George Shaw: The Sly and Unseen Day
George Shaw has been working away since 1996 at least, and this new show brings his paintings in par...
The Chinese artist Ai Weiwei, with his Sunflower Seeds exhibition, has set a mind-twisting game in t...
art + soul at the Art Gallery of New South Wales (AGNSW), Sydney, Australia, explores the diversity ...
In his preface to the catalogue for Poussin Gallery’s current exhibition, High Abstract, Mel Goodi...
Bill Viola: The Quintet of the Unseen
In Bill Viola’s piece The Quintet of the Unseen, exhibiting at Blain Southern, one can see a simil...
Louise Bourgeois, Tracey Emin: Do Not Abandon Me
When French-born American artist Louise Bourgeois handed over her set of 16 gouache male and female ...
Since the 1980s Mexican artist, Gabriel Orozco has been making “work” – and it can only be des...
Grayson Perry: Visual Dialogues
Perfectly turned out in a pink and green satin dress, with matching hair ribbons and boldly rouged c...
The Life of the Mind: Love, Sorrow and Obsession
As the culmination of a 16 month residency at the New Art Gallery, Walsall, Bob and Roberta Smith, t...
For Thomas More, ideal living arrangements were those that promoted the opening up of private life a...
ANALOG: Trends in Sound and Picture
The questions raised here are questions explored in the exhibition entitled Analog: Trends in Sound ...
The word “Baroque” springs to mind when trying to find an apt word to describe Modern British Sc...
An essay on sculpture. Studio International, 1969, Volume 177, No 907: 12-...
The emergence of a kind of sculpture in the last few years that is distinguished from previous sculp...
Starred restaurant. Royal Academy of Arts, London
And now, from 19th January 2011, the redesigned 150 cover restaurant, the sixth in Oliver Peyton...
John Makepeace: Enriching the Language of Furniture
The exhibition, John Makepeace: Enriching the Language of Furniture, at the Collins Gallery in Glasg...
10 Dialogues: Richard Demarco, Scotland And The European Avant Garde
10 Dialogues presents the innovative work of Richard Demarco from the late 1960s to the present day,...
Cream Rising to the Top. 100 Dresses by The Costume Institute/The Metropol...
In his preface to this collaboration between the Met and Yale University Press, Met Costume Institut...
Book review: Unconcealed: The International Network of Conceptual Artists ...
In January 1967 Sol LeWitt, then an artist just starting to make his presence felt in Europe, wrote ...
Time travel through human mindset. Hiroshi Sugimoto | ORIGINS OF ART
Running over one year at Marugame Genichiro-Inokuma Museum of Contemporary Art in Japan, Hiroshi Sug...
Artists’ Laboratory 02: Stephen Farthing RA – interview
The Artists' Laboratory 02: Stephen Farthing RA is the second in the programme of exhibitions at the...
Picturing Paradox. The Sound of One Hand: Paintings and Calligraphy by Zen...
Zen is an exacting practice, typically requiring years spent seeking a state that, ultimately, is re...
The work of Chinese artist Guan Wei is an important comment on contemporary global culture. Born in ...
The death of poet Peter Porter in London in April this year prompted the superlative accolades he de...
Paul Gauguin shaped a mythology that lasted; a persona deliberately crafted yet wildly varied. The f...
Helen Frankenthaler: Paper is Painting
Helen Frankenthaler: Paper is Painting, at Bernard Jacobson Gallery, London is one of three exhibiti...
Are You A Lolita? Japan Fashion Now
From avant-garde bag ladies and Asian Ivy-Leaguers to folksy Forest Girls and fashion-eating Lolitas...
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