Monet and London: Views of the Thames

Industrial pollution is imbued with celestial light in Monet’s extraordinarily atmospheric paintin...

Thomas Houseago: Night Sea Journey

You can feel the energy ricocheting between Thomas Houseago and his hulking, portentous figures as h...

Gabriella Boyd – interview: ‘I work through intuitive and formal probl...

Gabriella Boyd shares the experiences and educational journeys through which her layered and intimat...

Alia Farid: Bneid Al Gar

A survey exhibition of the prize-winning Kuwaiti-Puerto Rican artist spotlights her intelligence and...

Alfred Kubin: The Aesthetics of Evil

This new exhibition sheds fresh light on the personal hell of artist Alfred Kubin whose nightmarish ...

Immortal Apples, Eternal Eggs

This extensive exhibition of still life works from two major collections is full of clever visual pa...

The Uncanny: Sigmund Freud and Art

In works by Louise Bourgeois, Helmut Newton, Cindy Sherman and Francesca Woodman, among others, this...

Mali Morris – interview: ‘A phrase that I use as a mantra is “What i...

In the run up to her exhibition at Hatton Gallery, Mali Morris talks about her processes of applying...

Keiichi Tanaami: Adventures in Memory

This major respective celebrates Japanese artist Keiichi Tanaami known for his colourful works refle...

Van Gogh: Poets and Lovers

The National Gallery’s miraculous 200th anniversary exhibition strips back the tragic legend to sp...

Luigi Ghirri. Viaggi: Photographs 1970-1991

Italian photographer Luigi Ghirri was working in the 1970s and 80s when tourism was becoming commonp...

Hannah Höch: Assembled Worlds

As well as 80 photomontages by Hannah Höch, seen as one of the inventors of the medium, this major ...

Selva Aparicio – interview: ‘I have worked a lot with mourning. It is ...

Aparicio has had a packed year, with her first major solo show in Chicago and two works commissioned...

Time for Magic: A Shamanarchist’s Guide to the Wheel of the Year – boo...

Best known for his album covers for the Sex Pistols, Jamie Reid was an anarchist who was also fascin...

Thérèse Oulton

A bewitching and challenging exhibition of paintings from 1983 until 2024, revealing an underappreci...

Flora Yukhnovich – interview: ‘I’m always looking at history through...

Where better to view the work of contemporary rococo-inspired painter Flora Yukhnovich than at the W...

Goshka Macuga – interview: ‘I wanted to invite viewers to consider the...

Macuga, whose exhibition Born from Stone is now on view at the London Mithraeum, discusses the poten...

Claudia Martínez Garay – interview: ‘I’m interested in the encounte...

As Claudia Martínez Garay's exhibition at Nottingham Contemporary draws to a close, the multidiscip...

Raven Halfmoon – interview: ‘It took everything in me to make these sc...

Raven Halfmoon, sculptor and citizen of the Caddo nation, talks about her forthcoming show at Salon ...

Carlos Moreno – interview: ‘The 15-minute city is not a way of declari...

The urban planner behind the concept of the 15-minute city talks about why it is now an urgent neces...

Awaken, Metamagical Hands

This exhibition calls back to the surface a hidden gradient of software art development since the 19...

Edinburgh Art Festival

This year’s festival urges us to believe that, collectively, we can build a better future. And whi...

After the End of History: British Working-Class Photography 1989-2024

From the northern soul scene to farmers and a world boxing champ, photographers have captured images...

Angus Pryor – interview: ‘I love chaos, so celestial journeys, end-tim...

Angus Pryor explains his fascination with the Book of Enoch, long rejected by the Christian church, ...