Elizabeth Price – 2012 Turner Prize winner
Had I been asked to place a bet upon who I thought would win the Turner Prize 2012, my money would n...
Inverleith House in the grounds of the Botanical Gardens in Edinburgh is showing the late works of P...
The paint, the plaster and the woodchips have settled on Art Basel week in Miami and the tally is mi...
Propaganda may seem like a slightly cruel way to describe the war photography of Cecil Beaton, but i...
Francesco Clemente: Mandala for Crusoe
Francesco Clemente is a mediator between the visible world and the world of thought and emotion. A 2...
Bloomberg New Contemporaries 2012
New Contemporaries has supported emerging artists from British art schools since 1949. Democratic an...
Arthur M. Sackler Gallery celebrates 25th Anniversary
The Arthur M. Sackler Gallery, an independent museum on the Washington DC Mall under the Smithsonian...
Seduced by Art: Photography Past and Present, National Gallery, London and Shoot! Existential Photog...
Curatorial Director, ANTHONY BOND, curator of Francis Bacon: Five Decades, describes his exhibition ...
Richard Hamilton: The Late Works
Just what is it that makes Richard Hamilton’s works so different, so appealing? Sadly, the current...
The skill with which Jan Van Ecyk portrays the everyday object is remarkable. He brings life and lig...
John Bellany: A Passion For Life
A 70th birthday exhibition in the National Gallery of an artist’s homeland holds a special categor...
Antipodean Springtime: Letter from Australia
Janet McKenzie spends a wonderful and art-packed three weeks in Australia....
South Korean artist Do Ho Suh’s exhibition at the 21st Century Museum of Contemporary Art, Kanazaw...
Retelling history through art – an interview with Kimathi Donkor
Kimathi Donkor is an artist with an appetite for historical research. Born in Bournemouth in 1965, D...
An American In Paris: Edward Hopper Retrospective
This major exhibition at the Grand Palais is a timely successor to that mounted by Tate Modern in 20...
Pre-Raphaelites – Victorian Avant-Garde
Tate Britain, London, 12 September 2012–13 January 2013. The Pre-Raphaelite Brotherhood, formed in...
The Liverpool Biennial 2012 – the UK Biennial of Contemporary Art
The Liverpool Biennial 2012 brings together dozens of different exhibitions comprising artworks by m...
Irene Barberis: Apocalypse/Revelation: Re Looking (Feminale: the edge of l...
Irene Barberis has been inspired and explored imagery for her art and research into the Book of the ...
Freud Museum, London, until 20 November 2012. Saying It is an exhibition that presents a mise-en-sc...
Go Figure! Contemporary Chinese Portraiture
Go Figure! is a two location exhibition of Contemporary Chinese Portraiture, drawn from the Uli Sigg...
Luc Tuymans: Allo! David Zwirner’s new London space
What better way to inaugurate American gallerist David Zwirner’s new London space (his first Europ...
Innovating with the old – Frieze Masters 2012
Frieze Art Fair is now more than just one of the top international events of its kind. Creative busi...
Convergent Worlds has been curated to mark the 20th anniversary of the Drill Hall Gallery. Situated ...
Aesthetic and intellectual clarity defines the painting of Alan Robb, who lives in Newport-on-Tay in...
Love it or hate it, the Turner Prize is upon us once again, and, after a year’s sojourn at the BAL...
Lindsay Seers. Nowhere Less Now
The Tin Tabernacle, Kilburn, London, until 21 October 2012. Born in Mauritius into a naval family, t...
Taking a transnational picture: an interview with Maryam Najd
Contemporary online art journal with reviews, analysis and comment...
Klimt: Up Close And Personal: Paintings, Letters, Insights. Leopold Museum...
The 150th anniversary of the birth of the Austrian artist Gustav Klimt was the subject both of the e...
Van Gogh To Kandinsky: Symbolist Landscape In Europe 1880–1910
This exhibition is well conceived in principle and excellently hung; landscape here, is the clear un...
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