search
Published  30/11/-0001
Share:  

Gwen John: Art and Life in London and Paris

With her focus on quiet domestic interiors and sensitive portraits of women, Gwen John has long been...

The Reason for Painting

This show is billed as bringing together a group of younger artists ‘experimenting with colour, ma...

Amy Sillman – interview: ‘We’re in this sticky place between despair...

On the occasion of her latest exhibition at Thomas Dane’s Naples gallery, the ever-probing Amy Sil...

Maki Na Kamura – interview: ‘People in the presence of my work can pro...

Maki Na Kamura, the Berlin-based Japanese painter, touches on her interest in patterns of structures...

La Horde

An invigorating survey of the French art and dance collective explores how dance binds communities t...

Jaune Quick-to-See Smith: Memory Map

In the first New York retrospective of the artist’s work, covering almost five decades, she offers...

Perfect Behaviours. Life Redesigned by the Algorithm

Are we free to make our own decisions in an age in which technology is used to manipulate us? Curato...

Simone Leigh

Ceramic, bronze and video works spanning 20 years of Simone Leigh’s practice, including nine works...

The Rossettis

The Rossettis: This exhibition is both broader and narrower than its title suggests. In a nutshell, ...

Guy-Ernest Debord & Gil Joseph Wolman: L’un n’exclut pas l’autre [Th...

This exhibition is a joy, combining leaflets, flyers and other ephemera from Debord and Wolman’s p...

Kate Spencer Stewart: Diurne

Kate Stewart takes into account the contingencies of ambient light, her works iridescent, shimmering...

Kira Freije – interview: ‘There’s a fine line I always have to tread...

The E-Werk’s Turbine Hall is the perfect setting for Freije’s new figurative metal sculptures. T...

Hilma af Klint & Piet Mondrian: Forms of Life

They never met or even knew of one another’s work, yet Hilma af Klint and Piet Mondrian are united...

Emily Kraus: Nest Time

This young painter, fresh out of the Royal College of Art, has already developed her own, very disti...

Michael E Smith

A scruffy old armchair, two grubby basketballs, ventilation panels, dirty white walls – it’s uns...

Christina Seilern – interview: ‘Doing a project is like writing a book...

Having set up Studio Seilern Architects in 2006, Christina Seilern has been quietly building a solid...

Hunterian Art Gallery Reframed

Scotland’s oldest public museum has “reframed” its historic collection to recognise Glasgow’...

Isaac Julien: What Freedom Is to Me

Charting 40 years of the film-maker’s career, this exhibition immerses its audience in slavery, im...

Andy Warhol: The Textiles

If you thought you knew everything about Warhol’s work, this show may surprise you. The curators h...

Ai Weiwei: Making Sense

Ai has a genius for incorporating pieces of everyday design into his work as a form of protest at go...

Portraits of Dogs: From Gainsborough to Hockney

While some might be quick to dismiss #WallaceWoofs as kitsch and gimmicky, it is a well-founded and ...

Soutine/Kossoff

Colour, gesture and expression permeate the works of Chaïm Soutine and Leon Kossoff, but this exhib...

Visionaries: Making Another Perspective

Contemporary Japanese artists celebrate their country’s traditional ancient crafts using natural p...

After Impressionism: Inventing Modern Art

Cézanne, Van Gogh and Gauguin are at the heart of this show as it takes us on an exhilarating journ...

Rising Sun: Artists in an Uncertain America

This partnership between art institutions of disparate missions and unequal standing and resources h...

Retrotopia: Design for Socialist Spaces

This groundbreaking exhibition brings together 11 countries from the former communist bloc and explo...

Stefan Brüggemann: Not Black, Not White, Silver

Spray-painted words ‘deface’ an array of surfaces, vast and small, some fashioned from expensive...

Treasures of Ukraine – book review

This book chronicles Ukraine’s rich cultural heritage even as the war with Russia threatens the ve...

General Idea

An elephantine retrospective captures the madcap antics and media theorising of the pioneering Canad...

Berthe Morisot: Shaping Impressionism

The first major UK exhibition of Berthe Morisot’s work in almost three-quarters of a century, this...

studio international logo

Copyright © 1893–2024 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA