Graffiti redux

Graffiti! The recent dust-up over three Los Angeles skyscrapers raises the question: defacement or f...

Goshka Macuga – interview: ‘I wanted to invite viewers to consider the...

Macuga, whose exhibition Born from Stone is now on view at the London Mithraeum, discusses the poten...

Claudia Martínez Garay – interview: ‘I’m interested in the encounte...

As Claudia Martínez Garay's exhibition at Nottingham Contemporary draws to a close, the multidiscip...

Raven Halfmoon – interview: ‘It took everything in me to make these sc...

Raven Halfmoon, sculptor and citizen of the Caddo nation, talks about her forthcoming show at Salon ...

Dialogue with Joseph Beuys

Alongside work by Joseph Beuys, six contemporary Japanese artists respond to an artist who saw no bo...

Awaken, Metamagical Hands

This exhibition calls back to the surface a hidden gradient of software art development since the 19...

Edinburgh Art Festival

This year’s festival urges us to believe that, collectively, we can build a better future. And whi...

After the End of History: British Working-Class Photography 1989-2024

From the northern soul scene to farmers and a world boxing champ, photographers have captured images...

Leonora Carrington: Rebel Visionary

The sculptures, masks, lithographs and tapestries in this exhibition introduce a cast of characters ...

The Shape of Things: Still Life in Britain

With works from the 17th century to today, from Edwaert Collier to Duncan Grant and Maggi Hambling, ...

Parade – book review

I wanted to like Rachel Cusk’s latest experimental novel, in which she writes about various artist...

Danielle Brathwaite-Shirley: The Soul Station

The Berlin techno club provides the perfect setting for a pioneering game-making artist whose works ...

Tavares Strachan: There Is Light Somewhere

A ship floating on the roof, a giant encyclopaedia of neglected people and things, and busts of Jame...

Charlie Stiven – interview: ‘You don’t need to be loud to be express...

Charlie Stiven talks about the 3D models in his earlier exhibition, Kiosk, at Summerhall, Edinburgh,...

Yoshitomo Nara

Yoshitomo Nara's children may appear unrealistic and simplistic, but they pulsate with a complexity ...

Helen Charman – interview: ‘Young V&A is a very optimistic space. It's...

The Young V&A has been awarded the Art Fund Museum of the Year 2024 award. The institution’s direc...

Peter Kennard: Archive of Dissent

For 50 years, Peter Kennard’s activist art has railed against corporate and state power, wars and ...

Lucía Pizzani – interview: ‘Come on, look at me, I’m here. We both ...

The London-based Venezuelan artist talks about her commission at Harewood House, her exhibition at C...

Paris 1924: Sport, Art and the Body

A compelling exhibition turns back the clock to the last Paris Olympics, where art, photography and ...

Jason Wilsher-Mills – interview: ‘Doing art is like cultural national ...

Life-affirming British artist Jason Wilsher-Mills, whose latest show is at the Wellcome Collection i...

Get the Picture – book review

In this brilliant and amusing book, journalist Bianca Bosker infiltrates the world of art and the ga...

Chris Ofili: The Caged Bird’s Song

Weavers translated a triptych watercolour painting by Ofili into a tapestry, and this exhibition giv...

Ed Clark

Bringing together works from the 1940s to the 2000s, this is the first institutional exhibition in E...

Now You See Us. Women Artists in Britain 1520-1920

Monumental and momentous, this exhibition does away with any lingering notion that there have been ...