Celebrating Life at The Chelsea Hotel with Painter David Remfry
British-born painter David Remfry is one of the last holdouts at the legendary Chelsea Hotel in Manh...
Masters of Venice: Renaissance Painters of Passion and Power from the Kuns...
Aside from the sheer magnificence and technical bravura of the paintings themselves, one of the most...
Lygia Pape once said that her primary interest, when she embarked upon a career in the arts in the e...
Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950-1...
With its iconic architectural silhouette atop the hills of Los Angeles and its status as one of the ...
Building The Revolution: Soviet Art and Architecture 1915-1935
The arrival point at the Royal Academy Courtyard off Piccadilly, first glimpsed through the Classica...
Youth and Beauty: Art of the American Twenties
The exhibition includes 138 paintings, sculptures and photographs by 67 artists produced between 192...
The Pompidou's Munch retrospective entitled L'œil moderne stares defiantly at the Norwegian's life ...
The Steins Collect. Matisse, Picasso and the Parisian Avant-Garde
When Leo Stein settled in Paris in late 1902 it was with the same romantic intention, as so many bef...
The Mystery of Appearance: Conversations Between Ten British Post-War Pain...
Contemporary online art journal with reviews, analysis and comment...
-2-b-300.jpg)
Pipilotti Rist – Eyeball Massage
Once upon a time there was a girl called Elisabeth Charlotte Rist who was born in the Alps of Switze...
Giorgio Vasari: Dessins du Louvre
This winter, in celebration of the five hundredth centenary of Giorgio Vasari's birth, the Louvre op...
Can Architects Draw? Architects Sketchbooks
This extensive compendium reaches for a definition of this fundamental process and mental tool avail...
The Pot of Gold at the Other Side of the Atlantic. Cecil Beaton: The New Y...
Museum of the City of New York, 25 October 2011...
Leonardo da Vinci: Painter at the Court of Milan
According to the famously unreliable Giorgio Vasari, when Leonardo...
Painting Canada: Tom Thomson and the Group of Seven
This winter, The Dulwich Picture Gallery takes us on a tour of the seductive world of Canada...
Sculpture studios are particularly fascinating places: factory-like yet traditional in terms of mate...
Iconic images of war and martyrdom present very different sides of the same coin...
Andrew Antoniou: Theatre of Chance and Enchantment
Andrew Antoniou's recent exhibition at Australian Galleries, Sydney shows his enduring fascination w...
Bermondsey Street these days exudes a growing calm satisfaction: a local Tate, its own “village fe...
Rachel Howard is not an artist to shy away from heavy subject matter; sin, suicide, madness, the fra...
The enigma of Gerhard Richter is not here resolved by Tate Modern’s new exhibition. Yet the exhibi...
A life-size crocheted brown bear (crochetdermy = due to it resembling taxidermy), a cross-stitched w...
The Spirit of Tariki Visits New York
Fibre is any material that helps to form a connection. It has wide applications in science and indus...
A Futuristic Architectural Movement from the Past Speaks to the Present
At a critical moment in urban architectural history, the Mori Art Museum in Tokyo considers the dist...
John Martin: Apocalypse, at Tate Britain is the largest display of his work in public since 1822. In...
Post Office or Postmodern? Postmodernism: Style and Subversion, 1970-1990
'The design for the extension to the National Gallery, London, when finally won in competition by Ro...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
