Pangaea: New Art From Africa and Latin America
This exhibition is named after that vast supercontinent that once contained all land on Earth before...
Nika Autor: Newsreel – The News Is Ours
Autor’s use of multimedia art is both connective and immersive. She delves down through the histor...
The architect, writer, and former publisher/editor of Studio International, Michael Patrick Spens of...
Zhang Enli, interview, Hauser & Wirth, London. We came to see Zhang’s current exhibition at Hauser...
Ida Kerkovius: “Meine Welt ist die Farbe” (“My world is colour”)
Listed alongside Gabriele Münter (1877-1962), Käthe Kollwitz (1867-1945), Marianne von Werefkin (1...
Matthew Barney: River of Fundament
Matthew Barney (b1967), best known for his CremasterCycle (1994-2002), comprising five films, with a...
Alex Katz’s paintings are recognisable from their bold, flat and often colourful depictions of fig...
Modern Nature: Georgia O’Keeffe and Lake George
Georgia O’Keeffe (1887-1986) is one of America’s thumbtack artists, those whose posters are pinn...
Alfredo Jaar was born in Santiago, Chile, in 1956. He attended the Chilean-North American Institute ...
Sarah Raphael (1960-2001) was described as one of Britain’s finest figurative painters when she di...
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Tim Rollins and KOS’s Angel Abreu and Rick Savinon: interview
In 1981, when he was 26, Tim Rollins was asked to develop a curriculum for an intermediate school in...
Robert Adams: The Place We Live
Robert Adams’ enigmatic graceful exhibition at Jeu de Paume suggests there are untold subtleties a...
Veronese: Magnificence in Renaissance Venice
This latest exhibition at the National Gallery, beautifully displayed and sympathetically realised, ...
Esme Toler and Olì Bonzanigo: interview
Esme Toler and Olì Bonzanigo are the creators of 13th Hour (2014), a sculpture on the roof of L’B...
Anna Raimondo is an Italian artist based in Brussels and working internationally. She describes hers...
Marrakech Biennale: fifth edition – Where are we now?
The fifth Marrakech Biennale takes place in locations across the city. Founded by Vanessa Branson in...
Most early reviews of the Whitney Biennial have been vehemently critical, often only citing the sect...
Renaissance Impressions: Chiaroscuro Woodcuts from the Collections of Geor...
Renaissance Impressions is a comprehensive survey of some remarkable pieces of printmaking from the ...
The South London Gallery presents a restaging of the group exhibition Welcome to Iraq, originally sh...
Patrick Scott: Image Space Light
Unsurprisingly coming from an architecture graduate, Scott’s work often revolved around order. Eve...
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Michael Craig-Martin has three exhibitions opening this month, one at Chatsworth House in Derbyshire...
Architecture Film and Postmodern Culture
In this enterprising move, long-term architectural publisher Axel Menges (whose list running from th...
Alex Warren and Tobias Ross-Southall, directors of Eleanor: interview
An extraordinary collaborative enterprise (displayed at the Cob Gallery Camden as a three-screen ins...
Shiver Me Timbers! Nick Jeffrey
Shiver Me Timbers!, a new exhibition of work by Berlin-based British artist Nick Jeffrey, is the Han...
Where the word “lust” in the title implies sinful, furtive enjoyment of the destroyed, Ruin Lust...
Suggestive, affective, nauseating. How to respond but with a wince, looking quickly away, perhaps a ...
Liliane Lijn (b1939) gives Studio International a tour of some of her key works in her north London ...
Gustave Doré – Master of Imagination
Gustave Doré (1832-83) was immensely successful in his day. He was the highest paid illustrator in ...
Vikings: Life and Legend opened at the British Museum to mixed reviews. In the newly finished Sainsb...
The Armory Show 2014 – The “Secondary” Market
First things first. The art came out from the gate running. Overflow was the word for this year’s ...
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