Emma Hart’s work is full of anxiety. Located in an empty domestic space on Tontine Street, Folkest...
Pablo Bronstein, whose Sketches for Regency Living graced the walls of the ICA in London this summer...
Jyll Bradley, a native of Folkestone, has returned to the town to create a wonderful homage to the K...
Fresh from his incredible journey with Nowhereisland, Alex Hartley speaks to us from his lookout ato...
Lewis Biggs is this year’s curator of the Folkestone Triennial, invited to join after 11 years as ...
Alastair Upton is chief executive of The Creative Foundation, an independent visionary arts charity ...
Dashiell Manley interview: ‘I approach most projects as if making a film...
Los Angeles-based artist Dashiell Manley talks about The Great Train Robbery, explains why he sees h...
Ready or Not: 2014 New Jersey Arts Annual: Fine Art
In its Arts Annual: Fine Art, Newark Museum was true to its roots. A wide array of theses, media an...
Katie Paterson: Earth-Moon-Earth (Moonlight Sonata Reflected from the Surf...
Katie Paterson’s lunar meditation on music, technology and imperfection reassesses our place in th...
Stephen Farthing, Rootstein Hopkins Chair of Drawing, talks to Janet McKenzie about his obsession wi...
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Rossetti’s Obsession: Images of Jane Morris
This small but enchanting exhibition of paintings, drawings and photographs of the pre-Raphaelite be...
Micro-Events: Tsuneko Taniuchi
Blurring the line between reality and fiction, performance artist Tsuneko Taniuchi tries to change o...
The lives of the women behind the Zero artists
Strong Women For Art: In Conversation with Anna Lenz is a celebration of women who have lived with m...
Primrose: Early Colour Photography in Russia
From austere family portraits of the 1860s to Rodchenko’s Stalinist propaganda posters and the sub...
Mark Soo interview: ‘The object of observation changes by being observed...
Multimedia artist Mark Soo tells A Will Brown about his interest in the interconnection of elements,...
An Idiosyncratic A to Z of the Human Condition
This whimsical interactive exhibition from the Wellcome Collection, with its weird and wonderful obj...
Anna McNay spoke to Ed Atkins about his current exhibition at the Serpentine Sackler Gallery, where ...
Lisson Gallery continues its minimalist aesthetic with the work of nine artists, five of whom have n...
German-born artist Gego once claimed that sculpture was never what she did, but the Henry Moore Inst...
Lisa Corinne Davis talks to Lilly Wei about her multilayered, map-like paintings, the complex relati...
Louise Bourgeois: A Woman Without Secrets
Louise Bourgeois is best known for her spider sculptures, including Maman for Tate Modern. This exhi...
Jake Yuzna, curator of the Museum of Arts and Design’s first biennial of New York City “makers...
The beautiful surroundings of Edinburgh’s Royal Botanic Garden provide the backdrop for German art...
Rashid Johnson talks about his show Magic Numbers at the George Economou Collection in Athens, his u...
Anita Taylor, dean of Bath School of Art and Design at Bath Spa University and the founder of the Je...
Drawn Together: Artist as Selector
Anita Taylor, dean of Bath School of Art and Design at Bath Spa University and the founder of the Je...
Susan Hiller’s exploration of anthropology and psychoanalysis sees her collecting, cataloguing, re...
Calum Colvin talks to Christiana Spens about the influences behind his art and photography, his feel...
Studio International visited the painter Rose Wylie in her studio in Kent, to see the new paintings ...
Madrid Me Mataat Arts + Leisure is New York-based painter Wendy White’s homage to the Galería Mor...
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