gallery, Can...
Emerging artist Matt Copson’s alter ego is a vengeful fox named Reynard. Using ancient European fo...
Bloomberg New Contemporaries 2014
Studio International attended the opening night of Bloomberg New Contemporaries at the Institute of ...
Milou van der Maaden: interview
Dutch artist Milou van der Maaden graduated from the Slade School of Fine Art this year and instantl...
Recent Slade graduate Charles Richardson has hit the ground running. This year, in addition to his i...
Nacho Carbonell: ‘I try to communicate to many people through objects’
Nacho Carbonell makes collectable pieces that span the fields of art and design. On the occasion of ...
In this major exhibition of the 16th-century Italian painter Giovanni Battista Moroni, the Royal Aca...
Janenne Eaton: ‘My work is deeply political’
Melbourne-based artist Janenne Eaton talks about the inspiration behind her recent installation, Roa...
In conversation with Studio International, Biasi reveals the singular motivations behind his work an...
Jockum Nordström: ‘There’s a self-portrait in every single thing I do...
Having travelled from the island of Gotland where his latest solo exhibition was composed, Swedish a...
Gego and Gerd Leufert: a dialogue
This exhibition of works by Gertrude Goldschmidt – Gego – and Gerd Leufert demonstrates their ro...
Peder Balke is a little known 19th-century Norwegian artist. The National Gallery and Northern Norwa...
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