Migrations: Journeys into British Art. Interview with Sonia Boyce
Sonia Boyce is included in this space; her work From Tarzan to Rambo: English Born “Native” Cons...
Grand Palais, Galerie sud-est, Paris until 17 June 2012. This spring, the Grand Palais shows the fir...
Between Embodiment and Identity
Beginning with a large glass display case, diagrams and drawings of body parts alongside plastic rep...
Fashion’s Archeologist Excavates Her Past
A woman who shares her living space with a Mexican Huastec figure dated to 900 CE, Russian icons, In...
Hirst Reconsidered: Damien Hirst, Tate Modern, London, 2012
Reviews of Damien Hirst’s work invariably focus on the artist’s apparently contradictory identit...
_mdean-b-300.jpg)
Michael Dean: Government and Phyllida Barlow: Bad Copies
Michael Dean’s current exhibition, Government, at the Henry Moore Institute is the artist’s firs...
Shezad Dawood. Piercing Brightness
In his feature length film, Piercing Brightness, Shezad Dawood uses the genre of science fiction to ...
Elemental Extravagance: The Jewelry and Metalwork of Marie Zimmermann
Widely admired and acquired during her lifetime, Marie Zimmermann...
New Studio Collaboration In Perth, Scotland
Arthur Watson is a well-established artist of international repute and Secretary of the Royal Scotti...
A Fitting Coda to a Culture-Bridging Career. An interview with Joe Earle o...
In September 2007, Joe Earle joined Japan Society in New York as vice-president and director of the ...
Extra Muros: Masterpieces at MAS, Five Centuries of Images from Antwerp
The first temporary exhibition set up in this industrial edifice, adorned by 3,000 legendary little ...
Jazz-Age Style with an Asian Twist. Deco Japan: Shaping Art and Culture, 1...
Japanese art deco is the subject of a new travelling exhibition...
-b-300.jpg)
When a black mark is placed on a white paper, both paper and pigment immediately become transformed....
To commemorate the life and career of Lucian Freud, and coinciding with the National Portrait Galler...
Studio International is published by the Studio International Foundation, PO Box 1545, New York, NY ...
Carlos Amorales: La Lange des Morts
In the Parisian springtime, an exhibition about death, and its symbolic representation, seems at fir...
Alvar Aalto and the Sustainable Nordic House
45 years ago, Alvar Aalto was commissioned by the Nordic Council of Ministers to design the Nordic H...
The lucrative relationship between celebrity and commerce is assumed in an age of branding and image...
The Armory Show: A Personal View
Art fairs are not places conducive to the contemplation of works of art, nor do they necessarily cla...
Late Modern or Postmodern? New Architecture by Trevor Dannatt
Comparisons and parallels will inevitably be drawn about this new, and very private house designed b...
Mary Heilmann: Visions, Waves, and Roads
Aside from a spate of regurgitated press releases, art critical attention to The Indiscipline of Pai...
The current exhibition of Lucian Freud at the National Portrait Gallery is quite awesome and unmissa...
Paris in the springtime, more than any other city perhaps, compels its visitors and natives to dance...
David Hockney: A Bigger Picture
David Hockney: A Bigger Picture at the Royal Academy provides a feast of colour in mid-winter, and a...
A Walk Down One Fashion Magazine
Fashion appears to be a momentary phenomenon. With a click of the shutter, the moment is gone and th...
Paul Cézanne was a man of contradictions. As an artist he took an unconventional approach to drawin...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
