Ibrahim El-Salahi: A Visionary Modernist
Miguel Benavides talks to Ibrahim El-Salahi about his Sudanese heritage, his time in prison on unfou...
Two exhibitions of Chagall’s paintings overlap this summer, though surprisingly they have quite li...
Before joining the leagues of his subjects, entering into the world of celebrity as a cult director ...
Bringing together local and international photographers and artists, Picturing Derry covers the year...
It is a fine New York moment for California. For no reason that art-worlders can explain, six of Los...
With Great Force, Swiftly and Surely
During her life, Swedish mystic Hilma af Klint (1862–1944) believed the abstract art she made as p...
Belgian painter Paul Delvaux was profoundly influenced by the Surrealists – by Giorgio de Chirico...
Outside In: 55th Venice Biennale
In the alleyways of Venice, street vendors are touting a new product – a globule of goo, which whe...
Wilma Tabacco was born in the province of L’Aquila, Italy and has lived in Australia since childho...
Nicholas Rena: The Harmony of the Year
Monumental vessels by Nicholas Rena refer to the respective liturgical and domestic roles played by ...
Collection Sandretto Re Rebaudengo: Have you seen me before?
Patrizia Sandretto Re Rebaudengo has enjoyed the status of one of Europe’s most prominent collecto...
Global Clarion Call: Fiona Hall – Big Game Hunting
Fiona Hall: Big Game Hunting at Heide Museum of Modern Art is one of the most impressive exhibitions...
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Bill Viola: Frustrated Actions and Futile Gestures
Like most of Viola’s work, each series of videos in this exhibition hovers on an edge of some sort...
Patrick Caulfield and Gary Hume
Two masters of British art, two mini retrospective exhibitions, but held together in Tate Britain’...
Genesis is one of three bodies of work by the Brazilian born photographer Sebastião Salgado that pu...
“…When we are moved and have discovered or learned to funnel the mucous of situations that happe...
The Wisdom of Birds: Holding - King - Shimmen
The Wisdom of Birds shows the work of three artists for whom the imagery and significance of birds h...
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Re-Found: Sara Beazley, Charlotte Hodes, Maria Noel
Re-Found: Sara Beazley, Charlotte Hodes, María Noël presents work that uses a wide range of source...
For many people, viewing “Extremist Art: Expression of the Death Penalty,” a gathering of some 3...
“Before we go any further, can I just make sure that you actually know who I am and that you know ...
Zachary Buehner has no reference to being a graffiti artist on his website, for obvious reasons (In ...
George Bellows (1882-1925): Modern American Life
Such is the historical window and nature of George Bellows’ rather short career that it seems unav...
Inside the Ordinary-Fantastic World of a Pop Artist
A new book published by the Museum of Modern Art (MoMA) in New York, Claes Oldenburg: Writing on the...
Well, well, round two on our shores and London’s signet-ring art fair’s here to stay. They had p...
Pentimenti, Godwin Bradbeer’s new show in Melbourne presents work in a figurative mode, for which ...
Hughes' new exhibition at Flowers, Cork Street, includes nine new paintings employing his unique tec...
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Dancing Around the Bride: Cage, Cunningham, Rauschenberg and Duchamp
This is not the first time we have “danced around the bride”. It is now well acknowledged that s...
New Order at Saatchi Gallery; Pae White at SLG; Rock on… at Serpentine G...
New Order: British Art Today at the Saatchi Gallery; Pae White at SLG; Rock on Top of Another Rock a...
Pae White: Too Much Night, Again
Inspired by a recent bout of insomnia, using the colours of Black Sabbath’s album cover from Maste...
Placing one rock on top of another is a seemingly simple gesture, and, as the Swiss artistic duo, Pe...
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