Calligraffiti: 1984/2013 – the art happening that launched the New York ...
A vibrant collaboration between Jeffrey Deitch, who curated the show, and Leila Heller, the longtime...
Moving Beyond – Painting in China 2013
Of the many aspects that the exceptional Moving Beyond – Painting in China 2013 exhibition explore...
The Birth of Cinema … and Beyond: An Exhibition of Painting and Video
Before the invention of cinema in the 19th century, visual art was one of the primary means for stor...
The exhibition of Julia Margaret Cameron’s portraits and allegorical scenes currently on view at t...
Between Spiritual and Material Spaces: the Photographic World of the Gao B...
Sense of Space – Wake...
How to be Contemporary? An interview with curator Charles Esche
The Scotsman Charles Esche, director of the Van Abbemuseum, a modern and contemporary museum in Eind...
The Pakistani artist Imran Qureshi, who was voted Artist of the Year in 2013 by the Deutsche Bank Gl...
The Universal Addressability of Dumb Things
The exhibition’s title, The Universal Addressability of Dumb Things, comes from a concept in compu...
“The witch is dead. Which old witch? The wicked witch! Ding Dong! The wicked witch is dead!” Fro...
George Gittoes has worked in many war zones over the past 40 years, including Rwanda, Bosnia, Somali...
American Modern – A Canon Revived
The recently opened American Modern: Hopper to O’Keeffe in the Museum of Modern Art is arranged in...
Le Corbusier: An Atlas Of Modern Landscapes
The current exhibition at the Museum of Modern Art, New York, curated by Cohen and Barry Bergdoll, m...
Contemporary British painter Gary Hume’s current retrospective at Tate Britain is a both a dark an...
A major retrospective of Man Ray at the Scottish National Portrait Gallery in Edinburgh: a highlight...
All I Have Learned and Forgotten Again
This major exhibition of works by Jockum Nordström [b.1963] explores the breadth of his work in col...
Emma Hart (b. 1974, London) lives and works in London and has presented solo exhibitions and perform...
Doig was born in Scotland, worked on oil rigs on the Canadian plains, studied in London, taught in D...
On Tuesday morning, 20 October 1970, the incipient but short-lived International Coalition for the L...
Most recently the architect Kengo Kuma from Japan has been commissioned by the Victoria & Albert Mus...
Professor Mechal Sobel discusses her research on Bill Traylor
Studio International spoke with Professor Sobel about her interest in Traylor, the influence of Afri...
Since he was brought to public attention at the Corcoran Gallery in Washington DC with the 1982 exhi...
Bedwyr Williams is currently representing Wales at the Venice Biennale with The Starry Messenger. He...
David Whitaker Retrospective Part II: Waters of the Nile
David Whitaker (1938 – 2007) was one of the first artists to have a solo show at the Serpentine Ga...
“Here we all are,” tweeted Marek Kukula, public astronomer at The Royal Observatory Greenwich an...
Sturtevant: Leaps, Jumps and Bumps
Strangely absent from most histories of Pop and Conceptualism, Elaine Sturtevant’s work is signifi...
Mayor Boris Johnson unveils large blue Hahn/Cock
Mayor of London Boris Johnson unveils Hahn/Cock by German artist Katharina Fritsch, the latest sculp...
Experience the city in four dimensions through the lense of an artist at B...
Staying and sleeping overnight in an artwork by Japanese artist Satoshi Hirose at Beppu in Japan is ...
Survival is perhaps the message of the 2013 Venice Biennale, but confusion of aims, contradiction of...
![Fabricio Lopez. Oco [Hollow], 2013. Woodcut, 175 x 135 cm. © Fabricio Lopez. Photograph: Everton Ballardin.](/images/articles/l/lopez-fabricio-2013/smallpix/lopez-12xilocorgrande-300.jpg)
Revitalising an old art – Interview with Fabricio Lopez
It is hard to imagine that innovation could be brought to the ancient tradition of printing from woo...
Club to Catwalk: London Fashion in the 1980s
With the explosive emergence of the London club scene in the 1980s came a new generation of fashion ...
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