This exhibition from the Hermitage Museum in St Petersburg, Russia brilliantly celebrates the 250th ...
Human history, and by extension the history of art, is a history of transfiguration, of translation,...
This timely showing of 60 various graphics in all, some six of which are from the Gallery's own coll...
A Delicate Game of Cat-and-Mouse
Interviews with Artists 1966-2012 by Michael Peppiatt. Yale University Press, 2012. The experience o...
Ships and Sirens at Festival time
Susan Philipsz Timeline 2012, The Edinburgh Arts Festival 2012. The artist Susan Philipsz launched h...
In the Forward to the current Barbican exhibition catalogue Bauhaus: Art as Life, an obligatory cred...
A Redefining Moment in the History of Native American Art
Changing Hands: Art Without Reservation 3, Contemporary Native North American Art from the Northeast...
A festival for our time: dOCUMENTA 13
Faces press against the glass wall of a rotunda in one of the world’s oldest museums: the Neo-Clas...
I Spy: Photography and the Theater of the Street, 1938-2010
I Spy: Photography and the Theater of the Street, 1938-2010 is a wonderful new exhibition at the Nat...
The Serpentine Gallery’s Yoko Ono: To the Light is the artist’s first London-based retrospective...
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Invisible: Art about the Unseen, 1957-2012
From the amusing to the philosophical, there are works you can observe and others you can take part ...
La Tendenza: Italian Architecture 1965–1985
Using a selection of major works from their permanent collection as well as more than 250 other draw...
The Afghan Seminars – dOCUMENTA 13
This year, in addition to its home-base in Kassel, dOCUMENTA (13) has satellite venues in Kabul, Ale...
Leckhampton Prairie Garden: a Garden for Today
Leckhampton House is once again the scene of a pioneering venture. Fifty years after it became home ...
Ken Done - Attack: Japanese Midget Submarines In Sydney Harbour
Seventy years ago, on the night of 31 May 1942, three Japanese midget submarines entered Sydney Harb...
Fair is language: São Paulo Art Fair
I received an email from Miguel Benavides, a friend who runs Studio Trust. At the request of Studio ...
Luca Signorelli: ingenuity and pilgrim spirit
Mind your lessons, little Kinsman’, that is the advice the eight-year-old Giorgio Vasari received ...
This summer, Anri Sala is the focus of the Pompidou’s efforts to celebrate the work of current Fre...
Jenny Holzer: Sophisticated Devices
“When you’ve been someplace for awhile you acquire the ability to be practically invisible. This...
Édouard Vuillard: A Painter and his Muses, 1890–1940
Édouard Vuillard: A Painter and his Muses, 1890–1940. The Jewish Museum, New York 4 May–23 Se...
Grayson Perry. The Vanity of Small Differences
Grayson Perry’s current exhibition at Victoria Miro features his new series of six tapestries, The...
The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...
Reading the Head. Celia Scott Head to Head Sculptures
The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...
Walking into the Lisson Gallery on one of the hottest days of the year, I already feel as if I am me...
Matisse takes the spotlight this spring at the Pompidou, and the swathes of attendees are this time ...
Giuseppe Cavalli: Master of Light
Giuseppe Cavalli: Master of Light – In 1947, Italian photographer Giuseppe Cavalli (1904–61) co-...
Dissent Popes and Swandown: a taste of Cafe Gallery Projects
Recent accolades likening South London to New York may be slightly exaggerated yet complimentary com...
Morgan O’Hara: Live Transmissions from the English National Ballet
Clearly if you draw or are interested in the state of contemporary drawing then C4RD is an important...
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