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Published  30/11/-0001
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Billy Childish: The Disruptive Betterment of Culture

Billy Childish (born Steven John Hamper, 1959, Chatham, Kent) has been variously described as a...

Show - Jerwood Encounters

Show, curated by Sarah Williams, is the fourth in this series of Jerwood Encounters exhibitions,...

Shiro Kuramata and Ettore Sottsass

For the first time works by the visionary Japanese interior designer Shiro Kuramata and his life-lon...

In Giacometti's Studio

Alberto Giacometti...

Picasso: Guitars 1912

Picasso: Guitars 1912-1914 at Museum of Modern Art, New York 13 February–6 June 2011...

George Shaw: The Sly and Unseen Day

George Shaw has been working away since 1996 at least, and this new show brings his paintings in par...

Ai Weiwei: Sunflower Seeds

The Chinese artist Ai Weiwei, with his Sunflower Seeds exhibition, has set a mind-twisting game in t...

art + soul

art + soul at the Art Gallery of New South Wales (AGNSW), Sydney, Australia, explores the diversity ...

High Abstract

In his preface to the catalogue for Poussin Gallery’s current exhibition, High Abstract, Mel Goodi...

Bill Viola: The Quintet of the Unseen

In Bill Viola’s piece The Quintet of the Unseen, exhibiting at Blain Southern, one can see a simil...

Louise Bourgeois, Tracey Emin: Do Not Abandon Me

When French-born American artist Louise Bourgeois handed over her set of 16 gouache male and female ...

Gabriel Orozco

Since the 1980s Mexican artist, Gabriel Orozco has been making “work” – and it can only be des...

Grayson Perry: Visual Dialogues

Perfectly turned out in a pink and green satin dress, with matching hair ribbons and boldly rouged c...

The Life of the Mind: Love, Sorrow and Obsession

As the culmination of a 16 month residency at the New Art Gallery, Walsall, Bob and Roberta Smith, t...

Brave old world: Absalon

For Thomas More, ideal living arrangements were those that promoted the opening up of private life a...

ANALOG: Trends in Sound and Picture

The questions raised here are questions explored in the exhibition entitled Analog: Trends in Sound ...

Modern British Sculpture

The word “Baroque” springs to mind when trying to find an apt word to describe Modern British Sc...

An essay on sculpture. Studio International, 1969, Volume 177, No 907: 12-...

The emergence of a kind of sculpture in the last few years that is distinguished from previous sculp...

Starred restaurant. Royal Academy of Arts, London

And now, from 19th January 2011, the redesigned 150 cover restaurant, the sixth in Oliver Peyton...

John Makepeace: Enriching the Language of Furniture

The exhibition, John Makepeace: Enriching the Language of Furniture, at the Collins Gallery in Glasg...

10 Dialogues: Richard Demarco, Scotland And The European Avant Garde

10 Dialogues presents the innovative work of Richard Demarco from the late 1960s to the present day,...

V&A Dundee: Blueprint on a tidal surge

The Victoria and Albert Museum...

Cream Rising to the Top. 100 Dresses by The Costume Institute/The Metropol...

In his preface to this collaboration between the Met and Yale University Press, Met Costume Institut...

Gordon Bennett: Home D

As one of Australia...

Book review: Unconcealed: The International Network of Conceptual Artists ...

In January 1967 Sol LeWitt, then an artist just starting to make his presence felt in Europe, wrote ...

Time travel through human mindset. Hiroshi Sugimoto | ORIGINS OF ART

Running over one year at Marugame Genichiro-Inokuma Museum of Contemporary Art in Japan, Hiroshi Sug...

Artists’ Laboratory 02: Stephen Farthing RA – interview

The Artists' Laboratory 02: Stephen Farthing RA is the second in the programme of exhibitions at the...

Picturing Paradox. The Sound of One Hand: Paintings and Calligraphy by Zen...

Zen is an exacting practice, typically requiring years spent seeking a state that, ultimately, is re...

Guan Wei

The work of Chinese artist Guan Wei is an important comment on contemporary global culture. Born in ...

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