Tarkovsky: Russian film-maker – book review
This is a remarkable new compendium on the life and work of the Russian film-maker Andrei Tarkovsky ...
Beauty Rendered. The Model as Muse: Embodying Fashion
Idealised notions of feminine beauty have, from the beginnings of human history, been a yardstick by...
Victor Majzner, Painting the Torah, 2008
Victor Majzner (b.1945) published a limited edition book (750 copies), Painting the Torah (2008), to...
Klaus Moje: A Love Affair with Glass
Considered to be the founding father of the contemporary glass movement in Australia, Klaus Moje has...
Baroque World: Baroque 1620-1800: Style in the Age of Magnificence, V&A, L...
Baroque is above everything, the word for a particular style in music, ceramics, furniture, drama, c...
The British Council Collection; Passports
Relatively unknown inside of Britain, the British Council in fact plays an extensive role in nurturi...
This is a substantial selection of work, a broadly chronological arrangement from throughout his car...
Sickert in Venice. Dulwich Picture Gallery, London. 2009
In 1905 Sickert returned triumphantly from Venice ready to take on and lead the new generation of Br...
Designs On at the University of Dundee
The exhibition Designs On at the University of Dundee was conceived as part of the conference V&A at...
Constable Portraits: The Painter and his Circle
This spring the National Portrait Gallery (NPG), armed with a little trowel, unearths lesser-known w...
Book review: Andrei Tarkovsky: elements of cinema
The film Director Andrei Tarkovsky died at the age of 54 in December l986. This was a tragedy at suc...
Rodchenko and Popova: defining constructivism
This superbly researched and hung exhibition is nonetheless somewhat long overdue insofar as it reco...
Materiality and Memory. An interview with Cildo Meireles
Born in Rio de Janeiro, Brazil in 1948, Cildo Meireles spent most of his adolescence in Brasilia, th...
Sharp Center, Ontario College of Art & Design, Toronto, Canada. Opened 25 September 2003...
In October 2008 I visited Jörg Schmeisser in his studio in Canberra, Australia. He had just returne...
Damaged Romanticism: A Mirror of Modern Emotion
The highly idyllic nature of the Romantic tradition in philosophy, art, music, literature and theatr...
Interview: Independent curator and author Kohle Yohannan on 'the legend of...
From artfully obscured beginnings in Russia, to her full-blown commercial success by the end of the ...
Book review: Modernist Malta: The Architectural Legacy
As the tide of Postmodernism in architecture recedes now and is lapped by...
Rewinding personalities: Van Dyck at Tate Britain
The short journey from the British Museum down to Tate Britain is currently a rewarding trip. The Br...
Book review: Young Chinese Artists: The Next Generation
The survey and coverage of the post-1975 generation of Chinese artists has long been a specific glob...
V&A at Dundee: Making it Happen
The mood was upbeat for the conference to explore the feasibility of building a V&A in the Scottish ...
Carlo Cardazzo – a new vision for art
A must-see exhibition at The Peggy Guggenheim Museum in Venice. Carlo Cardazzo, is now being honoure...
Book review: Projects in China: Architects Von Gerkan Marg and Partners
The Hamburg originated architectural practice von Gerkan Marg and Partners are long established in G...
Review: Andrea Palladio: His Life and Legacy
It is significant that this exhibition at the Royal Academy in London originated in Vicenza (Palazzo...
Book review: The Truth about Babylon: Babylon Myth and Reality
The exhibition Babylon: Myth and Reality rightly seeks to demonstrate and display the truth about th...
Book review: New Orleans 1867. Photographs by Theodore Lilienthal
The publication covers the New Orleans photographs by Theodore Lilienthal mostly made in 1867. The w...
Richard Serra’s 2008 Exhibition at Gagosian gallery, which closed just before Christmas, showed th...
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