Technology and art 8: `The prehistory of the visible'

To read Burnham on vitalist or biomorphic sculpture is to be reminded that there is no apparent corr...

Technology and art 5

The added originality in [Petar] Milojević's technique is that by slight changes to his programming...

Technology and Art 4: SYMBIOTIC ART

Sound and light are not the only media which can be used, and it seems worthwhile to consider such w...

Technology and Art

An artist can acquire such [technical] skills for himself or he can borrow other people's....

On art and technology

One nice thing about technology is that it can neither be called serious nor the opposite. It just i...

Cybernetic Serendipity—Getting Rid of Preconceptions

Cybernetic Serendipity exhibition was the demonstration of machine-aided creative processes...

Cybernetic Serendipity: Correspondence

Cybernetics includes all observable systems—whether biological, electronic, industrial, economic o...

Non-games

The esoteric books and games we are involved with here are those which one cannot do anything with. ...

Venice Biennale: the British five

“... this year’s selection of Caro, the Cohens [Bernard Cohen, Harold Cohen], Denny, and Richard...

An interview with Marcel Duchamp

Marcel Duchamp '...The whole of modern art—the Impressionists, the Fauves, the Cubists—the whole...

Venice Biennale: choosing the artists

“...in 1948, [at the Venice Biennale] ...Henry Moore walked off with the major Sculpture Prize...t...

No Tension In Machines

Clacking, ticking and now and then breaking down, an exhibition at New York University's Art Gallery...