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Outsider Art comes Full Circle – 'John the Painter'
Outsider Artists' are not only untrained, but have also avoided 'social conditioning...
John Piper in the 1930s - Abstraction on the Beach
Dulwich Picture Gallery marks the centenary of John Piper's birth with a major exhib...
I was in Memphis, Tennessee earlier this year to lecture on Charles Rennie Mackintos...
The superb exhibition now filling four rooms of the Sackler Wing at the Royal Academ...
I was in Memphis, Tennessee earlier this year to lecture on Charles Rennie Mackintosh...
Guy Bourdin at the V&A. Fashion photography as art
In the 1970s, fashion seemed to be at its lowest ebb. The 60s, when London was the style capital of ...
London Review of Books — Shop, Bury Place, London, WC1
LRB has actually opened its own shop, in an amazing display of commercial acumen....
Achille Castiglioni: an obituary
The death of Achille Castiglioni towards the end of last year is a sad reminder that...
Antony Gormley: Field for the British Isles
Antony Gormley's 'Field for the British Isles' is one of the most riveting projects by a British scu...
Albrecht Durer and his Legacy: The graphic work of a Renaissance artist
The British Museum celebrates its 250th anniversary this year. If the present exhibi...
Eva Hesse at Tate Modern is a wonderful, enigmatic exhibition that inspires a wide range of interpre...
Versace at the V&A is the largest exhibition that the Victoria and Albert Museum, in London, has eve...
The Aztec exhibition at the Royal Academy opened on 16 November and will run until 11 April 2003....
Howard Hodgkin: Large Paintings 1984-2002
Howard Hodgkin is regarded as one of the most important artists in Britain working t...
There have been some carping comments in British art magazines, such as 'The Museum ...
Cy Twombly: Philosophy in Paint
The exhibition was a survey of 50 years of Twombly's career in the different media he has explored: ...
Artist as Peacemaker - Beyond Conflict
Beyond Conflict is a natural extension of the work of Richard Demarco in Edinburgh; ...
Despite the fact that Vitaly Komar and Alexander Melamid have already become world-c...
Metamorphing: Transformation in science, art and mythology
For humans, change has always been essential, but difficult nonetheless. For most of...
Unseen Vogue: The Secret History of Fashion Photography
Unseen Vogue, an exhibition shown recently in the Design Museum, London that is also...
An old tenement building close to the harbour in Valletta seems an unlikely location...
Rapture: Art's seduction by fashion since 1970
Until visiting this exhibition I had, naively and unconsciously, assumed that contem...
Andrew Forge, who died on 4 September 2002 in New Milford, Connecticut, aged 78, was...
Tate Modern, 21 September through 5 January 2003. The Barnett Newman exhibition has opened and is a ...
Fabric of Vision: Dress and Drapery in Painting
Over the summer (19 June—8 September 2002) the National Gallery, London showed Fab...
Accountancy as terrorism: 'Christie Malry's Own Double Entry'
All over Hollywood, producers and screenwriters are pitching 'high concept' film pro...
David Blackburn: The Sublime Landscape
David Blackburn's exhibition at the Hart Gallery in London coincides with the public...
Matisse Picasso at Tate Modern has just finished, but moves on to Paris and New York...
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