Earthy Transitions: India Art Fair 2014
Since its inception, the India Art Fair has become a Mecca for Indian artists, curators, collectors,...
Colin Self and David Hockney discuss their recent work
Colin Self's latest suite is on show at Alecto Gallery, Albemarle Street, London; a major exhibition...
América Latina 1960-2013 is a vast and brilliant exploration of a continent looking at itself. It i...
“I am 23 years old and wear glasses,” one of the inscriptions on Hockney’s 1961 print Myself a...
Michael Snow’s Times (1979) is a simple exercise in reproduction: a large photograph of one of the...
A Dialogue with Nature: Romantic Landscapes from Britain and Germany
“The artist should not only paint what he sees before him, but also what he sees in himself,” st...
In celebration of Derek Jarman’s life and work, the Cultural Institute at King’s College London ...
Carrie Mae Weems: Three Decades of Photography and Video
If there were one word to describe Carrie Mae Weems’s art in the exhibition at the Guggenheim Muse...
Sensing Spaces: Architecture Reimagined
Although the Royal Academy of Arts includes architecture within its remit, and elects distinguished ...
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Personal travel and the cult of tourism form the subject of Franz Ackermann’s paintings, inevitabl...
Making Painting: Helen Frankenthaler and JMW Turner
The first exhibition of 2014 at Turner Contemporary brings big canvases, bright colours and a return...
As a filmmaker, David Lynch has embraced the various Surrealist approaches, not least in the incongr...
The Stylish Fruits of an Intriguing Challenge
Where fashion designers create from intricately entwined aesthetic and commercial motivations with a...
In his first exhibition in Japan, French artist Christian Bonnefoi (b1948) shows his continuous sear...
Ink Art: Past as Present in Contemporary China
In the mid-1980s and 90s, as China distanced itself from the policies of Mao Zedong, and his success...
Tomás Saraceno’s work encompasses utopian architectural proposals exploring his ideas for a susta...
Darren Almond: To Leave a Light Impression
White Cube Bermondsey, South Galleries, London. Outside, it is grey and cold and, at 4.30pm, the sun...
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Sidesteps is Turkish artist Canan Tolon’s first major exhibition in London, bringing together thre...
A New York don’t-miss event, this show is revolutionary. Though not exactly groundbreaking – the...
Choosing, cropping, conjoining and composing are the intangible creative tools with which German art...
To mark the start of its 20th year, the Arts Catalyst, an organisation that puts a cultural spin on ...
The multimedia artist Mark Fox has a selection of his recent work on display at the Robert Miller Ga...
Project Space: Inverted House – Tina Gverović and Siniša Ilić
Given that we are psychologically programmed to see patterns in randomness, it is little surprise th...
Siobhan Davies Dance: Table of Contents - video review
Siobhan Davies is an award-winning British dancer and choreographer with a particular interest in th...
England’s lost architect: Cecil Ross Pinsent
This publication comes not a moment too soon. Cecil Pinsent, like other 20th- century innovators, su...
Ancient Wisdom And Modern Knowhow: Learning to Live With Uncertainty
This is a magisterial volume by no less than the current leading transatlantic architectural histori...
Mikhailov’s Russia: From Eden to Hell
Boris Mikhailov is perhaps the most prominent photographer to emerge from the former Soviet Union in...
William Kentridge: Fortuna is the most comprehensive monograph on the South African artist to date. ...
Table of Contents, a live installation
Siobhan Davies is an award-winning British dancer and choreographer with a particular interest in th...
Cartier: Le Style et l’Histoire
At Christmastime, every street in Paris sparkles and glimmers. Shop windows are lit up with extravag...
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