Long associated with its support for emerging artists and early recognition of talents to watch out ...
Liane Lang’s works combine a mixture of photography and grotesquely lifelike silicon and rubber sc...
Coming Soon: Qatar and the Emirates
Linked by a coastline, by ambition, by energy and by sudden wealth, Qatar, Dubai and Abu Dhabi are p...
Architecture for All, Without Limits: Toyo Ito at 72
One of the superstar architects of the century, Toyo Ito, who turns 72 in June, said he now faces a ...
A Choice Collection of Latin American Art Comes Home
Working in the shadow of majestic Royal Palm trees, a team of architects, curators and artists engag...
Barbara Hepworth: The Hospital Drawings
Pallant House Gallery in Chichester, West Sussex, is showing Barbara Hepworth: The Hospital Drawings...
Mat Collishaw: THIS IS NOT AN EXIT
Mat Collishaw is well known for his photographic work and his experimental work in a range of media....
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An Exhibition to See: Landscape/Landscript: Nature as Language in the Art ...
The Chinese artist, Xu Bing (b. 1955), is internationally acclaimed for his ability to challenge peo...
Roy Lichtenstein Retrospective
Lichtenstein: A Retrospective, Tate Modern. If there is one thing that can be said about the work of...
Portraiture In Focus: Irene Barberis, Anita Taylor and Helen Sturgess
To focus on the portrayal of the human form in the 21st century; specifically the portrait requires ...
An exhibition of 11 paintings made between 1992 and 2009 by the late Catalan artist, Antoni Tàpies ...
A Post-Modern Renaissance Rooted in Tradition
Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York C...
Marlborough Fine Art, London, 6 March–5 April 2013. This new retrospective show of the work of Joe...
Schwitters In Britain. Tate Britain, London, 30 January–12 May 2013. This comes as a timely exhibi...
Charles Harrison in Retrospect
Charles Harrison – art historian, Art & Language collaborator, and sometime critic and curator –...
Susan Hiller’s exhibition: Channels (2013) at Matt’s Gallery in East London is a large audio-scu...
Richard Long: Heaven and Water
There is a seeming antithesis between the realities of an invasive ‘Time Team’ archaeological in...
The Whitney Museum should set up a food cart and a postcard stand for the people who are streaming i...
The Armory Show 2013. The name is all. Forget that’s it’s held on two piers and in a tent anchor...
Lichtenstein: A Retrospective, Tate Modern, London, 21 February – 27 May 2013. Coming on to the ar...
A Highly Calculated Affair: Impressionism, Fashion & Modernity
Impressionism and Fashion debuted in fall 2012 at the Musée d’Orsay and has just opened at its se...
Constantin Brancusi: the essence of things
Two outstanding exhibitions of modern sculpture are on show together at Tate Modern in London, 'Cons...
Lynn Chadwick CBE: Pyramids, Split Forms and Beasts
Two new exhibitions of Lynn Chadwick in London simply confirm the status and importance of one of Br...
Painting’s relationship with the written word is at best fraught with complication. Over determina...
Urban Narratives at L’Espace Louis Vuitton Tokyo gives a glimpse of what it is like to live in a c...
Ursula von Rydingsvard: interview
This is her moment. Named Storm King Art Center's artist of the year, Ursula von Rydingsvard has jus...
Tate Modern 2012 Programme in Retrospect: the Place for Performance
It came as no surprise, in January, when Tate Modern announced that 2012 was an exceptional year for...
Questions of whether one perceives light, or the object generating light, or whether light is just t...
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Silvia Hatzl: A Fragile Existence
Silvia Hatzl. 'My works are born through a series of stages, most of them sensual; touching, smellin...
According to Sarah Williams Goldhagen (‘Aalto’s Embodied Rationalism’), who is one of the cont...
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